Davison Art Center, Wesleyan University

DAC Collection Artist Information

Giovanni Battista Piranesi

Italian draftsman, architect, and etcher

Brief biography, in most instances from the Union List of Artist Names® Online:
Piranesi was very influential in advancing Roman versus Greek art and architecture in the 18th century. His work had a lasting impact on contemporary tastes in architecture and the decorative arts, primarily in Britain where he was the single greatest influence of architect Robert Adam. He is best known for his dramatic series of etchings, "Prisons," inspired by both his early training as a scenographer and his admiration for Roman ruins. In 1743, he published 12 plates of architectural fantasies, ideal structures, and imaginary scenes of ruins, intended to improve the state of architecture and advance the potential use of antique ruins in contemporary design. In 1744, he came in contact with the works of Tiepolo, which transformed his tight, exact early style to one of bold, fluid lines and dramatic chiaroscuro. Piranesi was in contact with practicing architects, most notably French and British throughout the 1750s, but in the 1760s, he received his first architectural and design commissions from Pope Clement XIII Rezzonico and members of his family. Although with the influence of the Rezzonico family waned with the Pope's death in 1769, Piranesi's work achieved widespread popularity throughout Europe.

Artist ID number in the Union List of Artist Names®: ULAN 500114965.
The ULAN link above leads to a cataloging authority record at the Getty Research Institute.

Objects related to Giovanni Battista Piranesi:

Giovanni Battista Piranesi and others Piranesi large volume 2, 1800-1807 Etching
Giovanni Battista Piranesi and others, including G. Rossi after Agostino Tassi Piranesi large volume 3, 1800-1807 Etching
Giovanni Battista Piranesi and others Piranesi large volume 4, 1800-1807 Etching
Giovanni Battista Piranesi Index of the Fragments of the Marble Plan of Ancient Rome etc. (Indice de’ Framm. di marmo della Pianta di Roma antica ec.), 18th century Etching
Giovanni Battista Piranesi Index of the Fragments of the Marble Plan of Ancient Rome (Indice de’ Framm. di marmo della Pianta di Roma antica), 18th century Etching
Giovanni Battista Piranesi Table of Contents in This Second Volume and in the Third (Indice del contenuto in questo Secondo Tomo e nel Terzo), 18th century Etching
Giovanni Battista Piranesi Table of Contents to Volume Four (Indice de Contenuto in Questo Quarto Tomo), 18th century Etching
Giovanni Battista Piranesi Title Plate: Part One of Architecture and Perspectives: Drawn and Etched by Gio.Batt’a Piranesi, Venetian Architect; Dedicated to Nicola Giobbe, 1743 Etching on laid paper
Giovanni Battista Piranesi Large Sculpture Gallery Built on Arches and Lit from above… (Galleria grande di Statue, la cui struttura e con Archi e col lume preso dall’alto…), 1743 Etching with title printed from a separate plate on laid paper
Giovanni Battista Piranesi Ancient Mausoleum Erected for the Ashes of a Roman Emperor (Mausoleo antico eretto per le ceneri d'un Imperadore Romano), ca. 1743 Etching with title printed from a separate plate on laid paper
Giovanni Battista Piranesi Magnificent Bridge with Loggias, and Arches Erected by a Roman Emperor… (Ponte magnifico con Logge, ed Archi eretto da un Imperatore Romano…), 1743 Etching with title printed from a separate plate on laid paper
Giovanni Battista Piranesi The Ancient Capitol Ascended by Approximately One Hundred Steps… (Campodoglio antico a cui si ascendeva per circa cento gradini…), 1743 Etching with title printed from a separate plate on laid paper
Giovanni Battista Piranesi Ancient Roman Forum Surrounded by Porticoes, with Loggias, Some of Which Communicate with the Imperial Palace and Other with the Prisons… (Foro antico Romano circondato da portici, con logge…), 1743 Etching with title printed from a separate plate on laid paper
Giovanni Battista Piranesi Imaginary Ancient Temple Designed in the Style of Those Built in Honor of the Goddess Vesta… (Tempio antico inventato e disegnato alla maniera di quelli che si fabbricavano in ornore della Dea Vesta…), 1743 Etching on laid paper
Giovanni Battista Piranesi Remains of Ancient Buildings among Which Stands the Sepulchral Urn of Marcus Agrippa Made Entirely of Porphyry, Which Serves Today as the Tomb of Clement XII… (Vestiggi d’antichi Edifici fra i quali evvi l’Urna Sepolcrale tutta d’un pezzo…), 1743 Etching on laid paper
Giovanni Battista Piranesi Imaginary Sepulchral Chamber Designed According to the Fashion and Ancient Magnificence of the Roman Emperors… (Camera sepolcrale inventata e disegnata conforme al costume, e all’antica magnificenza degl’Imperatori Romani…), ca. 1743 Etching on laid paper
Giovanni Battista Piranesi The Triumphal Arch, ca. 1745 Etching on laid paper
Giovanni Battista Piranesi Plan of a Spacious and Magnificent College Designed after the Ancient Gymnasia of the Greeks and the Baths of the Romans (Pianta di ampio magnifico Collegio formata sopra l’idea dell’ antiche Palestre de' Greci, e Terme de’ Romani…), 18th century Etching
Giovanni Battista Piranesi Part of a Spacious and Magnificent Harbor for the Use of the Ancient Romans Opening onto a Large Market Square… (“Parte di ampio magnifico Porto all’uso degli antichi Romani, ove si scuopre l’interno della gran Piazza pel Comercio…”), 18th century Etching
Giovanni Battista Piranesi Part of the Forum of Nerva (Parte del Foro di Nerva), 1748 Etching on laid paper
Giovanni Battista Piranesi Ruins of the Temple of Jupiter Stator [Jupiter the Supporter] 1. Temple of Antoninus and Faustina 2. Temple of Peace (Vestigi del Tempio di Giove Statore. 1. Tempoi d'Antonino e Faustina 2. Tempio della Pace), 1748 Etching on laid paper
Giovanni Battista Piranesi Temple of Janus (Tempio de Giano), 1748 Etching on laid paper
Giovanni Battista Piranesi Flavian Amphitheater, Called the Colosseum. 1. Arch of Constantine. 2. Palatine Hill (Anfiteatro Flavio detto il Colosseo in Roma. 1. Arco di Costantino 2. Monte Palatino), 1748 Etching on laid paper
Giovanni Battista Piranesi Arch of Septimius Severus 1. Temple of Concord 2. Ascent to the Capitoline Hill (Arco di Settimio Severo 1. Tempio della Concordia 2. Salita di Campidoglio), 1748 Etching on laid paper
Giovanni Battista Piranesi Senatorial Bridge, Today Called the Ponte Rotto [Broken Bridge]. 1. Temple of Vesta. 2. Temple of Fortuna Virilis 3. Part of the Ancient Palatine (Ponte Senatorio oggi detto Ponte rotto. 1. Tempio di Vesta 2. Tempio della Fortuna… [see full title]), 1748 Etching on laid paper
Giovanni Battista Piranesi Forum of Augustus (Foro di Augusto), 1748 Etching on laid paper
Giovanni Battista Piranesi The Bridge at Rimini Built by the Emperors Augustus and Tiberius (Ponte di Rimino fabbricato da Augusto e da Tiberio Imperatori), 1748 Etching on laid paper
Giovanni Battista Piranesi The Arch at Rimini Built by Augustus (Arco di Rimino fabbricato da Augusto), 1748 Etching on laid paper
Giovanni Battista Piranesi Tomb of the Scipios (Sepolcro della famiglia de’ Scipioni), 1748 Etching on laid paper
Giovanni Battista Piranesi Part of the Ancient Appian Way about Three Miles outside Porta S. Sebastiano (Parte dell’antica Via Appia fuori di Porta S. Sebastiano circa tre miglia), 1748 Etching on laid paper
Giovanni Battista Piranesi Tomb of Caecilia Metella Called Capo di Bove [Ox Head] (Sepolcro di Metela detto Capo di Bove), 1748 Etching on laid paper
Giovanni Battista Piranesi Amphitheater of Pola in Istria near the Sea (Anfiteatro do Pola in Istria vicino al mare), 1748 Etching on laid paper
Giovanni Battista Piranesi Amphitheater of Verona (Anfiteatro di Verona), 1748 Etching on laid paper
Giovanni Battista Piranesi Arch of Trajan in Ancona (Arco di Trajano in Ancona), ca. 1748 Etching on laid paper
Giovanni Battista Piranesi Arch of Galienus. 1. Facade of the Church of S. Vito (Arco di Galieno. 1. Facciata della Chiesa di S. Vito), 1748 Etching on laid paper
Giovanni Battista Piranesi Views of Rome Drawn and Etched by Giambattista Piranesi, Venetian Architect: title page, 1748 Etching on laid paper
Giovanni Battista Piranesi Frontispiece: Fantasy of Ruins with a Statue of Minerva in the Center Foreground, 1748 Etching on laid paper
Giovanni Battista Piranesi View of St. Peter’s Basilica and Piazza in the Vatican (Veduta della Basilica, e Piazza si S. Pietro in Vaticano), ca. 1748 Etching on laid paper
Giovanni Battista Piranesi Interior View of St. Peter’s Basilica in the Vatican (Veduta interna della Basilica di S. Pietro in Vaticano), 1748 Etching on laid paper
Giovanni Battista Piranesi Cut-away View of the Interior of the Basilica of S. Paolo fuori delle Mura… [St. Paul outside the Walls] (Spaccato interno della Basilica di S. Paolo fuori delle Mura…), 1749 Etching on laid paper
Giovanni Battista Piranesi View of the Basilica of St. John Lateran (Veduta della Basilica di S. Giovanni Laterano), 1749 Etching on laid paper
Giovanni Battista Piranesi View of the Basilica of S. Maria Maggiore with Its Two Flanking Wings (Veduta della Basilica di Sta. Maria Maggiore con le due Fabbriche laterali di detta Basilica), 1749 Etching on laid paper
Giovanni Battista Piranesi View of the Piazza del Popolo (Veduta della Piazza del Popolo), 1750 Etching on laid paper
Giovanni Battista Piranesi View of the Piazza di Monte Cavallo [now the Piazza del Quirinale, with the Quirinal Palace to the right] (Veduta della Piazza di Monte Cavallo), 1750 Etching on laid paper
Giovanni Battista Piranesi View of Piazza Navona above the Ruins of the Circus of Domitian (Veduta di Piazza Navona sopra le rovine del Circo Agonale), 1751 Etching on laid paper
Giovanni Battista Piranesi View of Piazza Navona above the Ruins of the Circus of Domitian [with S. Agnese to the right] (Veduta di Piazza Navona sopra le rovine del Circo Agonale), 1754 Etching on laid paper
Giovanni Battista Piranesi View of the Piazza della Rotunda (Veduta della Piazza della Rotunda), 1751 Etching on laid paper
Giovanni Battista Piranesi View of the Piazza della Rotonda [with the Pantheon in the background] (Veduta della Piazza della Rotonda), 1754 Etching on laid paper
Giovanni Battista Piranesi View of the Large Trevi Fountain Formerly Called the Acqua Vergine (Veduta della vasta Fontana di Trevi anticamente detta l’Acqua Vergine), ca. 1751 Etching on laid paper
Giovanni Battista Piranesi View of the Pyramidal Tomb of Cestius (Veduta del Sepolcro di Cajo Cestio), 1755 Etching on laid paper
Giovanni Battista Piranesi View of the Capitoline Hill with the Steps to the Church of S. Maria in Aracoeli (Veduta del Romano Campidoglio con Scalinata che va’ alla Chiesa d’Araceli), 1756 Etching on laid paper
Giovanni Battista Piranesi View of the Campo Vaccino (Veduta di Campo Vaccino), 1756 Etching on laid paper
Giovanni Battista Piranesi View of the Ruins of Two Triclinia [dining rooms] Which Belonged to the Golden House of Nero… (Veduta degli avanzi di due Triclini che appartenevano alla Casa aurea di Nerone…), 1759 Etching on laid paper
Giovanni Battista Piranesi Trajan’s Column (Colonna Trajana), 1758 Etching on laid paper
Giovanni Battista Piranesi The Column of Marcus Aurelius (Colonna Antonina), 1759 Etching on laid paper
Giovanni Battista Piranesi View of the Arch of Constantine and the Flavian Amphitheater, Called the Colosseum (Veduta dell’ Arco di Costantino, e dell’Anfiteatro Flavio detto il Colosseo), 1760 Etching on laid paper
Giovanni Battista Piranesi View of the Exterior of St. Peter’s Basilica in the Vatican (Veduta dell’esterno della gran Basilica di S. Pietro in Vaticano), 1748 Etching on laid paper
Giovanni Battista Piranesi View of the Piazza di Spagna (Veduta di Piazza di Spagna), 1750 Etching on laid paper
Giovanni Battista Piranesi View of the Piazza di Spagna (Veduta di Piazza di Spagna), 1754 Etching on laid paper
Giovanni Battista Piranesi View of the Port of Ripetta (Veduta del Porto di Ripetta), 1753 Etching on laid paper
Giovanni Battista Piranesi View of the Bridge and Castel S. Angelo (Veduta del Ponte e Castello Sant’Angelo), 1754 Etching on laid paper
Giovanni Battista Piranesi The Theater of Marcellus. This Building Was Built by Augustus and Dedicated to His Nephew Marcellus (Teatro di Marcello. Questo fu fabricato da Augusto, e dedicato a Marcello suo Nipote), 1757 Etching on laid paper
