DAC Collection Artist Information
Philip Kappel
American painter, printmaker, illustrator, and author
Artist ID number in the Union List of Artist Names®: ULAN 500048823.
The ULAN link above leads to a cataloging authority record at the Getty Research Institute.
Objects related to Philip Kappel:
Philip Kappel | Nile Boats, 1931 | Drypoint |
Philip Kappel | Barranquilla, Colombia, S.A., 1929 | Drypoint |
Philip Kappel | Curiosity, 1936 | Etching on off-white handmade paper |
Philip Kappel | Frenchman’s Bay, Maine, 1928 | Etching on off-white handmade paper |
Philip Kappel | Vieux carré, 1960 | Etching on good machine-made paper |
Philip Kappel | Loading Seatrains, 1952 | Etching on good wove paper |
Philip Kappel | Market Day, Claremont, Jamiaca, W.I., 1960 | Etching on good heavyweight wove paper |
Philip Kappel | Seatrain, 1952 | Etching on good heavyweight wove paper |
Philip Kappel | Chatham Bar—Cape Cod, 1926 | Aquatint on cream wove paper |
Philip Kappel | The Silhouette, 1926 | Drypoint on cream laid paper |
Philip Kappel | Nude, 20th century | Drypoint on cream laid paper |
Philip Kappel | The Book (Study in Light and Shade), 1944 | Drypoint on laid paper |
Philip Kappel | The Book, 1944 | Drypoint on laid paper |
Philip Kappel | Untitled Proof from Unfinished Plate [image of standing boy, back view], 20th century | Drypoint on laid paper |
Philip Kappel | With Stun’Sails Alow and Aloft, 1927 | Drypoint on laid paper |
Philip Kappel | Entrance to Courtyard, Pratt Institute, Brooklyn, 1924 | Etching on cream laid paper |
Philip Kappel | The Main Entrance, Pratt Institute, Brooklyn, 1924 | Etching on cream laid paper |
Philip Kappel | The Women’s Club Gate, Pratt Institute, Brooklyn, 1924 | Etching on cream laid paper |
Philip Kappel | Ship’s Cook—Tug N.Y. Harbor, 1935 | Drypoint and mezzotint on laid paper |
Philip Kappel | Ship’s Cook—Tug N.Y. Harbor, 1935 | Pencil drawing; sketch of steamship on verso on heavyweight wove paper |
Philip Kappel | Ship’s Cook—Tug N.Y. Harbor, 1935 | Drypoint and mezzotint on laid paper |
Philip Kappel | Original Sketch for High Noon Port-au-Prince Haiti, ca. 1928 | Pencil drawing on white wove paper |
Philip Kappel | Sketch for Plate Spoiled in Execution/Haitian scene, 20th century | Pencil drawing on white wove paper |
Philip Kappel | Untitled, 20th century | Pencil drawing on heavyweight wove paper |
Philip Kappel | Off Shore, New England, 20th century | |
Philip Kappel | Connecticut General Life—Bloomfield, Conn. 1958, 1958 | Etching on cream textured wove paper |
Philip Kappel | Canceled copper plates, 20th century | Copper plates |
Philip Kappel | Ephemera [archival material], 20th century | Various media |
Philip Kappel | A Gray Day, 1922 | Drypoint on heavyweight wove paper |
Philip Kappel | Off Marblehead Neck, 1925 | Drypoint on ivory laid paper |
Philip Kappel | The Silhouette, 1926 | Drypoint on Shogun paper |
Philip Kappel | Repairs—impression from canceled plate, 1926 | Drypoint on cream laid paper |
Philip Kappel | Marblehead Fish Houses, 1926 | Drypoint on cream laid paper |
Philip Kappel | Becalmed (Calm; Bit of Maine Coast), 1926 | Drypoint on cream laid paper |
Philip Kappel | Sail and Steam, 1927 | Drypoint on cream laid paper |
Philip Kappel | The Stern Chase (Gloucester Schooners), 1927 | Drypoint on wove paper |
Philip Kappel | A Visitor to Saint Marc, Haiti, 1928 | Drypoint on ivory laid paper |
Philip Kappel | A Visitor to Saint Marc, Haiti—impression from canceled plate, 1928 | Drypoint on ivory laid paper |
