Davison Art Center, Wesleyan University

DAC Collection Artist Information

Charles Frederick William Mielatz

American etcher, painter, and teacher, born Germany

Artist ID number in the Union List of Artist Names®: ULAN 500120882.
The ULAN link above leads to a cataloging authority record at the Getty Research Institute.

Objects related to Charles Frederick William Mielatz:

Charles Frederick William Mielatz The Tombs, New York, 1889 Etching printed in blue-grey ink on wove paper
Charles Frederick William Mielatz The Colonnade, Lafayette St., New York, 1907 Etching on Asian wove paper
Charles Frederick William Mielatz Coenties Slip 1891, 1908 Photogravure as monotype printed in black, red, and blue inks on laid paper
Charles Frederick William Mielatz No. 7 State Street, 1903 (or 1908) Soft-ground etching and roulette printed in black, blue, yellow, and red inks on Asian wove paper
Charles Frederick William Mielatz The Battery, 1889 Etching printed in brown ink on Asian wove paper
Charles Frederick William Mielatz Boat Builders, 1880 Watercolor
Charles Frederick William Mielatz The Covered Porch (Van Buren Homestead, 14th St. and Fifth Ave), 1914 Etching, soft-ground, and aquatint printed in red, green, blue, and yellow inks, possibly with gum arabic on imitation vellum
Charles Frederick William Mielatz Governor Clinton’s House, Foot of E. 69th Street and East River, 1908 Soft-ground etching printed in black, blue, and red inks on Asian wove paper
Charles Frederick William Mielatz The Lock, Mott Haven Canal, 1891 Etching on Asian wove paper
Charles Frederick William Mielatz Market Garden, 81st Street and Riverside Drive, 1888 Etching printed in blue-grey ink on Asian wove paper
Charles Frederick William Mielatz Benedictine, Still Life, 1908 Etching printed in black and blue-grey inks on Asian wove paper
Charles Frederick William Mielatz The Big Tree, West 14th Street, New York City, 1913-1914 Etching printed in brown ink on wove paper
Charles Frederick William Mielatz A Bit of Baxter Street, Five Points, 1890 Etching printed in brown ink on Asian wove paper
Charles Frederick William Mielatz A Bit of Central Park, 1918 Etching printed in black and grey-green inks on Asian wove paper
Charles Frederick William Mielatz Block Island Fisherman, Swordfish Schooners, 1893 Etching and roulette printed in blue-grey ink on Asian laid paper
Charles Frederick William Mielatz Bowling Green, 1910 Soft-ground etching printed in black, orange, red, and blue inks on Asian wove paper
Charles Frederick William Mielatz Bride’s Door, St. Thomas, 1917 Etching printed in black ink on wove paper
Charles Frederick William Mielatz The Butcher’s Shop, Fifth Ave. at 44th St., 1910 Soft-ground etching printed in brown, blue, red, and yellow inks, with hand-applied gum arabic on wove paper
Charles Frederick William Mielatz Castle Garden, 1891 Etching printed in blue-green ink on Asian wove paper
Charles Frederick William Mielatz Catherine Market, 1903-1907 Etching printed in blue-green ink on Asian wove paper
Charles Frederick William Mielatz Chelsea Docks, New York, 1907 Etching and roulette on Asian laid paper
Charles Frederick William Mielatz Cherry Street, 1904 Etching printed from zinc plate on laid paper
Charles Frederick William Mielatz Coenties Slip, 1890-1891 (1907) Etching printed in brown ink on Asian laid paper
Charles Frederick William Mielatz The Naval Arch, 1899 Etching printed in blue-black ink on Asian wove paper
Charles Frederick William Mielatz Dome of St. Luke’s Hospital, 1907-1909 Aquatint and roulette printed in blue-grey ink on Asian laid paper
Charles Frederick William Mielatz The Door, St. Bartholomew’s, 1909 Soft-ground etching printed in black, green, red, and blue inks on Asian wove paper
Charles Frederick William Mielatz Doorway, Third Avenue and 122nd Street, 1908 Photogravure of monotype printed in black, yellow, red, and blue inks on laid paper
Charles Frederick William Mielatz Driveway Looking Out, 14th Street, New York City, 1912 Etching on Asian wove paper
Charles Frederick William Mielatz Driveway, West 14th Street, Looking In, 1911 Etching on Asian wove paper