Giovanni Battista Piranesi View of the Interior of the Tomb of St. Costanza, Built by Constantine the Great, and Erroneously Called the Temple of Bacchus, Now the Church of S. Costanza (Veduta interna del Sepolcro di S. Costanza, fabbricato da Costantino Magno… [see full title]), 1756 Etching on laid paper
Giovanni Battista Piranesi View of the Site of the Ancient Roman Forum (Veduta del Sito, ov’era l’antico Foro Romano), 1756 Etching on laid paper
Giovanni Battista Piranesi View of the Upper Story of the Cages for Wild Animals Built by the Emperor Domitian, Associated with the Flavian Amphitheater and Commonly Called the Curia Hostilia (Veduta del piano superiore del Serraglio delle Fiere fabbricato… [see full title]), 1757 Etching on laid paper
Giovanni Battista Piranesi View of the Remains of the Dining Room of the Golden House of Nero, Commonly Called the Temple of Peace (Veduta degli avanzi del Tablino Casa Aurea di Nerono, detti volgarmente il Tempio della Pace), 1757 Etching on laid paper
Giovanni Battista Piranesi View of the Temple of Fortuna Virilis. Now the Armenian Church of S. Maria Egizziaca (Veduta del Tempio della Fortuna virile. Oggi S. Maria Egizziaca degli Armeni), 1758 Etching on laid paper
Giovanni Battista Piranesi View of the Temple of Antoninus and Faustina in the Roman Forum (Veduta del Tempio di Antonino e Faustina in Campo Vaccino), 1758 Etching on laid paper
Giovanni Battista Piranesi Egyptian Obelisk. This Was Erected by Pope Sixtus V in the Piazza of St. John Lateran (Obelisco Egizio. Questo fu erreto da Sisto V. nella Piazza de S. Gio. Laterano), 1759 Etching on laid paper
Giovanni Battista Piranesi Arch of Septimius Severus through Which Passed the Ancient Sacred Way, Bringing Victors to the Capitol (Arco di Settimio Severo. Nel mezzo di questo passaza l’antica Via Sacra che portava i Trionf. in Campid), 1759 Etching
Giovanni Battista Piranesi View of the Atruim of the Portico of Octavia (Veduta dell’Atrio del Portico di Ottavia), 1760 Etching on laid paper
Giovanni Battista Piranesi Internal View of the Atrium of the Portico of Octavia (Veduta interna dell’Atrio del Portico di Ottavia), 1760 Etching on laid paper
Giovanni Battista Piranesi View of the Customs House in Piazza di Pietra, Which Was Built within the Ruins of the Temple of Marcus Aurelius Antoninus Pius in his Forum (Veduta della Dogana di Terra a Piazza di Pietra. Questo fu fabbricata sulle rovine del Tempio… [see full title]), 1753 Engraving with title printed from separate plate on laid paper
Giovanni Battista Piranesi View of the Customs House in Piazza di Pietra, Which Was Built within the Ruins of the Temple of Marcus Aurelius Antoninus Pius in His Forum [Actually the Temple of the Divine Hadrian; today the Roman Stock Exchange.] (Veduta della… [see full title]), 1754 Etching on laid paper
Giovanni Battista Piranesi View of the Remains of the Fountainhead of the Acqua Giulia… (Veduta dell’avanzo del Castello, che prendendo una porzione dell’Acqua Giulia…), 1753 Etching on laid paper
Giovanni Battista Piranesi View of the Remains of the Fountainhead of the Acqua Giulia… (Veduta dell’ avanzo del Castello, che prendendo una porzione dell'Acqua Giulia…), 18th century Etching
Giovanni Battista Piranesi View of the Mausoleum of the Emperor Hadrian, (Now Called Castel S. Angelo) from the Rear (Veduta del Mausoleo d’Elio Adriano (ora chiamato Castello S. Angelo) nella parte opposta alla Facciata dentro al Castello), 1754 Etching on laid paper
Giovanni Battista Piranesi View of the Basilica of S. Paolo fuori delle Mura [St. Paul outside the walls], Built by Constantine the Great (Veduta della Basilica di S. Paolo fuor delle mura, eretta da Costantino Magno), 1748 Etching on laid paper
Giovanni Battista Piranesi View of the Rear Entrance of the Basilica of S. Maria Maggiore (Veduta della Facciata di dietro della Basilica di S. Maria Maggiore), 1742 Etching on laid paper
Giovanni Battista Piranesi Views of the Facade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem] (Veduta della Facciata della Basilica di S. Croce in Gerusalemme), ca. 1750 Etching on laid paper
Giovanni Battista Piranesi View of the Fountainhead of the Acqua Paola on Monte Aureo (Veduta del Castello dell’Acqua Paola sul Monte Aureo), 1751 Etching on laid paper
Giovanni Battista Piranesi View of the Palazzo della Consulta on the Quirinal Housing the Papal Secretariat (Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi et della Sacra Consulta), 1749 Etching on laid paper
Giovanni Battista Piranesi View of the Palazzo di Montecitorio… (Veduta della Gran Curia Innocenziana…), 1752 Etching on laid paper
Giovanni Battista Piranesi View along the Via de Corso of the Palazzo dell’Accademia Established by Louis XIV, King of France for French Students of Painting, Sculpture and Architecture… (Veduta, nella Via del Corso, del Palazzo dell’Accademia institutia da Luigi XIV… [see full tit, 1752 Etching on laid paper
Giovanni Battista Piranesi View of the Palazzo Odescalchi (Veduta del Palazzo Odescalchi), 1753 Etching on laid paper
Giovanni Battista Piranesi View of the Port of Ripa Grande (Veduta del Porto di Ripa Grande), ca. 1753 Etching on laid paper
Giovanni Battista Piranesi View of the Ponte Salario (Veduta del Ponte Salario), ca. 1754 Etching on laid paper
Giovanni Battista Piranesi View of the Remains of the Forum of Nerva [actually the Forum of Augustus] (Veduta degli avanzi del Foro di Nerva), 1757 Etching on laid paper
Giovanni Battista Piranesi View of the Temple of Jupiter Tonans [Jupiter the Thunderer] (Veduta del Tempio di Giove Tonante), 1756 Etching on laid paper
Giovanni Battista Piranesi View of the Temple of Cybele in the Piazza of the Bocca della Verita (Veduta del Tempio di Cibele a Piazza della Bocca della Verita), 1758 Etching on laid paper
Giovanni Battista Piranesi View of the Temple of Bacchus, Now the Church of S. Urbano, Two Miles Distant from Rome, Beyond the Porta S. Sebastiano (Veduta del Tempio di Bacco, inoggi Chiesa di S. Urbano, distante due miglia da Roma fuori della Porta di S. Sebastiano…), 1758 Etching on laid paper
Giovanni Battista Piranesi View of the Arch of Titus, Which Was Erected for This Emperor, after His Death, Commemorating the Destruction of Jerusalem (Veduta dell’Arco di Tito. Esso fu eretto a questo Imperadore dopo la di lui morte in memoria della distruzione di Gerosolima), 1769 Etching on laid paper
Giovanni Battista Piranesi View of the Basilica of S. Lorenzo fuori delle Mura [S. Lorenzo outside the Walls] (Veduta della Basilica di S. Lorenzo fuor delle mura), 1750 Etching on laid paper
Giovanni Battista Piranesi View of the Fountainhead of the Acqua Felice… (Veduta del Castello dell’Acqua Felice…), 1751 Etching on laid paper
Giovanni Battista Piranesi View of the Palace of the Illustrious Barberini Family on the Quirinal Hill, Designed by Cavaliere Bernini (Veduta sul Monte Quirinale del Palazzo dell’Eccellentissima Casa Barberini, Architettura del Cav. Bernino), 1749 Etching on laid paper
Giovanni Battista Piranesi The Campogoglio, Seen from the Side (Veduta del Campidoglio di Fianco), 1756 Etching on laid paper
Giovanni Battista Piranesi The Pyramid of Gaius Cestius (Piramide di C. Cestio), 1756 Etching on laid paper
Giovanni Battista Piranesi View of the Flavian Amphitheater, Called the Colosseum (Veduta dell’Anfiteatro Flavio, detto il Colosseo), 1757 Etching on laid paper
Giovanni Battista Piranesi View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian outside the Walls] on the Appian Way (Veduta della Basilica di S. Sebastiano fuori delle mura di Roma, su la Via Appia), 1750 Etching on laid paper
Giovanni Battista Piranesi View of the Pantheon of Agrippa, Today S. Maria ad Martyres (Veduta del Pantheon d’Agrippa oggi Chiesa di S. Maria ad Martyre), 1761 Etching on laid paper
Giovanni Battista Piranesi View of the Temple of the Sibyl at Tivoli (Veduta del tempio della Sibilla in Tivoli), 1761 Etching on laid paper
Giovanni Battista Piranesi Another View of the Temple of the Sibyl at Tivoli (Altra Veduta del Tempio della Sibilla in Tivoli), 1761 Etching on laid paper
Giovanni Battista Piranesi Another View of the Temple of the Sibyl in Tivoli (Altra veduta del tempio della Sibilla in Tivoli), 1761 Etching on laid paper
Giovanni Battista Piranesi View of the Ponte Molle [or Milvian Bridge] over the Tiber Two Miles outside Rome (Veduta del Ponte Molle sul Tevere due miglia lontan da Roma), 1762 Etching on laid paper
Giovanni Battista Piranesi Remains of the Villa of Maecenas at Tivoli… (Avanzi della Villa di Mecenate a Tivoli…), 1763 Etching on laid paper
Giovanni Battista Piranesi View of Two Churches, One Called 1. S. Maria di Loreto, the other 2. The Name of Mary, near 3. Trajan’s Column. 4. The Ascent to the Quirinal (Veduta delle du Chiese, l’una detta 1. della Madonna di Loreto l’altra 2. del Nome di Maria… [see full title]), 1762 Etching on laid paper
Giovanni Battista Piranesi Tomb of Caecilia Metella… (Sepolcro di Cecilia Metella…), 1762 Etching on laid paper
Giovanni Battista Piranesi View of Ponte Lugano on the Anio… (Veduta del Ponte Lugano su l’Anione…), 1763 Etching on laid paper
Giovanni Battista Piranesi View of the So-called Tempio della Tosse [Temple of the Cough] on the Via Tiburtina a Mile from Tivoli (Veduta del Tempio, detto della Tosse su la via Tiburtina, un miglio vicino a Tivoli), 1763 Etching on laid paper
Giovanni Battista Piranesi Interior View of the [so-called] Tempio della Tosse [Temple of the Cough]… (Veduta interna del Tempio della Tosse…), 1764 Etching on laid paper
Giovanni Battista Piranesi Ancient Temple Commonly Called the Temple of Health on the Via d’Albano Five Miles outside Rome… [Temple of Salus] (Tempio antico volgarmente detto della Salute su la Via d’Albano, cinque miglia lontan da Roma…), 1763 Etching on laid paper
Giovanni Battista Piranesi View of the Tomb of Licinianus Piso on the Ancient Appian Way. Tomb of the Cornelii… (Veduta del Selpolcro di Pisone Liciniano su l’antica via Appia…), 1764 Etching on laid paper
Giovanni Battista Piranesi Interior View of the Villa of Maecenas… (Veduta interna della villa di Mecenate…), 1764 Etching on laid paper
Giovanni Battista Piranesi View of the Octagonal Temple of Minerva Medica (Veduta del Tempio ottangolare di Minerva Medica), 1764 Etching on laid paper
Giovanni Battista Piranesi View of the Grand Cascade at Tivoli (Veduta della Cascata di Tivoli), 1765 Etching on laid paper
Giovanni Battista Piranesi Ruins of the Antonine Baths [Baths of Caracalla] (Rovine delle Terme Antoniniane), 1765 Etching on laid paper
Giovanni Battista Piranesi Ruins of the Xystus [a long open portico used for athletic exercises], the Central Hall of the Antonine Baths [The Baths of Caracalla] (Rovine del Sisto, o sia della gran sala delle Terme Antoniniane), 1765 Etching on laid paper
Giovanni Battista Piranesi Interior View of the Flavian Amphitheater, Called the Colosseum (Veduta dell’ interno dell’ Anfiteatro Flavio detto il Colosseo), 1766 Etching on laid paper
Giovanni Battista Piranesi Remains of a Covered Portico, or a Cryptoporticus, in a Villa of Domitian, Five Miles outside Rome on the Frascati Road (Avanzi d’un portico coperto, o criptoportico in una villa di Domiziano cinque miglia lontan da Roma su la via di Frascati), 1766 Etching on laid paper
Giovanni Battista Piranesi View of the Fountain and the Grotto of Egiria outside the Porta Capena or of S. Sebastiano [St. Sebastian]… (Veduta delia fonte e delle Spelonche d’Egeria fuor della porta Capena or di S. Seb…), 1766 Etching on laid paper
Giovanni Battista Piranesi Interior View of the Ancient Temple of Bacchus, Now the Church of S. Urbano, Two Miles from Rome… (Veduta interna dell’ antico di Bacco in oggi Chiesa di S. Urbano due miglia distante da Roma fuori di porta S. Sebastiano…), 1767 Etching on laid paper
Giovanni Battista Piranesi Interior View of the Pronaos of the Pantheon (Veduta interna del Pronao del Panteon), 1769 Etching on laid paper
Giovanni Battista Piranesi View of the Remains of the Tomb of the Plautii on the Via Tiburtina, near the Ponte Lugano, Two Miles distant from Tivoli (Veduta degl’ avanzi del sepolcro della famiglia Plauzia sulla via Tiburtina vicino al ponte Lugano due miglia lontano da Tivoli), 1761 Etching on laid paper
Giovanni Battista Piranesi Another Interior View of the Villa of Maecenas, Tivoli (Altra veduta interna della Villa di Mecenate in Tivoli), 1767 Etching on laid paper
Giovanni Battista Piranesi Remains of the So-Called Temple of Apollo at Hadrian’s Villa, Tivoli (Avanzi del Tempio detto di Apollo nella Villa Adriana vicino a Tivoli), 1768 Etching on laid paper