Philip Kappel | High Noon, Port-au-Prince, Haiti, 1928 | Drypoint on cream laid paper |
Philip Kappel | Port-au-Prince, Haiti, 1928 | Drypoint on cream laid paper |
Philip Kappel | Approaching Cartagena, Colombia, S.A., 1928 | Drypoint on laid paper |
Philip Kappel | Native Boats at Cartagena, Colombia, 1928 | Drypoint on laid paper |
Philip Kappel | Homecoming, Caribbean Fishermen, 1928 | Drypoint on cream laid paper |
Philip Kappel | Bound for Haiti, 1928 | Drypoint on cream laid paper |
Philip Kappel | Unloading a Freighter, West Indies, 1928 | Drypoint on cream laid paper |
Philip Kappel | Lighters at Gonaives, Haiti, 1928 | Drypoint on laid paper |
Philip Kappel | The Hay Boat, Ipswich, Massachusetts, 1928 | Drypoint on cream wove paper |
Philip Kappel | Cargoes, West Indies, 1928 | Drypoint on laid paper |
Philip Kappel | Tropical Morning, Venezuela, 1929 | Drypoint on cream laid paper |
Philip Kappel | In the Caribbean, 1929 | Drypoint on laid paper |
Philip Kappel | In the Gulf Stream (Off Antigua, W.I.), 1929 | Drypoint on cream laid paper |
Philip Kappel | Running Free, Marblehead, Massachusetts, 1929 | Drypoint on cream laid paper |
Philip Kappel | Weetamoe, Enterprise, and Yankee—Buzzards Bay, 1929 | Drypoint on cream laid paper |
Philip Kappel | Ghosting along, 1930 | Drypoint on laid paper |
Philip Kappel | In the Trades—Light Airs and Baffling, 1931 | Drypoint on laid paper |
Philip Kappel | Lifting Fog, Maine Coast, 1931 | Drypoint on laid paper |
Philip Kappel | Marine Pathway, 1932 | Drypoint on cream laid (head) paper |
Philip Kappel | Off Hatteras, 1932 | Drypoint on cream laid paper |
Philip Kappel | The Tusitala, 1932 | Drypoint on laid paper |
Philip Kappel | Scuppers Full, 1933 | Drypoint on laid paper |
Philip Kappel | Standing Out to Sea, 1933 | Drypoint on laid paper |
Philip Kappel | Boat Builders, Essex, Massachusetts, 1934 | Drypoint on ivory wove paper |
Philip Kappel | The Net Menders, Gloucester, 1934 | Drypoint on Tweadweave paper |
Philip Kappel | Away Forward, 1934 | Drypoint on laid paper |
Philip Kappel | Race Week, Marblehead Neck, Massachusetts, 1935 | Drypoint on laid paper |
Philip Kappel | Off the Grand Banks, 1935 | Drypoint and roulette on Tweadweave paper |
Philip Kappel | The Holystoners, 1935 | Drypoint on laid paper |
Philip Kappel | Aloft, 1930? | Drypoint on Tweadweave paper |
Philip Kappel | Off El Morro, Puerto Rico, 1937 | Drypoint on cream laid paper |
Philip Kappel | Haunted Sentry Box, Puerto Rico, 1936-1937 | Drypoint on laid paper |
Philip Kappel | Morro Castle, Havana, Cuba, 1937 | Drypoint on laid paper |
Philip Kappel | Off Shore, West Indies, 1938 | Drypoint on cream laid paper |
Philip Kappel | Cancelled copper plate for “Off Shore, West Indies”, 1938 | |
Philip Kappel | Off Shore, New England, 1944 | Drypoint on cream laid paper |
Philip Kappel | Down Wind Leg, 1945 | Drypoint on possibly Tweadweave paper |
Philip Kappel | The Grain Ship in Tow, 1946 | Drypoint on ivory laid paper |
Philip Kappel | The Grain Ship in Tow, 1946 | Drypoint on ivory laid paper |
Philip Kappel | Topsail Schooners in a Match, 1946 | Drypoint on laid paper |
Philip Kappel | Through the Surf, 1946 | Drypoint on Tweadweave paper |
Philip Kappel | Off Boston Light, 1947 | Drypoint on ivory laid paper |
Philip Kappel | Old Love, 1948 | Drypoint on possibly Tweadweave paper |
Philip Kappel | The Tug Thomas E. Moran, 1948 | Drypoint on ivory laid paper |
Philip Kappel | Out of the Past, possibly 1959 | Drypoint on Tweadweave paper |