Charles Frederick William Mielatz Edgar Street, The Shortest Street in New York, 1891 Etching on Asian wove paper
Charles Frederick William Mielatz Entrance to Brooklyn Bridge, New York City, 1892 Etching on Asian wove paper
Charles Frederick William Mielatz Ericssons’ House, Beach Street, 1908 Soft-ground etching printed in black, pink, and blue on Asian wove paper
Charles Frederick William Mielatz Etching Class Model, 1915 Etching on Asian wove paper
Charles Frederick William Mielatz Door of Astor House, 1910 Etching on wove paper
Charles Frederick William Mielatz Door of Astor, 1910 Etching on Asian wove paper
Charles Frederick William Mielatz Atlas Dock (The Atlas Line Dock—North River Line), 1907 Etching on Asian wove paper
Charles Frederick William Mielatz Ericssons’ Day (Funeral), 1890 Etching printed in grey-blue ink on Asian wove paper
Charles Frederick William Mielatz Fisherman's Home, Block Island, ca. 1883-1919 Etching on Asian laid paper
Charles Frederick William Mielatz Florida Pines, 1906 Etching printed from zinc plate on Asian wove paper
Charles Frederick William Mielatz Fraunces Tavern, 1908 Photogravure of monotype printed in black, red, and blue inks on laid paper
Charles Frederick William Mielatz Grand Central Station at Night, 1889 Etching and aquatint printed in grey-blue ink on Asian wove paper
Charles Frederick William Mielatz The Hawthorne 14th Street, New York City, 1912 Etching on Asian wove paper
Charles Frederick William Mielatz Highbridge, Harlem River, New York, 1917 Etching on Asian laid paper
Charles Frederick William Mielatz The Impression with the Wrong Window, 1912 Etching on wove paper
Charles Frederick William Mielatz The Jumel Mansion, 1902-1906 Soft-ground etching printed in blue-grey ink on Asian wove paper
Charles Frederick William Mielatz In the Studio, late 19th century - early 20th century Etching on laid paper
Charles Frederick William Mielatz Kingsbridge on the Harlem, 1891 Etching on laid paper
Charles Frederick William Mielatz The Kissing Bridge (Georgian Court), 1902 Etching printed in blue ink on Asian wove paper
Charles Frederick William Mielatz The Little Church around the Corner, 1902 Etching on laid paper
Charles Frederick William Mielatz The Lock, Mott Haven Canal, 1891 Etching on Asian wove paper
Charles Frederick William Mielatz Long Island Footpath, 1891 Drypoint on Asian wove paper
Charles Frederick William Mielatz Morning Canonicut Island, 1908 Etching on Asian wove paper
Charles Frederick William Mielatz Narragansett Shore, 1907 Etching printed in black and blue-grey inks on thin wove paper
Charles Frederick William Mielatz Newport, R.I. Pen and ink drawing
Charles Frederick William Mielatz New York from Brooklyn Docks, ca. 1892-1908 Etching and roulette printed in grey-blue ink on wove paper
Charles Frederick William Mielatz New York from the Harbor, 1905 Etching printed in black and green inks on Asian wove paper
Charles Frederick William Mielatz Old Mill on Block Island, ca. 1883-1910 Drypoint printed in green-blue and black inks on Asian wove paper
Charles Frederick William Mielatz Old Porch, Speonk (Long Island), 1894 Etching on laid paper
Charles Frederick William Mielatz Old Spar Yard, South Street, ca. 1890-1910 Etching and roulette printed in brown ink on Asian wove paper
Charles Frederick William Mielatz Old Tom’s in Thames Street, 1906-1907 Etching printed in grey-green ink on Asian wove paper
Charles Frederick William Mielatz Our Bridge of Sighs, 1893 Etching printed in brown ink on laid paper
Charles Frederick William Mielatz Oyster Market, 1903 Etching printed in black and grey-blue inks on Asian wove paper
Charles Frederick William Mielatz House in 14th Street, New York City, 1911 Etching and soft-ground etching printed in black, red, blue, yellow, brown, and green inks on wove paper
Charles Frederick William Mielatz Porch, Old Custom House, New York, 1905 Etching on thin laid paper
Charles Frederick William Mielatz The Porch, St. Thomas’s, 1910 Etching on Asian wove paper
Charles Frederick William Mielatz Rag Picker’s Court, Baxter Street, 1891 Etching on wove paper
Charles Frederick William Mielatz Rainy Day, Broadway, 1891 Etching on Asian wove paper