Giovanni Battista Piranesi Interior View of the Pantheon (Veduta interna del Panteon…), 1768 Etching on laid paper
Giovanni Battista Piranesi Interior View of the Basilica of S. Maria Maggiore (Veduta Interna della Basilica di S. Maria Maggiore), 1768 Etching on laid paper
Giovanni Battista Piranesi Interior View of the Basilica of St. John Lateran (Veduta Interna della Basilica di S. Giovanni Laterano), 1768 Etching on laid paper
Giovanni Battista Piranesi View of the Villa of His Eminence Cardinal Alessandro Albani, outside Pora Salaria (Veduta della Villa dell’Emo Sig. Card. Alesandro Albani fuori di Porta Salaria), 1769 Etching on laid paper
Giovanni Battista Piranesi Remains of the Temple of the God Canopus at Hadrian’s Villa, Tivoli (Avanzi del Tempio del Dio Canopo nella Villa Adriana in Tivoli), 1768 Etching on laid paper
Giovanni Battista Piranesi View of the Temple of Hercules at Cori, Ten Miles Distant from Velletri (Veduta del Tempio di Ercole nella Citta di Cora, dieci miglia lontano da Velletri), 1769 Etching on laid paper
Giovanni Battista Piranesi View of the Small Waterfall and Rapids, Tivoli (Veduta delle Cascatelle a Tivoli), 1769 Etching on laid paper
Giovanni Battista Piranesi Ruins of a Sculpture Gallery at Hadrian’s Villa, Tivoli (Rovine d’una Galleria di Statue nella Villa Adriana a Tivoli), ca. 1770 Etching on laid paper
Giovanni Battista Piranesi View of the Remains of the Praetorian Fort [the Poecile], Hadrian’s Villa, Tivoli (Veduta degli avanzi del Castro Pretorio nella Villa Adriana a Tivoli), 1770 Etching on laid paper
Giovanni Battista Piranesi View of the Remains of the Forum of Nerva (Veduta degli avanzi del Foro di Nerva), 1770 Etching on laid paper
Giovanni Battista Piranesi The So-Called Temple of Janus. [Arch of Janus Quadrifons.] A. So-Called Arch of the Argentari [or Money-changers]… (Tempio detto volgarm. di Giano. A. Arco detto degl’Argentieri…), 1771 Etching on laid paper
Giovanni Battista Piranesi View of the Arch of Constantine (Veduta dell’Arco di Costantino), 1771 Etching on laid paper
Giovanni Battista Piranesi View of the Arch of Titus (Veduta dell’Arco di Tito), 1771 Etching on laid paper
Giovanni Battista Piranesi View of the Arch of Septimius Severus (Veduta dell’Arco Settimio Severo), 1772 Etching on laid paper
Giovanni Battista Piranesi View of the Campo Vaccino (Veduta di Campo Vaccino), 1772 Etching on laid paper
Giovanni Battista Piranesi View of St. Peter’s Square and Basilica (Veduta della gran Piazza e Basilica di San Pietro), ca. 1772 Etching on laid paper
Giovanni Battista Piranesi Interior View of the Basilica of St. Peter’s in the Vatican, near the Tribune (Veduta interna della Basilica di S. Pietro in Vaticano vicino alla Tribuna), 1773 Etching on laid paper
Giovanni Battista Piranesi View of the Piazza di Monte Cavallo (Veduta della Piazza di Monte Cavallo), 1773 Etching on laid paper
Giovanni Battista Piranesi Perspective View of the Large Fountain of the Acqua Virgine, Known as the Trevi Fountain, Designed by Nicola Salvi (Veduta in prospettiva della gran Fontana dell’Acqua Vergine detta di Trevi. Architettura di Nicola Salvi), 1773 Etching on laid paper
Giovanni Battista Piranesi View of the Villa d’Este, Tivoli (Veduta della Villa Estnse in Tivoli), 1773 Etching on laid paper
Giovanni Battista Piranesi View of the Temple of the Camenae… (Veduta del Tempio delle Camene…), 1773 Etching on laid paper
Giovanni Battista Piranesi View of the Palazzo Farnese (Veduta del Palazzo Farnese), 1773 Etching on laid paper
Giovanni Battista Piranesi View of Piazza Navona above the Ruins of the Circus Agonalis [Circus of Domitian] (Veduta di Piazza Navona sopra le rovine del Circo Agonale), 1773 Etching on laid paper
Giovanni Battista Piranesi View of the So-Called Temple of Concord (Veduta del Tempio detto della Concordia), ca. 1774 Etching on laid paper
Giovanni Battista Piranesi Another View of the Remains of the Pronaos of the Temple of Concord (Altra veduta degli avanzi del Pronao del Tempio della Concordia), 1774 Etching on laid paper
Giovanni Battista Piranesi View of the Piazza del Campidoglio (Veduta della Piazza del Campidoglio), 1774 Etching on laid paper
Giovanni Battista Piranesi Remains of a Room Belonging to the Praetorian Fort at Hadrian’s Villa, Tivoli (Avanzi di una Sala appartenente al Castro Pretorio nella Villa Adriana in Tivoli), 1774 Etching on laid paper
Giovanni Battista Piranesi Ruins of One of the Soldiers’ Barracks at Hadrian’s Villa, Tivoli (Rovina de uno degli alloggiamenti de’ Soldati presso ad una delle eminenti fabbriche di Adriano nella sua Villa in Tivoli), 1774 Etching on laid paper
Giovanni Battista Piranesi View of the Remains of the Dining Room of the Golden House of Nero Commonly Called the Temple of Peace (Veduta degli avanzi del Tablino della Casa aurea di Nerone detti volgarmente il Tempio della Pace), ca. 1774 Etching on laid paper
Giovanni Battista Piranesi View of Visible Remains of the Baths of Diocletian at S. Maria degli Angeli (Veduta degli avanzi superiori delle Terne di Diocleziano a S. Maria degli Angeli), 1774 Etching on laid paper
Giovanni Battista Piranesi View of the Visible Remains of the Baths of Diocletian (Veduta degli avanzi superiori delle Terme di Diocleziano), 1774 Etching on laid paper
Giovanni Battista Piranesi View of the Piazza and Basilica of St. John Lateran (Veduta della Piazza, e Basilica di S. Giovanni in Laterano), 1756 Etching on laid paper
Giovanni Battista Piranesi Remains of the Aqueduct of Nero Which Were to Be Destroyed on Account of Their Age but Remained Standing by the Order of Pope Clement XIV (Avanzi degl’Aquedotti Neroniani che si volevano distruggere per la loro vecchiezza… [see full title]), 1756 Etching on laid paper
Giovanni Battista Piranesi View of the Monument Erected by the Emperor Titus Commemorating His Restoration of the Aqueducts of the Anio… [The Porta Maggiore] (Veduta del Monumento eretto dall’Imperador Tito Vespasiano per aver ristaurati gl’Aquedotti dell'acque dell’ Anione), 1756 Etching on laid paper
Giovanni Battista Piranesi View of the Famous Vatican Basilica with Its Spacious Portico and Adjacent Piazza (Veduta dell’ insigne Basilica Vaticana coll’ampio Portico, e Piazza adjacente), 1756 Etching on laid paper
Giovanni Battista Piranesi View of the Tiber Island (Veduta dell’Isola Tiberina), 1756 Etching on laid paper
Giovanni Battista Piranesi View of the Facade of the Basilica of St. John Lateran… (Veduta della Facciata della Basilica di S. Giovanni Laterano…), 1756 Etching on laid paper
Giovanni Battista Piranesi View of the Baths of Titus [Baths of Trajan] (Veduta delle Terme di Tito), 1756 Etching on laid paper
Giovanni Battista Piranesi Villa Panfilj outside Porta S. Pancrazio (Villa Panfili fuori di Porta S. Pancrazio), ca. 1776 Etching on laid paper
Giovanni Battista Piranesi View of the Ancient Structure Built by Tarquinius Superbus Called the Bel Lido, and Like Others, Built by Marcus Agrippa in the Time of Augustus When He Cleaned All of the Sewers Leading to the Tiber [The Cloaca Maxima] (Veduta… [see full title]), ca. 1776 Etching on laid paper
Giovanni Battista Piranesi View of the Flavian Amphitheater, Called the Colosseum (Veduta dell’Anfiteatro Flavio detto il Colosseo), ca. 1776 Etching on laid paper
Giovanni Battista Piranesi View of the Remains of the Buildings of the Second Floor of the Baths of Titus [Baths of Trajan] (Veduta degli Avanzi delle Fabbriche del Secondo Piano delle Terme di Tito), 1776 Etching on laid paper
Giovanni Battista Piranesi View of the Palazzo Stopani Designed by Raphael of Urbino [Palazzo Vidoni-Caffarelli] (Veduta del Palazzo Stopani. Architettura di Rafaele d’Urbino), 1776 Etching on laid paper
Giovanni Battista Piranesi Interior View of the Church of S. Maria degli Angeli Which in Ancient Times Was the Principal Hall of the Baths of Diocletian (Veduta interna della Chiesa della Madonna Angioli detta della Certosa che anticam. era la prinicipal Sala… [see full title]), ca. 1776 Etching on laid paper
Giovanni Battista Piranesi Remains of an Ancient Tomb, Called La Conocchia, Which Is Located Just outside the Porta di Capua on the Road to Naples… (Avanzi di un antico Sepolcro, oggi detto la Conocchia, che si vede poco lungi dalla Porta di Capua per andar a Napoli…), ca. 1776 Etching on laid paper
Giovanni Battista Piranesi Interior of the So-Called Temple of the God Canopus at Hadrian’s Villa, Tivoli (Interno del Tempio d. di Canopo nella Villa Adriana), 1776 Etching on laid paper
Giovanni Battista Piranesi View of the Remains of the Perimeter of Ancient Buildings in One of the Piazzas of Hadrian’s Villa, Called the Piazza d’Oro [Piazza of Gold] (Veduta degli Avanzi della Circonferenza delle antiche Fabbriche di una delle Piazze della… [see full title]), 1776 Etching on laid paper
Giovanni Battista Piranesi View of the Heliocaminus, Used in the Winter as It Was Heated by the Sun Which Entered through the Windows [Hadrian’s Villa, Tivoli] (Vedute di un Eliocamino per abitarvi l’Inverno, il quale era rescaldato dal Sole, che s’introduceva per le Finestre), 1777 Etching on laid paper
Giovanni Battista Piranesi Meeting Hall, or Entry to Various Grandiose Rooms and Other Magnificent Halls in Hadrian’s Villa, Tivoli… (Dieta, o sia Luogo che da ingresso a diversi grandiosi Cubicoli, e ad altre magnifiche Stanze, esistente nella Villa Adriana…), 1777 Etching on laid paper
Giovanni Battista Piranesi View of the Arch of Beneventum in the Kingdom of Naples (Veduta dell’ Arco di Benevento nel Regno di Napoli), 1777 Etching on laid paper
Giovanni Battista Piranesi Trophy of Octavian Augustus…, 18th century Etching
Giovanni Battista Piranesi Trophy of Octavian Augustus…, 18th century Etching
Giovanni Battista Piranesi Fragments of frieze, columns and capitals, 18th century Etching
Giovanni Battista Piranesi Fragments of frieze, capitals and various ornamental fragments, 18th century Etching
Giovanni Battista Piranesi To the Most Noble James Caufield, Viscount Charlemont, Aristocrat of the Kingdom of Ireland, Born for the Public Good, Because While Resident at Rome He Favored Talent and Promoted the Arts, Giovanni Battista Piranesi… [see full title]), 18th century Etching
Giovanni Battista Piranesi Plan of Rome… (Pianta di Roma…), 18th century Etching
Giovanni Battista Piranesi Fragments of the Marble Plan of Ancient Rome… (Framm. di Marmo della Pianta di Roma antica…), 18th century Etching
Giovanni Battista Piranesi Fragments of the Marble Plan of Ancient Rome… (Framm. di Marmo della Pianta di Roma antica…), 18th century Etching
Giovanni Battista Piranesi Fragments of the Marble Plan of Ancient Rome… (Frammenti di Marmo della Pianta di Roma antica…), 18th century Etching
Giovanni Battista Piranesi Triangular Tiles of the Aurelian Wall… (Tavolozza triangolare martillinata delle mura d’Aureliano…), 18th century Etching
Giovanni Battista Piranesi Towers Which Fortify the Wall… (Torri di sui son munite le mura…), 18th century Etching
Giovanni Battista Piranesi Tufa Block… (Pezzo di tufo…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Amphitheatrum Castrense (Veduta dell’avanzo dell’Anfiteatro Castrense), 18th century Etching
Giovanni Battista Piranesi Remains of the Aqueduct of the Old Anio… (Avanzo del condotto dell’ Anione Vecchio…), 18th century Etching
Giovanni Battista Piranesi The Porta S. Lorenzo of the Aurelian Walls… (Porta S. Lorenzo di Aureliano…), 18th century Etching
Giovanni Battista Piranesi Aqueduct of the Acqua Giulia (Speco della Giulia), 18th century Etching
Giovanni Battista Piranesi Plan of the Buttresses of the Muro del Busto, Called the Muro Torto… (Pianta de Speroni del muro del Busto, detto Muro Torto…), 18th century Etching
Giovanni Battista Piranesi Remains of the Aqueduct of the Acqua Alsietina (Avanzo del Condotto dell’ Acqua Alsietina), 18th century Etching
Giovanni Battista Piranesi Aqueduct of the Acqua Vergine (Condotto dell’acqua vergine), 18th century Etching
Giovanni Battista Piranesi Column of Marcus Aurelius (Colonna Antonina), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Side Colonnade of the Temple of Antoninus Pius, Now the Customs House (Veduta dell’ avanzo laterale del Portico che circondava la Cella del Tempio di Antonino Pio, inoggi la Dogana di Terra), 18th century Etching
Giovanni Battista Piranesi Seven Columns of the Temple of Juturna with Corinthian Capitals… (Sette colonne con capitelli corinti spettanti al Tempio di Giuturna…), 18th century Etching
