Davison Art Center, Wesleyan University

DAC Collection Artist Information

Philip Kappel

American painter, printmaker, illustrator, and author

Artist ID number in the Union List of Artist Names®: ULAN 500048823.
The ULAN link above leads to a cataloging authority record at the Getty Research Institute.

Objects related to Philip Kappel:

Philip Kappel Nile Boats, 1931 Drypoint
Philip Kappel Barranquilla, Colombia, S.A., 1929 Drypoint
Philip Kappel Curiosity, 1936 Etching on off-white handmade paper
Philip Kappel Frenchman’s Bay, Maine, 1928 Etching on off-white handmade paper
Philip Kappel Vieux carré, 1960 Etching on good machine-made paper
Philip Kappel Loading Seatrains, 1952 Etching on good wove paper
Philip Kappel Market Day, Claremont, Jamiaca, W.I., 1960 Etching on good heavyweight wove paper
Philip Kappel Seatrain, 1952 Etching on good heavyweight wove paper
Philip Kappel Chatham Bar—Cape Cod, 1926 Aquatint on cream wove paper
Philip Kappel The Silhouette, 1926 Drypoint on cream laid paper
Philip Kappel Nude, 20th century Drypoint on cream laid paper
Philip Kappel The Book (Study in Light and Shade), 1944 Drypoint on laid paper
Philip Kappel The Book, 1944 Drypoint on laid paper
Philip Kappel Untitled Proof from Unfinished Plate [image of standing boy, back view], 20th century Drypoint on laid paper
Philip Kappel With Stun’Sails Alow and Aloft, 1927 Drypoint on laid paper
Philip Kappel Entrance to Courtyard, Pratt Institute, Brooklyn, 1924 Etching on cream laid paper
Philip Kappel The Main Entrance, Pratt Institute, Brooklyn, 1924 Etching on cream laid paper
Philip Kappel The Women’s Club Gate, Pratt Institute, Brooklyn, 1924 Etching on cream laid paper
Philip Kappel Ship’s Cook—Tug N.Y. Harbor, 1935 Drypoint and mezzotint on laid paper
Philip Kappel Ship’s Cook—Tug N.Y. Harbor, 1935 Pencil drawing; sketch of steamship on verso on heavyweight wove paper
Philip Kappel Ship’s Cook—Tug N.Y. Harbor, 1935 Drypoint and mezzotint on laid paper
Philip Kappel Original Sketch for High Noon Port-au-Prince Haiti, ca. 1928 Pencil drawing on white wove paper
Philip Kappel Sketch for Plate Spoiled in Execution/Haitian scene, 20th century Pencil drawing on white wove paper
Philip Kappel Untitled, 20th century Pencil drawing on heavyweight wove paper
Philip Kappel Off Shore, New England, 20th century
Philip Kappel Connecticut General Life—Bloomfield, Conn. 1958, 1958 Etching on cream textured wove paper
Philip Kappel Canceled copper plates, 20th century Copper plates
Philip Kappel Ephemera [archival material], 20th century Various media
Philip Kappel A Gray Day, 1922 Drypoint on heavyweight wove paper
Philip Kappel Off Marblehead Neck, 1925 Drypoint on ivory laid paper
Philip Kappel The Silhouette, 1926 Drypoint on Shogun paper
Philip Kappel Repairs—impression from canceled plate, 1926 Drypoint on cream laid paper
Philip Kappel Marblehead Fish Houses, 1926 Drypoint on cream laid paper
Philip Kappel Becalmed (Calm; Bit of Maine Coast), 1926 Drypoint on cream laid paper
Philip Kappel Sail and Steam, 1927 Drypoint on cream laid paper
Philip Kappel The Stern Chase (Gloucester Schooners), 1927 Drypoint on wove paper
Philip Kappel A Visitor to Saint Marc, Haiti, 1928 Drypoint on ivory laid paper
Philip Kappel A Visitor to Saint Marc, Haiti—impression from canceled plate, 1928 Drypoint on ivory laid paper
Philip Kappel High Noon, Port-au-Prince, Haiti, 1928 Drypoint on cream laid paper
Philip Kappel Port-au-Prince, Haiti, 1928 Drypoint on cream laid paper
Philip Kappel Approaching Cartagena, Colombia, S.A., 1928 Drypoint on laid paper
Philip Kappel Native Boats at Cartagena, Colombia, 1928 Drypoint on laid paper
Philip Kappel Homecoming, Caribbean Fishermen, 1928 Drypoint on cream laid paper
Philip Kappel Bound for Haiti, 1928 Drypoint on cream laid paper
Philip Kappel Unloading a Freighter, West Indies, 1928 Drypoint on cream laid paper