Charles Frederick William Mielatz Rainy Night, Madison Square, 1890 Etching, roulette, and soft-ground etching printed in blue and black inks on thin Asian wove paper
Charles Frederick William Mielatz A Restaurant in Mott Street, 1906 Etching on wove paper
Charles Frederick William Mielatz A Restaurant in Mott Street, 1906 Etching on wove paper
Charles Frederick William Mielatz The Road to the Sea, Speonk, Long Island, 1890 Soft-ground etching on Asian wove paper
Charles Frederick William Mielatz Rogers House, No. 7 State Street, 1908 Photogravure reproduction of monotype, printed in black, red, and yellow inks on laid paper
Charles Frederick William Mielatz Roses, 1889 Etching and drypoint on Asian wove paper
Charles Frederick William Mielatz Rose Street, 1908 Photogravure reproduction of monotype, printed in black, red, yellow, and brown inks on laid paper
Charles Frederick William Mielatz St. Johns Chapel, Varick Street, 1908 Photogravure of monotype printed in black, blue, and red inks on wove paper
Charles Frederick William Mielatz St. Paul’s, 1906 Etching printed in brown ink on Asian wove paper
Charles Frederick William Mielatz Sectional Docks, East River, ca. 1885-1900 Wash in ivory black watercolor on wove watercolor paper
Charles Frederick William Mielatz Sectional Docks, East River, late 19th century - early 20th century Etching on Asian wove paper
Charles Frederick William Mielatz The Speedway, Harlem River, 1913 Etching on cream Asian wove paper
Charles Frederick William Mielatz The Toy Shop, 1903 Etching on Asian wove paper
Charles Frederick William Mielatz Trinity Steeple, Newport, Rhode Island (During a Conflagration), 1885 Etching on laid paper
Charles Frederick William Mielatz 21 West 14th Street, New York CIty, 1912 Etching printed in brown ink on Asian wove paper
Charles Frederick William Mielatz Washington Square, 1908 Etching, soft-ground etching, and roulette printed in black, pink, and blue on Asian wove paper
Charles Frederick William Mielatz The Wave, 1907 Aquatint printed in grey-blue and brown (inked à la poupée on one plate) on Asian wove paper
Charles Frederick William Mielatz West Washington Markets, 1903 Etching on wove paper
Charles Frederick William Mielatz Winter Landscape, 1891 Etching printed in black and blue inks on Asian wove paper
Charles Frederick William Mielatz Winter Night, 1909 Soft-ground etching and aquatint printed in brown and blue inks on wove paper
Charles Frederick William Mielatz Witch House, Salem, 1903 Etching on Asian wove paper
Charles Frederick William Mielatz Woods in Winter, 1892-1907 Etching printed in black and blue-grey inks on wove paper
Charles Frederick William Mielatz The Tombs, 1889 Etching on Fuji wove paper
Charles Frederick William Mielatz Sectional Docks, East River, late 19th century - early 20th century Etching on Asian wove paper
Charles Frederick William Mielatz Jumel Mansion, 1908 Photogravure reproduction of monotype, printed in black, red, and blue inks on laid paper
Charles Frederick William Mielatz Entrance to Brooklyn Bridge, 1892 Etching on China paper
Charles Frederick William Mielatz The Dove Cote, 1911 Pencil drawing on wove paper
Charles Frederick William Mielatz View of the Dakota from Central Park, 1887 Pencil, watercolor, and Chinese white on heavyweight wove paper
Charles Frederick William Mielatz View of the Dakota from Central Park, ca. 1887 Pencil and white chalk drawing on tan wove paper
Charles Frederick William Mielatz The Hawthornes, 1911 Pencil drawing on wove paper
Charles Frederick William Mielatz Old Mill, near Newport, R.I., 1887 Etching and drypoint printed in brown ink on laid paper
Charles Frederick William Mielatz Rainy Day, Broadway, 1892 Etching on laid paper
Charles Frederick William Mielatz after Miller The Old House, 1913 Etching on Asian wove paper
Charles Frederick William Mielatz after George Benjamin Luks Woman and Macaws, 1912 Etching and aquatint with soft-ground etching, crayon, or gum arabic, printed in black, brown, red, green, blue, and yellow inks on imitation vellum
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