Giovanni Battista Piranesi View of the Pantheon (Veduta del Pantheon), 18th century Etching
Giovanni Battista Piranesi Interior View of the Porch of the Pantheon (Veduta interna del Pronao del Pantheon), 18th century Etching
Giovanni Battista Piranesi Interior View of the Pantheon (Veduta dell’ interno del Pantheon), 18th century Etching
Giovanni Battista Piranesi Wall with Buttresses Which Encloses the Slopes of the Quirinal… (Mura con barbacani che investono le falde del Quirinale…), 18th century Etching
Giovanni Battista Piranesi Remains of the Temple of Minerva Medica… (Avanzo del Tempio di Minerva Medica…), 18th century Etching
Giovanni Battista Piranesi Remains of the Fountain-head of the Acqua Claudia and New Anio (Avanzo del Castello dell’ Acqua Claudia e Anione Nuovo), 18th century Etching
Giovanni Battista Piranesi View of the Monument Incorporating the Aqueducts of the Acqua Claudia and New Anio (Veduta del Monumento del Condotto delle Acqua Claudia e Anione Nuovo), 18th century Etching
Giovanni Battista Piranesi Remains of the [so-called] Temple of Ancient Hope (Avanzo del Tempio della Speranza Vecchia), 18th century Etching
Giovanni Battista Piranesi Tomb Chamber Discovered and Demolished with Many Others in 1746 in the Casali Vineyards at Porta San Sebastiano… (Stanza sepolcrale scoperta, e demolita con molte altre l’anno 1746 nella Vigna Casali a Porta S. Sebastiano…), 18th century Etching
Giovanni Battista Piranesi Monument of the Antonine Aqueduct under Whose Arch Passed the Appian Way (Monumento del Condotto Antoniniano sotto al di cui arco passava la Via Appia), 18th century Etching
Giovanni Battista Piranesi Section of the Aqueduct of Caracalla… (Spaccato del Condotto di Caracalla…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Portico of M. Aemilius Lepidus and P. Aemilius Paulus (Veduta dell’ avanzo del Portico di M. Emilio Lepido, e di Emilio Paolo), 18th century Etching
Giovanni Battista Piranesi View of the Ponto Rotto [the Broken Bridge] (Veduta del Ponto Rotto), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the House of Niccolo di Rienzo Constructed from Fragments of Ancient Buildings, Opposite the Church of Santa Maria Egizziaca (Veduta dell’ avanzo della Casa di Nicolo di Rienzo fabbricata di spoglie di antichi… [see full title]), 18th century Etching
Giovanni Battista Piranesi One of the Two Arches of Stertinius in the Forum Boarium (Una della due Fornici di Stertino nel Foro Boario), 18th century Etching
Giovanni Battista Piranesi Remains of the Temple of Cybele (Avanzi del Tempio di Cibele), 18th century Etching
Giovanni Battista Piranesi Wall along the Bank of the Tiber Designed to Protect the Mouth of the Cloaca Maxima [the Great Drain]… (Muro lungo la riva del Tevere per assicurazione dell’ orificio della Cloaca massima…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of Ancient Buildings along the Slopes of the Aventine along the Road Commonly Called the Marmorata (Veduta degli avanzi di antiche fabbriche alle falde dell’ Aventino sulla strada detta di Marmorata), 18th century Etching
Giovanni Battista Piranesi View of the Remains, or the Ends of the Arches Which Carried the Acqua Claudia along the Aventine… (Veduta degli Avanzi, o sia del termine degli Archi che conducevano l’Acqua Claudia sull' Aventino…), 18th century Etching
Giovanni Battista Piranesi View of the Walls Which Enclosed the Slopes of the Caelian Hill and on Which Was the Nyphaeum of Nero, and Which Embellished the Stadium of Domitian (Veduta dei muri che investivano le falde del Monte Celio, sulle quali era il Ninfeo di Nerone… [see full , 18th century Etching
Giovanni Battista Piranesi Remains of the Neronian Arches on the Caelian Hill at the Point of Their Termination… (Avanzo degli archi Neroniani sul monte Celio ov’era la loro terminazione), 18th century Etching
Giovanni Battista Piranesi View of the Arches of the Consuls Dolabella and Silanus Enclosed within the Neronian Arches of the Acqua Claudia… (Veduta della Fornice de’ Consoli Dolabella, e Silano investita dagli archi Neroniani provegnenti dal Condotto dell’ Acqua Claudia…), 18th century Etching
Giovanni Battista Piranesi Interior View of the Church of San Stefano Rotondo (Veduta dell’interno del Tempio di S. Stefano Rotondo), 18th century Etching
Giovanni Battista Piranesi Remains of the First Fountain-head of a Part of the Acqua Giulia… (Avanzo del primo Castello di una parte dell’ Acqua Giulia…), 18th century Etching
Giovanni Battista Piranesi View of the Arch of Gallienus (Veduta dell’ Arco di Gallieno), 18th century Etching
Giovanni Battista Piranesi View of…the Seven Halls (Baths of Titus) [actually the Baths of Trajan] (Veduta de’…le Sette Sale (Terme di Tito)), 18th century Etching
Giovanni Battista Piranesi Plan of the Baths of Titus… [actually the Baths of Trajan] (Pianta delle Terme di Tito…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Baths of Titus (Veduta degli Avanzi delle Terme di Tito), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Baths of Diocletian and Maximian… (Veduta degli avanzi delle Terme Diocleziane, e Massimiane…), 18th century Etching
Giovanni Battista Piranesi View of Part of the Upper Hemicycle of Trajan’s Forum (Veduta del second’ordine di una parte della Calcidica del Foro di Trajano), 18th century Etching
Giovanni Battista Piranesi Trajan’s Column (Colonna Trajana), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Forum of Nerva [with the Forum of Augustus] (Veduta degli avanzi del Foro di Nerva), 18th century Etching
Giovanni Battista Piranesi View of the Other Remains of the Forum of Nerva, Called the Colonnacce (Veduta di altri avanzi del predetto Foro di Nerna detti le Colonnacce), 18th century Etching
Giovanni Battista Piranesi Side View of the Remains of the Temple of Antoninus and Faustina (Veduta laterale dell’avanzo del Tempio di Antonino e Faustina), 18th century Etching
Giovanni Battista Piranesi The Arch of Septimius Severus (Arco di Severo, e Caracalla), 18th century Etching
Giovanni Battista Piranesi Remains of the Temple of Concord (Avanzo del Tempio della Concordia), 18th century Etching
Giovanni Battista Piranesi Remains of the Porch of the Temple of Jupiter Tonans [Jupiter the Thunderer] (Avanzo del Pronao del Tempio di Giove Tonante), 18th century Etching
Giovanni Battista Piranesi Remains of the Temple of Castor and Pollux… (Avanzo del Tempio di Castore e Polluce…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Golden House of Nero [actually the Basilica of Maxentius and Constantine] (Veduta degli avanzi appartenenti alla Casa Aurea di Nerone), 18th century Etching
Giovanni Battista Piranesi View of the Arch of Titus (Veduta dell’ Arco di Tito), 18th century Etching
Giovanni Battista Piranesi Remains of the Arches of the Aqueduct Which Carried the Acqua Claudia from the Caelian to the Palatine… (Avanzi degli archi che dal Monte Celio conducevano l’Acqua Claudia sul Palatino…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Palace of the Caesars on the Palatine… (Veduta degli Avanzi delle Case de Cesari sul Palatino…), 18th century Etching
Giovanni Battista Piranesi Remains of the Neronian Theater on the Palatine… (Avanzo del Teatro Neroniano domestico sul Palatino…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Peristyle of the House of Nero (Veduta dell’ avanzo del Peristilo della Casa Neroniana), 18th century Etching
Giovanni Battista Piranesi View of the Arch of Constantine the Great (Veduta dell’ Arco di Costantino Magno), 18th century Etching
Giovanni Battista Piranesi View of the Flavian Amphitheater, Called the Colosseum (Veduta dell’ Anfiteatro Flavio detto il Colosseo), 18th century Etching
Giovanni Battista Piranesi View of the Interior of the Flavian Amphitheater [The Colosseum] (Veduta degli avanzi Anfiteatro Flavio dalla parte interna), 18th century Etching
Giovanni Battista Piranesi Topographical Map of Rome, Showing Hydraulic and Defensive Systems (Tavola Topografica di Roma), 18th century Etching
Giovanni Battista Piranesi Plan of the Barracks of Tiberius… (Pianta della forma del Castro di Tiberio…), 18th century Etching
Giovanni Battista Piranesi Plan and Section of the Baths of Caracalla (Pianta e Spaccato delle Terme d’ Antonino Caracalla), 18th century Etching
Giovanni Battista Piranesi Represented in Figure I, the Nyphaeum of Nero… [actually the Temple of Claudius] (Rappresentasi nella figura I il Ninfeo, di Nerone…), 18th century Etching
Giovanni Battista Piranesi Plan of the Baths of Diocletian… (Pianta delle Terme di Diocleziano…), 18th century Etching
Giovanni Battista Piranesi Plan of the Ancient Forum Romanum… (Pianta dell’antico Foro Romano…), 18th century Etching
Giovanni Battista Piranesi …Plan of the Capitoline Hill… [with inset view of the principal physical features] (…Pianta del Monte Capitolino…), 18th century Etching
Giovanni Battista Piranesi Roman Antiquities by Giambattista Piranesi, Venetian Architect. Volume Two, Containing the Remains of Funerary Monuments in Rome and the Roman Countryside (Le Antichita Romane di Giambattista Piranesi… [see full title]), 18th century Etching
Giovanni Battista Piranesi Ancient Intersection of the Via Appia and Via Ardentina Viewed at the Second Milestone outside the Porta Capena (Antiquus Bivii Viarvm Appiae et Ardeatinae Prospectvs ad il Lapidem Extra Portam Capenam), 18th century Etching
Giovanni Battista Piranesi Plan of the Remains of Walls, Built of Travertine, in the Tomb of C. Publicius… (Pianta dell’ Avanzo di Parete, costruita di Travertini nel Sepolcro di C. Poblicio…), 18th century Etching
Giovanni Battista Piranesi Details of the Principle Parts of the Tomb of C. Publicius… (Si dimostrano piu in grande le Parti principali dell’antecedente sepolcro di C. Poblicio…), 18th century Etching (fold-out plate)
Giovanni Battista Piranesi Plan of a Tomb outside the Porta S. Sebastiano on the Appian Way within the Village of Santa Maria Nuova… (Pianta di un Sepolcro fuori di Porta S. Sebastiano sulla Via Appia dentro al Casale di S. Maria Nuova…), 18th century Etching
Giovanni Battista Piranesi Inscription from Tomb of L. Arruntius: Freedmen and Household Slaves of Lucius Auruntius, the Third Son of Lucius (Libert. et. Familiae. L. Arrunti. L. F. Ter.), 18th century Etching
Giovanni Battista Piranesi Plan of the Tomb Chambers of the Freedmen of the Household of L. Arruntius… (Pianta delle Camere sepolcrali de’ Liberti, e della Famiglia di L. Arunzio), 18th century Etching
Giovanni Battista Piranesi View of the Entrance to the Tomb Chamber of L. Arruntius and His Household… (Veduta dell’ Ingresso della Camera Sepolcrale di L. Arrunzio e della sua Famiglia…), 18th century Etching
Giovanni Battista Piranesi View of Another Part of the Tomb Chamber of L. Arruntius… (Veduta di altra parte della Camera Sepolcrale di L. Arrunzio…), 18th century Etching
Giovanni Battista Piranesi Elevation and Section of a Tomb in the Tomb Chambers of the Freedmen, Slaves, etc. of L. Arruntius… (Si dimostrano nella presente Tavola il Prospetto, e Profilo di un Sepolcro delle Camere de’ Liberti, e Servi ec. di L. Arunzio…), 18th century Etching
Giovanni Battista Piranesi Stucco Decoration on the Vault of the Tomb Chamber of L. Arruntius (Ornamenti di Stucco, esistenti nella Volta della Stanza Sepolcrale di L. Arrunzio), 18th century Etching
Giovanni Battista Piranesi Inscriptions and Fragments from the Tomb Chambers of the Arruntii etc. (Iscrizioni e Frammenti delle Camere sepolcrali della Famiglia Arruntii ec.), 18th century Etching
Giovanni Battista Piranesi Inscriptions and Fragments from the Tomb Chambers of the Arruntii etc. (Iscrizioni e Frammenti delle Camere sepolcrali della Famiglia Arruntii ec.), 18th century Etching
Giovanni Battista Piranesi Inscriptions and Fragments from the Tomb Chambers of the Arruntii etc. (Iscrizioni e Frammenti delle Camere sepolcrali della Famiglia Arruntii ec.), 18th century Etching
Giovanni Battista Piranesi A Tomb Chamber in the Same Vineyard near That of the Family of L. Arruntius Already Described… (Camera Sepolcrali pochi passi distante da quella gia descritta della Famiglia L. Arrunzio nella stessa vigna…), 18th century Etching
Giovanni Battista Piranesi Inscriptions and Fragments from the Tomb Chamber near That of the L. Arruntius (Iscrizioni e Frammenti della Stanza sepolcrale vicina a quella di L. Arrunzio), 18th century Etching