Philip Kappel Lighters at Gonaives, Haiti, 1928 Drypoint on laid paper
Philip Kappel The Hay Boat, Ipswich, Massachusetts, 1928 Drypoint on cream wove paper
Philip Kappel Cargoes, West Indies, 1928 Drypoint on laid paper
Philip Kappel Tropical Morning, Venezuela, 1929 Drypoint on cream laid paper
Philip Kappel In the Caribbean, 1929 Drypoint on laid paper
Philip Kappel In the Gulf Stream (Off Antigua, W.I.), 1929 Drypoint on cream laid paper
Philip Kappel Running Free, Marblehead, Massachusetts, 1929 Drypoint on cream laid paper
Philip Kappel Weetamoe, Enterprise, and Yankee—Buzzards Bay, 1929 Drypoint on cream laid paper
Philip Kappel Ghosting along, 1930 Drypoint on laid paper
Philip Kappel In the Trades—Light Airs and Baffling, 1931 Drypoint on laid paper
Philip Kappel Lifting Fog, Maine Coast, 1931 Drypoint on laid paper
Philip Kappel Marine Pathway, 1932 Drypoint on cream laid (head) paper
Philip Kappel Off Hatteras, 1932 Drypoint on cream laid paper
Philip Kappel The Tusitala, 1932 Drypoint on laid paper
Philip Kappel Scuppers Full, 1933 Drypoint on laid paper
Philip Kappel Standing Out to Sea, 1933 Drypoint on laid paper
Philip Kappel Boat Builders, Essex, Massachusetts, 1934 Drypoint on ivory wove paper
Philip Kappel The Net Menders, Gloucester, 1934 Drypoint on Tweadweave paper
Philip Kappel Away Forward, 1934 Drypoint on laid paper
Philip Kappel Race Week, Marblehead Neck, Massachusetts, 1935 Drypoint on laid paper
Philip Kappel Off the Grand Banks, 1935 Drypoint and roulette on Tweadweave paper
Philip Kappel The Holystoners, 1935 Drypoint on laid paper
Philip Kappel Aloft, 1930? Drypoint on Tweadweave paper
Philip Kappel Off El Morro, Puerto Rico, 1937 Drypoint on cream laid paper
Philip Kappel Haunted Sentry Box, Puerto Rico, 1936-1937 Drypoint on laid paper
Philip Kappel Morro Castle, Havana, Cuba, 1937 Drypoint on laid paper
Philip Kappel Off Shore, West Indies, 1938 Drypoint on cream laid paper
Philip Kappel Cancelled copper plate for “Off Shore, West Indies”, 1938
Philip Kappel Off Shore, New England, 1944 Drypoint on cream laid paper
Philip Kappel Down Wind Leg, 1945 Drypoint on possibly Tweadweave paper
Philip Kappel The Grain Ship in Tow, 1946 Drypoint on ivory laid paper
Philip Kappel The Grain Ship in Tow, 1946 Drypoint on ivory laid paper
Philip Kappel Topsail Schooners in a Match, 1946 Drypoint on laid paper
Philip Kappel Through the Surf, 1946 Drypoint on Tweadweave paper
Philip Kappel Off Boston Light, 1947 Drypoint on ivory laid paper
Philip Kappel Old Love, 1948 Drypoint on possibly Tweadweave paper
Philip Kappel The Tug Thomas E. Moran, 1948 Drypoint on ivory laid paper
Philip Kappel Out of the Past, possibly 1959 Drypoint on Tweadweave paper
http://dac-collection.wesleyan.edu/art36400 is a persistent link to this page with no user-session information.

Information here was last updated on 5/25/2017. Some is from older cataloging. Most objects acquired through 12/17/2015 are represented; cataloging is in process for some acquired before, and many after, that date. We continue to add and update content. Please contact the DAC Registrar of Collections to suggest corrections with citations. Captions embedded in DAC images have basic information as of the time the digital image was made; details and updates appear on object pages.

Most objects are not on view in the DAC gallery, which presents three temporary exhibitions each year. We encourage Wesleyan students, faculty, and staff, as well as outside scholars, to contact the DAC Curator to arrange private viewings of selected works for teaching, study, and academic research. Online content created by the DAC and not identified as "Open Access" or "CC0" is © 1996-2017 Davison Art Center, Wesleyan University, 301 High St., Middletown, CT 06459-0487. Privacy Policy.

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