Giovanni Battista Piranesi Inscriptions and Fragments from the Tomb Chamber near That of the L. Arruntius (Iscrizioni e Frammenti della Stanza sepolcrale vicina a quella di L. Arrunzio), 18th century Etching
Giovanni Battista Piranesi Inscriptions and Fragments from the Tomb Chamber near That of the L. Arruntius (Iscrizioni e Frammenti della Stanza sepolcrale vicina a quella di L. Arrunzio), 18th century Etching
Giovanni Battista Piranesi A Marble Urn Found in the Tomb Chamber near That of L. Arruntius (Urna di marmo, ritrovata nella Stanza sepolcrale vicina a quella di L. Arrunzio), 18th century Etching
Giovanni Battista Piranesi Plan of the Mausoleum of Constantia, the Daughter of the Emperor Constantine the Great… (Pianta del Mausoleo di Costanza figlia di Costantino Magno Imperatore…), 18th century Etching
Giovanni Battista Piranesi Remains of a Large Sepulchral Building adjacent to the Mausoleum of Constantia… (Avanzo della gran Fabbrica sepolcrale, aggiunta al Mausoleo di Costanza…), 18th century Etching
Giovanni Battista Piranesi This Plate Contains Detailed Illustrations of Two Columns with Their Capitals, Architrave, Frieze and Cornice; Which Support the Internal Arches of the Mausoleum of Costanza… (Nella Tavola presente in parte si dimostrano due Colonne… [see full title]), 18th century Etching
Giovanni Battista Piranesi Large Porphyry Sarcophagus with Its Cover in Which the Body of Constantia Is Thought to Have Been Placed… (Grand’Urna di Porfido co’suo coperchio, dentro la quale credesi, che sia stato collocato il corpo di Costanza…), 18th century Etching
Giovanni Battista Piranesi Section of the Large Sarcophagus with Its Cover… (Spaccato per traverso della grand Urna col suo Coperchio…), 18th century Etching
Giovanni Battista Piranesi Plan of a Sepulchral Building outside the Porta Maggiore in a Vineyard next to the Torre Pignatara… (Pianta di una Fabbrica sepolcrale fuor di Porta Magg. dentro una Vigna accanto a Torre Pignatara…), 18th century Etching
Giovanni Battista Piranesi Plan, Section and Elevation of the Tomb of the Scipios… (Pianta del Sepolcro de’ Scipioni…), 18th century Etching
Giovanni Battista Piranesi View of the Tomb Believed to Be That of the Scipios outside Porta San Sebastiano… (Veduta di un del Sepolcro creduto de’ Scipioni fuori di Porta S. Sebastiano…), 18th century Etching
Giovanni Battista Piranesi Plan of a Sepulchral Building not Far Distant from the Torre degli Schiavi… (Pianta di una Fabbrica sepolcrale, situata poco lungi da Torre degli Schiavi…), 18th century Etching
Giovanni Battista Piranesi Fragment of Stucco Fallen from the Vault… (Framm. di stucco, cavato dalla Volta…), 18th century Etching
Giovanni Battista Piranesi Plan of the Tomb of Alexander Severus Located outside Porta San Giovanni… (Pianta del Sepolcro di Alessandro Severo, situato fuori di Porta S. Giovanni…), 18th century Etching
Giovanni Battista Piranesi Section of the Tomb of Alexander Severus (Spaccato del Sepolcro di Alessandro Severo), 18th century Etching
Giovanni Battista Piranesi Large Marble Sarcophagus Believed to Belong to Alexander Severus and His Mother, Julia Mamaea (Grand’Urna di marmo, creduta di Alessandro Severo, e di Giulia Mamea sua madre), 18th century Etching
Giovanni Battista Piranesi Rear View of the Sarcophagus… (Il lato di dietro dell’Urna…), 18th century Etching
Giovanni Battista Piranesi One of the Shorter Sides of the Sarcophagus… (Uno di’ Fianchi dell’Urna…), 18th century Etching
Giovanni Battista Piranesi Plan of a Tomb on the Ancient Appian Way near the Buonamici Vineyards… (Pianta d’un Sepolcro situato sull’antica Via Appia vicino alla Vigna Buonamici…), 18th century Etching
Giovanni Battista Piranesi Section of the Preceding Tomb (Spaccato del Sepolcro antecedente), 18th century Etching
Giovanni Battista Piranesi Plan and Section of a Tomb on the Via Tiburtina near the Ponte Lugano… (Pianta di un Sepolcro sulla Via Tiburtina vicino a Ponte Lugano…), 18th century Etching
Giovanni Battista Piranesi View of an Ancient Tomb in a Vineyard on the Road to Tivoli… (Veduta di un Sepolcro antico esistente in una Vigna per la strada di Tivoli…), 18th century Etching
Giovanni Battista Piranesi Plan and Section of Three Large Tomb Chambers Thought to Belong to the Household of Augustus (Pianta, e Spaccato delle tre Sale sepolcrali, credute della Famiglia di Augusto), 18th century Etching
Giovanni Battista Piranesi External View of Three Large Tomb Chambers Thought to Belong to the Household of Augustus (Veduta esterna delle tre Sale sepolcrali, credute della Famiglia d’ Aug), 18th century Etching
Giovanni Battista Piranesi Interior View of Three Large Tomb Chambers Thought to Belong to the Household of Augustus (Veduta interna di una delle tre Sale sepolcrali, credute della Famiglia di Augusto), 18th century Etching
Giovanni Battista Piranesi Plan and Elevation of a Tomb Chamber (Pianta, ed Elevazione di una Cam. sepolcrale), 18th century Etching
Giovanni Battista Piranesi Interior View of the Tomb Chamber opposite the Church of San Sebastiano fuori delle Mura [St. Sebastian outside the Walls] (Veduta interna della Camera sepolcrale dirimpetto alla Chiesa di S. Sebastiano fuori delle Mura), 18th century Etching
Giovanni Battista Piranesi Fragments from the Tomb Chamber opposite the Church of San Sebastiano fuori delle Mura [St. Sebastian outside the Walls] (Frammenti della Camera sepolcrale dirimpetto alla Chiesa di S. Sebast. fuori delle Mura), 18th century Etching
Giovanni Battista Piranesi Fragments from the Tomb Chamber opposite the Church of San Sebastiano fuori delle Mura [St. Sebastian outside the Walls] (Framm. della Camera sepolcrale dirimpetto alla Chiesa di S. Sebast. fuor delle Mura), 18th century Etching
Giovanni Battista Piranesi View of the Remains of Several Tomb Chambers on the Ancient Appian Way outside Porta San Sebastiano (Veduta degli Avanzi di alcune Camere sepolcrali, esistenti sull’antica Via Appia fuori di Porta S. Sebastiano), 18th century Etching
Giovanni Battista Piranesi Plan of Several Tomb Chambers Discovered in 1751 in the Villa de’ Cinque, outside the Porta Salaria near the Grotta Pallotta… (Pianta di alcune Camere sepolcrali scoperte l’anno 1751 nella Villa de Cinque situata fuori di Porta Salara vicino a Grotta Pall, 18th century Etching
Giovanni Battista Piranesi Inscription and Fragments from the Tomb Chamber of the Villa de’ Cinque (Iscrizione, e Frammenti delle Camere sepolcrali della Villa de’ Cinque), 18th century Etching
Giovanni Battista Piranesi Inscriptions of the Praetorian Guard Found in the Villa de’ Cinque… (Iscrizioni de’Soldati Pretoriani, ritrovate nella Villa de’ Cinque…), 18th century Etching
Giovanni Battista Piranesi Inscriptions of the Praetorian Guard (Iscrizioni de’Soldati Pretoriani), 18th century Etching
Giovanni Battista Piranesi Inscriptions of the Praetorian Guard (Iscrizioni de’Soldati Pretoriani), 18th century Etching
Giovanni Battista Piranesi Inscriptions of the Praetorian Guard (Iscrizioni de’Soldati Pretoriani), 18th century Etching
Giovanni Battista Piranesi Inscriptions of the Praetorian Guard (Iscrizioni de’Soldati Pretoriani), 18th century Etching
Giovanni Battista Piranesi Plan and Fragments from the Tomb Chamber in the Casali Vineyards at Porta San Sebastiano (Pianta e Frammenti della Camera sepolcrale esistente nella Vigna Casali a Porta S. Sebastiano), 18th century Etching
Giovanni Battista Piranesi Interior View of the Tomb Chamber in the Casali Vineyards at Porta San Sebastiano (Veduta interna della Camera sepolcrale esistente nella Vigna Casali a Porta S. Sebastiano), 18th century Etching
Giovanni Battista Piranesi Urns, Stelae, and Cinerary Vases of Marble at the Villa Corsini, outside Porta San Pancrazio (Urnem cippi, e vasi cenerari di marmo nella Villa Corsini fuori di Porta S. Pancrazio), 18th century Etching
Giovanni Battista Piranesi Cinerary Vessels of Marble in the Villa Corsini, outside Porta San Pancrazio (Pile cenerarie di marmo, esistenti nella Villa Corsini fuori di P. S. Pancrazio), 18th century Etching
Giovanni Battista Piranesi Plan of a Magnificent Sepulchral Building outside Porta Maggiore, near the Torre de’ Schiavi… (Pianta di Fabbrica magnifica sepolcrale, situata fuori di Porta Magg. vicino a Torre de’ Schiavi…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of a Magnificent Sepulchral Building and Its Ruins near the Torre de’ Sciavi about a Mile and a Half from Porta Maggiore (Veduta degli Avanzi di Fabbrica magnifica sepolcrale co’sue Rovine… [see full title]), 18th century Etching
Giovanni Battista Piranesi Plan of the Mausoleum of Augustus… (Pianta del Mausoleo di Ottaviano Augusto), 18th century Etching
Giovanni Battista Piranesi Section of the Mausoleum of Augustus… (Spaccato del Mausoleo di Ottaviano Augusto…), 18th century Etching
Giovanni Battista Piranesi Remains of the Mausoleum of Augustus… (Avanzo del Mausoleo di Ottaviano Augusto…), 18th century Etching
Giovanni Battista Piranesi The Antiquities of Rome by Giambattista Piranesi, Venetian Architect. Volume Three, Containing the Remains of Funerary Monuments in Rome and the Roman Countryside (Le Antichita Romane di Giamb. Piranesi… [see full title]), 18th century Etching
Giovanni Battista Piranesi Ancient Circus of Mars with Neighboring Monuments Viewed at the Via Appia (Antiquus Circi Martial. Cum Monum. Adiacentia Propectus Ad Viam Appiam), 18th century Etching
Giovanni Battista Piranesi Part of the Ancient Appian Way… (Parte dell’antica Via Appia…), 18th century Etching
Giovanni Battista Piranesi Part of the Great Wall Which Surrounded the Zone of the Ustrinum [crematorium]… (Parte della gran Muraglia, la quale circondava la grand’ Area dell’ Ustrino…), 18th century Etching
Giovanni Battista Piranesi Quadrangular Bricks Sectioned Diagonally to Form Triangular Bricks… (Mattoni quadrati, segati a linee diagonali per formare i Mattoni triangolari…), 18th century Etching
Giovanni Battista Piranesi View of the Visible Remains of the Ancient Ustrinum [crematorium] and Adjacent Structures (Veduta degli Avanzi sopra terra dell’antico Ustrino, e dell Fabbriche pertinenti al medesimo), 18th century Etching
Giovanni Battista Piranesi View of the Ancient Appian Way Which Passes alongside the Wall Already Described in the Previous Views of the Ustrinum [crematorium]… (Veduta dell’ antica Via Appia, che passa sotto le mura, gia descritte nelle passate tavole dell’ Ustrino…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Mausolea and of the Funerary Structures Spread out along the Appian Way, about Five Miles from Porta S. Sebastiano (Veduta degli Avanzi di’ Mausolei e delle Fabbriche sepolcrali sparse per la Via Appia, cinque miglia in circa… [, 18th century Etching
Giovanni Battista Piranesi Plan of a Tomb outside of Porta S. Sebastiano on the Ancient Appian Way in the Vigna Buonamici… (Pianta d’un Sepolcro fuori di Porto S. Sebastiano sull’ antica Via Appia nella Vigna Buonamici…), 18th century Etching
Giovanni Battista Piranesi Tomb of the Three Curatii Brothers in Albano (Sepolcro de’ tre fratelli Curazj in Albano), 18th century Etching
Giovanni Battista Piranesi Inscriptions of the Mausoleum of the Plautii at Ponte Lugano (Iscrizioni del Mausoleo della Famiglia de’ Plauzi a Ponte Lugano), 18th century Etching
Giovanni Battista Piranesi View of the Tomb of the Plautii on the Road Which Leads from Rome to Tivoli near Ponte Lugano (Veduta del Sepolcro della Famiglia Plauzia per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugano), 18th century Etching
Giovanni Battista Piranesi Plan of the Tomb of the Plautii on the Via Tiburtina near Ponte Lugano… (Pianta del Sepolcro della Famiglia Plauzia sulla Via Tibutrina vicino a Ponte Lugano…), 18th century Etching
Giovanni Battista Piranesi View of a Tomb outside the Porta del Popolo on the Ancient Via Cassia, Five Miles from Rome, Commonly Called the Tomb of Nero… (Veduta di un Sepolcro fuori di Porta del Popolo sull’antica Via Cassia, cinque miglia lontano da Roma… [see full title]), 18th century Etching
Giovanni Battista Piranesi View of a Large Structure, Remains of the Tomb of the Metelli on the Appian Way about Five Miles from Porta S. Sebastiano, in the Village of S. Maria Nuova… (Veduta di un gran Masso, Avanzo del Sepolcro… [see full title]), 18th century Etching
Giovanni Battista Piranesi Plan of the Mausoleum of St. Helen, Mother of the Emperor Constantine, on the Via Lavicana… (Pianta del Mausoleo di Sant'Elena Madre di Costantino Imp. silla Via Lavicana…), 18th century Etching
Giovanni Battista Piranesi Ground Plan of the Mausoleum of St. Helen… (Circonferenza della Pianta terrena del Mausoleo di Sant'Elena…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Mausoleum of St. Helen, Mother of the Emperor Constantine, on the Via Labicana about a Mile and a Half outside the Porta Maggiore (Veduta dell’Avanzo del Mausoleo di S. Elena, madre di Constantino Imp. sulla Via Labicana… [see f, 18th century Etching
Giovanni Battista Piranesi Large Urn of Porphyry with Its Lid, Found in the Mausoleum of St. Helen, Transported by Pope Anastatius IV for His Burial, and Now in the Cloister of St. John Lateran Where It Can Now Be Seen… (Grand’urna di Porfido co'suo Coperchio… [see full title]), 18th century Etching
Giovanni Battista Piranesi Plan of a Tomb on the Ancient Appian Way in the Buonamici Vineyard… (Pianta di un Sepolcro sull’antica Via Appia nella Vigna Buonamici…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus (Veduta degli Avanzi delle Camere sepolcrali de'Liberti, e Servi, ec. della Famiglia di Augusto), 18th century Etching
Giovanni Battista Piranesi Two Fragments of Brick Stamps… (Due framm.di Tavoloni di terra cotta col marchop sopra…), 18th century Etching
Giovanni Battista Piranesi Marble Tombstones Found on the Floor of the Chamber… (Cippi di marmo, trovati sul Pavimento della Camera…), 18th century Etching
Giovanni Battista Piranesi Sculptural Fragments from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus (Frammenti delle Camere sepolcrali de’ Liberti, e Servi ec. della Famiglia di Aug.), 18th century Etching
Giovanni Battista Piranesi Inscriptions of the Freedmen and Slaves etc. of the Family of Augustus… (Iscrizioni de’ Liberti, e Servi ec. della Famiglia di Augusto…), 18th century Etching
Giovanni Battista Piranesi Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus… (Iscrizioni delle Camere sepolcrali de’ Liberti, e Servi ec. della Famiglia di Augusto…), 18th century Etching
Giovanni Battista Piranesi Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus… (Iscrizioni delle Camere sepolcrali de’ Liberti, e Servi ec. della Famiglia di Augusto…), 18th century Etching
Giovanni Battista Piranesi Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus… (Iscrizioni delle Camere sepolcrali de’ Liberti, e Servi ec. della Famiglia di Augusto…), 18th century Etching
Giovanni Battista Piranesi Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus… (Iscrizioni delle Camere sepolcrali de' Liberti, e Servi ec. della Famiglia di Augusto…), 18th century Etching
Giovanni Battista Piranesi Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus… (Iscrizioni delle Camere sepolcrali de’ Liberti, e Servi ec. della Famiglia di Augusto…), 18th century Etching
Giovanni Battista Piranesi Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus… (Iscrizioni delle Camere sepolcrali de’ Liberti, e Servi ec. della Famiglia di Augusto…), 18th century Etching
Giovanni Battista Piranesi Inscriptions from the Tomb Chambers of the Freedmen and Slaves etc. of the Family of Augustus… (Iscrizioni delle Camere sepolcrali de’ Liberti, e Servi ec. della Famiglia di Augusto…), 18th century Etching
Giovanni Battista Piranesi Plan of the Rooms next to the Tomb Chamber of the Freedmen and Slaves of the Family of Augustus, Discovered in 1727 (Pianta delle Stanze contigue alla Camera Sepolcrale de’ Liberti, e Servi della Famiglia di Augusto scoperte l’anno 1727), 18th century Etching
Giovanni Battista Piranesi Interior View of the Room next to the Tomb Chamber of the Freedmen and Slaves etc. of the Family of Augustus… (Veduta interna della Stanza contigua alla Camere sepolcrali de’ Liberti, e Servi ec. della Famiglia di Augusto…), 18th century Etching
Giovanni Battista Piranesi View of the Pyramid of Gaius Cestius, Located on the Ancient Via Ostiense, Now Via S. Paolo… (Veduta della Piramide di Caio Cestio, situata sopra l’antica Via Ostiense, oggi detta di S. Paolo…), 18th century Etching
Giovanni Battista Piranesi Inscription of the Mausoleum of Gaius Cestius [The Pyramid of Cestius] (Iscrizione del Mausoleo di Caio Cestio…), 18th century Etching
Giovanni Battista Piranesi One of the Two Identical Dadoes Made in the Form of a Pedestal Now in the Capitoline Museum, Found at the Time of Alexander VII in the Excavations Which Are Still Being Carried out around the Pyramid [The Pyramid of Cestius] (Uno delli… [see full title]), 18th century Etching
Giovanni Battista Piranesi Plan of the Pyramid of Gaius Cestius near the Porta S. Paolo (Pianta della Piramide di Caio Cestio presso la Porta di S. Paolo), 18th century Etching
Giovanni Battista Piranesi Vertical Section of the Pyramid of Gaius Cestius (Spaccato della Piramide di Caio Cestio), 18th century Etching
Giovanni Battista Piranesi Interior Wall of the Room… [Pyramid of Cestius] (Muor interno della Stanza…), 18th century Etching
Giovanni Battista Piranesi Metallic-Colored Vase Painted on the Plaster of the Wall… [Pyramid of Cestius] (Vaso di color di metallo dipinto sopra l’intonicatura negli scompartim. delle pareti…), 18th century Etching
Giovanni Battista Piranesi Metallic-Colored Vase Painted on the Plaster of the Wall… [Pyramid of Cestius] (Vaso di color di metallo dipinto sopra l’intonicatura negli scompartim. delle pareti…), 18th century Etching
Giovanni Battista Piranesi One of Four Figures Representing Four Victories… [Pyramid of Cestius] (Una delle quattro figure rappresentanti quattro Vittorie…), 18th century Etching
Giovanni Battista Piranesi Plan of the Mausoleum of Caecilia Metella, Wife of the Triumvir Marcus Crassus, Situated in the Ancient Appian Way, Not Far from the Church of S. Sebastiano fuori delle Mura [St. Sebastian outside the Walls]… (Pianta del Mausoleo… [see full title]), 18th century Etching
Giovanni Battista Piranesi Part of the Facade of the Tomb of Caecilia Metella with Ornaments Which Exist Today (Parte della Facciata del Sepolcro di Cecilia Metella co gli Ornamenti, che in oggi esistono), 18th century Etching
Giovanni Battista Piranesi Rear View of the Mausoleum of Caecilia Metella, Commonly Called Capo di Bove [Ox-head], Erected on the Ancient Appian Way Not Far from the Church of S. Sebastiano fuori delle Mura… (Parte della Facciata del Sepolcro di Cecilia Metella… [see full title]), 18th century Etching
Giovanni Battista Piranesi Marble Urn with Its Lid, Found inside the Mausoleum of Caecilia Metella During the Pontificate of Paul III and Now in the Courtyard of the Palazzo Farnese… (Urna di marmo col sou Coperchio ritrovata dentro al Mausoleo di Cecilia Metella…), 18th century Etching
Giovanni Battista Piranesi Means by Which the Large Blocks of Travertine and Marble Were Lifted During the Construction of the Large Tomb of Caecilia Metella, Commonly Called Capo di Bove [Ox-head] (Modo, col quale furono alzati i grossi Travertini, e gli altri… [see full title]), 18th century Etching
Giovanni Battista Piranesi After Having Shown in the Previous Plate the Means by Which the Large Blocks Were Lifted in the Construction of the Magnificent Tomb of Caecilia Metella, etc.… (Dopo di aver’esposto nella Tav. passata il Modo con cui sono state alzate... [see full title], 18th century Etching
Giovanni Battista Piranesi The Antiquities of Rome by Giambattista Piranesi, Venetian Architect. Volume Four, Containing the Ancient Bridges, the Remains of Theaters, of Porticoes, and of Other Monuments of Rome (Le Antichita Romane di Giambatista Piranesi… [see full title]), 18th century Etching
Giovanni Battista Piranesi G. B. Piranesi [dedicates this work] to the Champions and Defenders of the Fine Arts (Vindicibus. et. Protectoribus. Bonarum. Artium. I. B. Piranesius), 18th century Etching
Giovanni Battista Piranesi View of the Bridge and Mausoleum Built by the Emperor Hadrian (Veduta del Ponte, e del Mausoleo, fabbricati da Elio Adriano Imp), 18th century Etching
Giovanni Battista Piranesi Plan of the Remains of the Mausoleum of the Emperor Hadrian… (Pianta dell’ Avanzo del Mausoleo di Adriano Imp…), 18th century Etching
Giovanni Battista Piranesi View of the Subterranean Foundations of the Mausoleum Built by the Emperor Hadrian… [Hadrian’s Tomb] (Veduta del sotterraneo Fondamento del Mausoleo, che fu eretto da Elio Adriano Imp…), ca. 1756 Etching on laid paper
Giovanni Battista Piranesi Vertical Section of the Buttresses Which Counterbalance the Massive Foundations of the Mausoleum of Hadrian (Spaccato degli Speroni, i quali servono di contrafforti al gran Fondamento del Maus. d’Elio Adriano), 18th century Etching
Giovanni Battista Piranesi View of an Entrance to the Upper Room inside the Mausoleum of the Emperor Hadrian (Veduta di un Ingresso alla Stanza Superiore dentro al Masso sepolcrale d’ Elio Adriano Imp), 18th century Etching
Giovanni Battista Piranesi Remains of the Mausoleum of the Emperor Hadrian, Today Converted into the Principal Fortress of Rome, Called Castel S. Angelo… (Avanzo del Mausoleo, del Elio Adriano Imp. oggi ridotto nella principal Fortrezza di Roma, chiamata Castel Sant’Angelo…), 18th century Etching
Giovanni Battista Piranesi In the Previous Plate the Remains of the Mausoleum and the Bridge of Hadrian Were Illustrated Right through to Their Foundations (Nella Tav. orecedente si sono dimostrati gli Avanzi del Mausoleo, e del Ponte d'Elio Adriano sino da loro Fond…), 18th century Etching
Giovanni Battista Piranesi Vertical Section of One of the Arches in the Middle of the Bridge of Hadrian (Spaccato di uno degli Archi di mezzo del Ponte d’ Elio Adriano Imp.), 18th century Etching
Giovanni Battista Piranesi View of the Bridge of Hadrian, Today Called Ponte S. Angelo [Bridge of St. Angelo], from the Castel S. Angelo towards the Strada di Banchi… (Veduta del Ponte d’ Elio Adriano…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of One of the Supports of the Ponte Trionfale [Triumphal Bridge]… (Veduta dell’ avanzo di una delle Pile del Ponte Trionfale…), 18th century Etching
Giovanni Battista Piranesi In the Previous Plates I Have Represented the Mausoleum and Bridge of Hadrian, with the Remains of the Ancient Ponte Trionfale… (Nelle passate Tavole ho rappresentato il Mausoleo e Ponte Elio Adriano, co gli avanzi dell’ antico Ponte Trionfale…), 18th century Etching
Giovanni Battista Piranesi View of Part of the Ship of Travertine Constructed and Inserted in Front of the Substructures Which Supported the Temple of Aesculapius on the Tiber Island… (Veduta della porzione di Nave di Traverini costruita, e piantata dinanzi…), 18th century Etching
Giovanni Battista Piranesi View of the Bridge of Fabricius, Today Called the Ponte dei Quattro Capi [Bridge of the Four Heads]… (Veduta del Ponte Fabrizio oggi detto quattro Capi…), 18th century Etching
Giovanni Battista Piranesi Inscription Incised in the Voussoir Blocks of One of the Large Arches of the Bridge of Fabricius (Today Called the Ponte dei Quattro Capi [Bridge of the Four Heads]) from the Side Adjacent to the Theater of Marcellus… (Iscrizioni incisa… [see full title]), 18th century Etching
Giovanni Battista Piranesi Shown in This Plate Are the Plan and Elevation of the Bridge Now Called the Ponte dei Quattro Capi [Bridge of the Four Heads]… (Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte…), 18th century Etching
Giovanni Battista Piranesi Vertical Section of the Bridge of Fabricius Called the Ponte dei Quattro Capi [Bridge of the Four Heads] (Spaccato del Ponte Fabrizio, detto de quattro Capo), 18th century Etching
Giovanni Battista Piranesi Vertical Section of the Bridge of Fabricius Called the Ponte dei Quattro Capi [Bridge of the Four Heads] (Spaccato del Ponte Fabrizio, detto de quattro Capo.), 18th century Etching
Giovanni Battista Piranesi View of the Ponte Ferrato, Called the Bridge of Cestius by Antiquarians… (Veduta del Ponte Ferrato dagl' Antiquari detto Cestio…), 18th century Etching
Giovanni Battista Piranesi View of the Ponte Ferrato, Called the Bridge of Cestius by Antiquarians… (Veduta del Ponte Ferrato dagl’ Antiquari detto Cestio…), 18th century Etching
Giovanni Battista Piranesi Elevation of the Ponte Ferrato… (Elevazione del Ponte Ferrato…), 18th century Etching
Giovanni Battista Piranesi Vertical Section of the Ponte Ferrato… (Spaccato del Ponte Ferrato…), 18th century Etching
Giovanni Battista Piranesi After the Consideration of Bridges and the Tiber Island There Follows an Examination of Theaters, and Particulary of the Nearby Theater of Marcellus… (Dopo il trattato de’ Ponti, e dell Isola Tiberina segue la dimostrazione de’ Teatri... [see full title], 18th century Etching
Giovanni Battista Piranesi Plan of the Remains of the Theater of Marcellus… (Pianta dell’avanzo del Teatro di Marcello…), 18th century Etching
Giovanni Battista Piranesi One of the Fragments of the Ancient Plan of Rome, Preserved on the Capitoline, Which Shows the Plan of the Stage Building of the Theater of Marcellus (Uno de’ Frammenti dell’antica pianta di Roma conserati…), 18th century Etching
Giovanni Battista Piranesi External View of the Remains of the Circular Arcade of the Theater of Marcellus… (Prospetto esterno dell’avanzo de portici circolari del Teatro di Marcello…), 18th century Etching
Giovanni Battista Piranesi Section of One of the Banks of Seats in the Theater of Marcellus (Sezione di uno de’ Cunei del Teatro di Marcello), 18th century Etching
Giovanni Battista Piranesi Section of One of the Banks of Seats in the Theater of Marcellus Facing the Via de’ Senatori (Sezione di uno de’ Cunei del Teatro di Marcello), 18th century Etching
Giovanni Battista Piranesi Transverse Section of One of the Lower Banks of Seats in the Theater of Marcellus facing the Via de’ Senatori (Sezione trasversale de’ cunei inferiori del Teatro di Marcello), 18th century Etching
Giovanni Battista Piranesi View Showing a Part of the Foundations of the Theater of Marcellus (Veduta di una parte de’ fondamenti del Teatro di Marcello), 18th century Etching
Giovanni Battista Piranesi Reconstruction of a Part of the Arcade of the First Order of the Theater of Marcellus (Dimonstrazione di una parte de’ portici del prim' ordine del Teatro di Marcello), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Some Details of the First Order of the Theater of Marcellus (Dimonstrazione in grande di alcune delle parti del primo ordine del Teatro di Marcello), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Some Details of the Doric Parts of the First Order of the Theater of Marcellus (Dimonstrazione in grande di alcune delle parti Doriche del primo ordine del Teatro di Marcello), 18th century Etching
Giovanni Battista Piranesi Reconstruction of a Part of the Arcade of the Second Order of the Theater of Marcellus (Dimonstrazione di una parte de’ portici del second’ ordine del Teatro di Marcello), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Details of the Second Order of the Theater of Marcellus (Dimonstrazione in grande delle parti del second’ ordine del Teatro di Marcello), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Details of the Second Order of the Theater of Marcellus (Dimonstrazione in grande delle parti del second’ ordine del Teatro di Marcello), 18th century Etching
Giovanni Battista Piranesi Reconstruction of the Present Remains of the Theater of Pompey (Dimonstrazione dell odierno avanzo del Teatro di Pompeo), 18th century Etching
Giovanni Battista Piranesi Plan of the Remains of the Portico of Octavia (Pianta degli avanzi del Portico d’Ottavia…), 18th century Etching
Giovanni Battista Piranesi Remains of the Interior Facade of the Portico of Octavia… (Avanzo della facciata interiore del Portico d’Ottavia…), 18th century Etching
Giovanni Battista Piranesi View of One of the Sides of the Facade of the Portico of Octavia… (Veduta di uno de’ fianchi della facciata del Portico d’Ottavia…), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Some of the Details of the Facade of the Principal Entrance of the Portico of Octavia… (Dimostrazione in grande di alcune delle parti della facciata dell’ingresso principale del Portico d’Ottavia…), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Some of the Details of the Portico of Octavia… (Dimostrazione in grande di alcune delle parti del Portico d’Ottavia…), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Details of the Molding on the Cornice of the Rear Facade of the Portico of Octavia (Dimonstrazione in grande della modinatura della cornice parte opposta della facciata del Portico d’Ottavia), 18th century Etching
Giovanni Battista Piranesi Plan of the Temple of Juno within the Portico of Octavia (Pianta del Tempio di Giunone dentro i Portici d’Ottavia), 18th century Etching
Giovanni Battista Piranesi The Temple of Juno within the Portico of Octavia (Del Tempio di Giunone dentro i Portici d’Ottavia), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Details of the Capital of a Column of the Temple of Juno within the Portico of Octavia (Dimostrazione in grande del capitello di una delle colonne del Tempio di Giunone dentro i portici d’Ottavia), 18th century Etching
Giovanni Battista Piranesi Plan of the Remains of the Portico of Philip [L. Marcius Philippus]… (Pianta dell’ avanzo del Portico di Filippo…), 18th century Etching
Giovanni Battista Piranesi Reconstruction of the Remains of the Arcades Which Were in Front of the Saeptum Julium (Dimostrazione dell’ avanzo de’ portici ch’ erano d’innanzi ai Septi Giuli), 18th century Etching
Giovanni Battista Piranesi Plan of the Remains of the Arcade Built by M. Aemilius Lepidus and P. Aemilius Paullus outside the Porta Trigemina at the Emporium on the bank of the Tiber (Pianta degli avanzi del Portico fabbricato da M. Emilio Lepido… [see full title]), 18th century Etching
Giovanni Battista Piranesi Plan of the Temple of Fortuna Virilis, Built by Servius Tullius, King of the Romans… (Pianta del Tempio della Fortuna Virile, fabbricato da Servio Tullio Re de’ Romani…), 18th century Etching
Giovanni Battista Piranesi Side Elevation of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Details from the Temple of Fortuna Virilis (Dimostrazione in grande delle parti del Tempio della Fortuna Virile), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Details from the Temple of Fortuna Virilis… (Dimostrazione in grande delle parti del Tempio della Fortuna Virile…), 18th century Etching
Giovanni Battista Piranesi Plan of the Animal Cages Built by Domitian for the Amphitheater… (Pianta de serraglio delle fiere fabbricato da Domiziano per uso dell’Anfiteatro…), 18th century Etching
Giovanni Battista Piranesi Section of the Animal Cages Built by Domitian (Sezione del serraglio delle fiere fabbricato da Domiziano), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Some Details of the First Order of the Animal Cages Built by Domitian (Dimostrazione in grande di alcune delle parti del prim’ordine del Serraglio delle Fiere fabbricato da Domiziano), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Some Details of the Second Order of the Animal Cages Built by Domitian (Dimostrazione in grande di alcune delle parti del second’ordine del Serraglio delle fiere fabbricato da Domiziano), 18th century Etching
Giovanni Battista Piranesi Ruins of a College of Silvanus Aurelianus about Four Miles from Rome outside the Porta Maggiore in the Place Called the Hundred Cells, Belonging to the Most Excellent Barberini family (Avanzi di un Collegio di Silvano Aureliano… [see full title]), 18th century Etching
Giovanni Battista Piranesi The Campus Martius of the Ancient City by Giovanni Battista Piranesi, Fellow of the Royal Society of Antiquaries, London (Ionnis Baptistae Piranesii Antiquariorum Regiae Societatis Londinensis Socii Campus Martius Antiquae Urbis), 18th century Etching
Giovanni Battista Piranesi The Campus Martius of Ancient Rome, by G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London (Il Campo Marzio dell’Antica Roma, Opera di G.B. Piranesi, Socio Della Real Societa Degli Antiquari Di Londra), 18th century Etching
Giovanni Battista Piranesi Tomb of Maria Honorius, Wife of the Emperor… (Sepulchrum Mariae Honorij imperatoris uxoris…), 18th century Etching
Giovanni Battista Piranesi Sarcophagus of Egyptian Porphyry Found among the Ruins of the Baths of M. Agrippa, Now the Funerary Urn for the Ashes of Pope Clement XII in the Basilica of St. John Lateran (Labrum aegyptiacum porphyreticum, repertum… [see full title]), 18th century Etching
Giovanni Battista Piranesi Some Sepulchral Monuments, Which Are Listed in the Index of the Ruins of Ancient Rome and the Campus Martius (Nonnulla monumenta sepulcralia, quae recensentur in indice ruinaum Romae veteris et Campi Martii), 18th century Etching
Giovanni Battista Piranesi Base of the Spiral Column of the Emperor Marcus Aurelius… (Stylobata columnae cochliodis Imp. Caes. M. Aurelii Antonini Pii…), 18th century Etching
Giovanni Battista Piranesi Map of the Campus Martius (Topographia Campui Martii), 18th century Etching
Giovanni Battista Piranesi View of the Campus Martius (Scenographia Campi Martii), 18th century Etching
Giovanni Battista Piranesi View of the Campus Martius (Scenographia Campi Martii), 18th century Etching
Giovanni Battista Piranesi Maps of the Ruins of the Old City and of the Campus Martius (Topographia vestigiorum veteris urbis et Campi Martii), 18th century Etching
Giovanni Battista Piranesi Three Maps Continuing the Evolution of the Campus Martius, 18th century Etching
Giovanni Battista Piranesi Ichnographia [Plan] of the Campus Martius of the Ancient City (Ichnographiam Campi Martii Antiquae Urbis), 18th century Etching
Giovanni Battista Piranesi View of the Tiber Island (Scenographia Insulae Tiberinae), 18th century Etching
Giovanni Battista Piranesi Elevation of the Stern of the Stone Ship, Which Is Seen on the Tiber Island (Hypsographia puppis medietatis navis lapideae quae visitur in Insula Tiberina), 18th century Etching
Giovanni Battista Piranesi Section of the Same Ship with Its Substructure (Sectio ejusdem Navis cim substructione), 18th century Etching
Giovanni Battista Piranesi Plan of the Stone Ship with Its Stern Which Is Seen on the Tiber Island… (Ichnographiae medietatis navis lapideae cum puppi quae visitur in Insula Tiberina…), 18th century Etching
Giovanni Battista Piranesi Remains of the Basilica of Gaius and Lucius (Reliquiae Basilicae Caii et Lucii), 18th century Etching
Giovanni Battista Piranesi Remains of the Portico of Gaius and Lucius (Reliquiae Porticus Caii et Lucii), 18th century Etching
Giovanni Battista Piranesi Map of the Neighborhood Containing the Remains of the Theater of Pompey… (Ichnographia viciniae reliquiarum Teatri Pompejani…), 18th century Etching
Giovanni Battista Piranesi Ruins of the Circus Flaminius… (Rudera Circi Flaminij…), 18th century Etching
Giovanni Battista Piranesi Remains of the Theater of Pompey… (Reliquiae Teatri Pompejani…), 18th century Etching
Giovanni Battista Piranesi Interior View of the Cavern of the Acqua Virgo (Scenographia operis includentis specum Acquae Virginis), 18th century Etching
Giovanni Battista Piranesi Remains of the Mausoleum of Augustus (Reliquiae mausolei Augusti), 18th century Etching
Giovanni Battista Piranesi Remains of the Substructure of the Bustum of Caesar Augustus, Incorporated into the Walls of the City by the Emperor Aurelian (Reliquiae substructionum Busti Caesaris Augusti, ab Imp. Aureliano adhibitarum pro Urbis Moenibus), 18th century Etching
Giovanni Battista Piranesi View of the Pantheon and Its Entrance, Without Present-Day Restorations (Scenographia Panthei ejusque pronai absque hodiernis restaurationibus), 18th century Etching
Giovanni Battista Piranesi Rear View of the Pantheon… (Posticum Panthei…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Portico of the Saepta Julia (Scenographia Reliquiarum porticus Septorum Iuliorum), 18th century Etching
Giovanni Battista Piranesi Part of the Subterranean Cellars of the Capitoline Hill, Which Were Called the “Favissae” in Antiquity… (Pars cellarum subterranearum Capitolii, quae antiquitus dicebantur Favissae), 18th century Etching
Giovanni Battista Piranesi Remains of the Substructures and Ruins of the Theater of Balbus, Today a Mound in the Regula Region (Relinquiae substructionum, ac rudera Theatri Balbi, hodie tumulus in regione quae dicitur Regulae), 18th century Etching
Giovanni Battista Piranesi Remains of the Portico of Marcus Philippus (Relinquiae Porticus M. Philippi), 18th century Etching
Giovanni Battista Piranesi Reconstruction of Both Elevations of the Arches of the Acqua Vergine… (Orthographia utriusque lateris acuum ductus Acquae Virginis…), 18th century Etching
Giovanni Battista Piranesi Rear View of Figure C on the Following Plate, Bearing the Inscription in Which Marcus Aurelius and Lucius Verus State That the Monument Commemorates the Apotheosis of Their Father, Antoninus Pius… (Latus posticum lateri C insequentis… [see full title]), 18th century Etching
Giovanni Battista Piranesi Base of the Column of the Apotheosis of Antoninus Pius and Faustina, the Other Side to That in Figure A of the Preceding Plate… (Latus Stylobatae columnae apotheoseos Antonini Pii, et Faustinae, posticum lateri A praecedentis tabulae…), 18th century Etching
Giovanni Battista Piranesi Rear View of the Same Remains of the Pseudo-Dipteral Temple of Antoninus Pius Which Are Shown in the Preceding Plate… (Posticum earundem reliquiarum templi pseudodipteri Antonini Pii, quae in praecedente Tabula sunt expositae…), 18th century Etching
Giovanni Battista Piranesi Arch of the Emperor Marcus Aurelius… (Arcus Marci Aurelii Imp…), 18th century Etching
Giovanni Battista Piranesi The Remaining Part of the Porticoes and Vaults Which Supported the Banks of Seating in the So-Called Circus Agonalis or Circus of Alexander Severus (Pars residua porticuum, et concamerationum quae sustinebant… [see full title]), 18th century Etching
Giovanni Battista Piranesi Remains of the Flaminian Way… (Rudera viae Flaminiae…), 18th century Etching
Giovanni Battista Piranesi View of the Bridge Known as Ponte Molle… (Scenographia Pontis hodie Mollis…), 18th century Etching
Giovanni Battista Piranesi Remains of the Milvian Bridge… (Relinquiae Pontis Milvi…), 18th century Etching
Giovanni Battista Piranesi Remains of the Substructures and Buttress Walls of the Ancient City, Earlier in Date Than the Aurelian Walls… (Reliquiae substructionum et anteridum moenium veteris Urbis, Aurelianensibus priorum…), 18th century Etching
Giovanni Battista Piranesi Remains of the House and Baths of Sallust… (Reliquiae Domus et Balnearum Sallustianarum…), 18th century Etching
Giovanni Battista Piranesi Interior of the Baths of Sallust (Interiora Balnearum Sallustianarum), 18th century Etching
Giovanni Battista Piranesi The Aelian Bridge without Recent Restorations… (Pons Aelius absque recentibus ornamentis), 18th century Etching
Giovanni Battista Piranesi Remains of the “Triumphal” or “Vatican” Bridge (Reliquiae Pontis Triumphalis seu Vaticani), 18th century Etching
Giovanni Battista Piranesi Remains of a Wall of Stairs Which Rose from the Campus to the Quirinal Hill, with the Women’s Meeting Place Dedicated by Helagabalus… (Reliquiae parietum scalarum, quibis e Campo in Quirinalem Collem ad Senaculum mulierum, ab Halagabalo… [see full title]), 18th century Etching
Giovanni Battista Piranesi Reconstruction of the Elevation of the Same Meeting Place… (Orthographia lateris ejusdem Senaculi…), 18th century Etching
Giovanni Battista Piranesi View of the Theaters of Balbus and Marcellus and the Other Buildings in Their Vicinity (Elevazione de’ Teatri di Balbo, e di Marcello con gli altri edifizi ch'eran loro vicini), 18th century Etching
Giovanni Battista Piranesi View of the Pantheon and the Other Buildings in Its Vicinity (Elevazione del Pantheon, e degli altri edifizi che gli eran vicini), 18th century Etching
Giovanni Battista Piranesi Elevation of the Amphitheater of Statilius Taurus, and the Other Buildings Which Were in Its Vicinity (Elevazione del Anfiteatro di Statilio Tauro, e degli altri edifizi che gli eran vicini), 18th century Etching
Giovanni Battista Piranesi Description and Design of the Emissarium of Lake Albano by Gio. Battista Piranesi (Descrizione e Disegno Dell’Emissario del Lago Albano di Gio. Batista Piranesi), 18th century Etching
Giovanni Battista Piranesi Illustrations of the Emissarium of Lake Albano (Dimostrazioni dell Emissario del Lago Albano), 18th century Etching
Giovanni Battista Piranesi Illustrations of the Emissarium of Lake Albano (Dimostrazioni dell Emissario del Lago Albano), 18th century Etching
Giovanni Battista Piranesi Illustrations of the Emissarium of Lake Albano (Dimostrazioni dell Emissario del Lago Albano), 18th century Etching
Giovanni Battista Piranesi Illustrations of the Emissarium of Lake Albano (Dimostrazioni dell Emissario del Lago Albano), 18th century Etching
Giovanni Battista Piranesi Illustrations of the Emissarium of Lake Albano [view of the inlet] (Dimostrazioni dell Emissario del Lago Albano), 18th century Etching
Giovanni Battista Piranesi Illustrations of the Emissarium of Lake Albano [view of the substructure of the inlet] (Dimostrazioni dell Emissario del Lago Albano), 18th century Etching
Giovanni Battista Piranesi Illustrations of the Emissarium of Lake Albano [external view of the outlet structure, with two insets showing interior and a section of the lake] (Dimostrazioni dell Emissario del Lago Albano), 18th century Etching
Giovanni Battista Piranesi Illustrations of the Emissarium of Lake Albano (Dimostrazioni dell'Emissario del Lago Albano), 18th century Etching
Giovanni Battista Piranesi Illustrations of the Emissarium of Lake Albano [interior view of the outlet] (Dimostrazioni dell Emissario del Lago Albano), 18th century Etching
Giovanni Battista Piranesi Plan of the Cave Embellished by the Ancients on the Bank of Lake Albano… (Pianta della Spelonca ornata dagli antichi in riva al Lago Albano…), 18th century Etching
Giovanni Battista Piranesi View of the Cave Called “il Bergantino,” near the Mouth of the Emissarium of Lake Albano, Embellished by the Ancients… (Veduta della Spelonca, detta il Bergantino, presso l’imbocco dell'Emissario del Lago Albano, ornata dagli antichi…), 18th century Etching
Giovanni Battista Piranesi Plan of the Cave Embellished by the Ancients on the Bank of Lake Albano towards Marino… (Pianta della Spelonca ornata dagli Antichi in riva al Lago Albano verso Marino…), 18th century Etching
Giovanni Battista Piranesi Longitudinal Section and Reconstruction of the Same Shrine (Sezione per lungo, ed elevazione ortografica dello stesso Delubro), 18th century Etching
Giovanni Battista Piranesi Sectional Reconstruction of the Same Shrine Widthwise (Elevazione ortografica della stesso delubro per largo), 18th century Etching
Giovanni Battista Piranesi Profiles of Entablature, Capital and Base, 18th century Etching
Giovanni Battista Piranesi Profile and Details of Entablature, 18th century Etching
Giovanni Battista Piranesi View of the Same Shrine (Prospettica dello stesso Delubro), 18th century Etching
Giovanni Battista Piranesi Substructures of Clodius in His Villa in the Alban Hills, Now Belonging to the Barberini (Sustruzioni di Clodio nella sua Villa sul monte Albano, or posseduta dall’Eccma Casa Barberini), 18th century Etching
Giovanni Battista Piranesi Detail of the Part of the Substructure Marked A in Plate IX (Dimostrazione in grande di quella parte di sustruzione che nella Tav. IX si accenna con la lettera A), 18th century Etching
Giovanni Battista Piranesi Detail of the Part of the Substructure Marked B in Plate IX (Dimostrazione in grande di quella parte di sustruzioni che nella Tav. IX si accenna con la lettera B), 18th century Etching
Giovanni Battista Piranesi Detail of the Cryptoporticus Marked C in Plate IX (Dimostrazione in grande del criptoportico accennato nella Tav. IX con la lettera C), 18th century Etching
Giovanni Battista Piranesi Antiquities of Albano and of Castel Gandolfo Described and Etched by Giambattista Piranesi (Antichita d’Albano e di Castel Gandolfo Descritte ed incise da Giovambatista Piranesi), 18th century Etching
Giovanni Battista Piranesi Dedication to Clement XIII, 18th century Etching
Giovanni Battista Piranesi Lake Albano [Antique fragments from Albano, with inset view of Lake Albano] (Lago Albano), 18th century Etching
Giovanni Battista Piranesi Tuscan Order of the Temple of Latian Jupiter (Ordine Toscano del Tempio di Giove Laziale), 18th century Etching
Giovanni Battista Piranesi Royal or Consular Tomb Carved into the Rock Face of Mount Albano… (Sepolcro Regio, o Consolare, inciso nella rupe del Monte Albano…), 18th century Etching
Giovanni Battista Piranesi Ruins of an Ancient Tomb in the Form of a Septizonium [ornamental colonnaded building] on the Appian Way near the Villa of Pompey the Great, Now outside Albano to the West… (Rovine d’un antico Sepolcro fatto a modo… [see full title]), 18th century Etching
Giovanni Battista Piranesi Tomb Wrongly Called That of the Horatii and Curatii… (Sepolcro detto falsamente degli Orazi, e Curiazi…), 18th century Etching
Giovanni Battista Piranesi The Same Tomb as Illustrated in Plate V… [The so-called Tomb of the Horatii and Curatii] (L’istesso Sepolcro delineato nell Tav. V…), 18th century Etching
Giovanni Battista Piranesi Plan of the Same Tomb… [The so-called Tomb of the Horatii and Curatii] (Pianta dell’istesso sepolcro…), 18th century Etching
Giovanni Battista Piranesi Remains of Ancient Baths in Albano Called “Cello Maio”… (Avanzi di antiche terme in Albano denominate Cello Majo…), 18th century Etching
Giovanni Battista Piranesi Ancient Altar (Ara antica), 18th century Etching
Giovanni Battista Piranesi Drawing of One of the Fragments from the Ancient Buildings Which Today Serve as the Jambs and Lintel of the Door of the Church of S. Pietro in the Town of Albano (Disegno di spoglie d’antichi edifizi le quali oggi servono… [see full title], 18th century Etching
Giovanni Battista Piranesi Ruins of the So-called Amphitheater of Domitian in the Gardens of the Monks of S. Paolo at Albano (Rovine dell’Anfiteatro detto di Domiziano nell’orto de’ monaci di S. Paolo d'Albano), 18th century Etching
Giovanni Battista Piranesi Plan of the Amphitheater Erected by Domitian… (Pianta dell’Anfiteatro eretto da Domiziano…), 18th century Etching with four insets
Giovanni Battista Piranesi Constructional Diagrams of the Amphitheater of Domitian, Albano… (Sezione prospettica dell’ Anfiteatro Albano…), 18th century Etching
Giovanni Battista Piranesi Plan and Section of the Reservoir of the Accomodation Marked in the Map on Plate XII with the Letter I… (Pianta e sezione della Conserva dell’acqua degli alloggiamenti accennati nella Topografia della Tav. XII con la lett. I…), 18th century Etching
Giovanni Battista Piranesi View of the Stairs of the Reservoir Previously Mentioned, Marked in the Plan on Plate XII with the Letter G (Prospettiva della Scala della conserca d’acqua de'gia detti alloggiamenti, accennati in pianta nella Tav. XIII con la lett. G), 18th century Etching
Giovanni Battista Piranesi Drawing of the Remains of an Ancient Pool and Its Reservoirs… (Disegno degli avanzi d’un’antica piscina e delle conserve dell’acqua della medesima…), 18th century Etching
Giovanni Battista Piranesi Section of the Face of the Dividing Wall between the Pool and the Reservoirs of Plate XV… (Sezione dimostrativa della faccia del muro divisorio della piscina e delle conserve della Tav. XV…), 18th century Etching
Giovanni Battista Piranesi View of the Pool and the Same Reservoirs Marked 3 and 4 in Plate XV (Prospettiva della piscina delle mediseme conserve fatta a seconda de num. 3 e 4 della Tav. XV), 18th century Etching
Giovanni Battista Piranesi Illustration of the Paved Floor of the Pool and the Reservoirs as Illustrated in Plate XV (Dimostrazione del Lastricato della piscina e delle conserve delineate nella Tav. XV), 18th century Etching
Giovanni Battista Piranesi Five Architectural Fragments from Albano, 18th century Etching
Giovanni Battista Piranesi Illustration of Two Ancient Cornices, Today the Jambs of the Door of the Church Called the Rotonda in Albano (Disegno di due antiche cornici consimili, oggi stipiti della porta della chiesa detta la Rotonda in Albano), 18th century Etching
Giovanni Battista Piranesi Capital, Various Ornamental Fragments and Constructional Details from Albano, 18th century Etching
Giovanni Battista Piranesi Interior View of Another Reservoir in the Vineyards of the Jesuit Fathers in Castel Gandolfo (Elevazione e prospetto d’un altra piscina esistente nella vigna de’ P.P. della Compagnia di Gesu a Castel Gandolfo), 18th century Etching
Giovanni Battista Piranesi Plan and Section of the Same Reservoir in the Vineyards of the Jesuit Fathers in Castel Gandolfo… (Pianta e sezione dell’istessa piscina esistente nella vigna de' P.P. della Compag. di Gesu a Castel Gandolfo…), 18th century Etching
Giovanni Battista Piranesi Ruins of an Ancient Building in the Villa Berberini near Castle Gandolfo (Rovine d’antico edifizio nella Villa Barberina presso Castel Gandolfo), 18th century Etching
Giovanni Battista Piranesi View of the Paving and Curb of the Ancient Appian Way, as It Is Seen towards Rome Not Far from the Town of Albano (Prospetto del Lastricato e de’ margini dell’antica Via Appia, delineato cosi come si vede verso Roma poco piu in qua della citta d’Albano), 18th century Etching
Giovanni Battista Piranesi Ancient Tomb on the Appian Way (Sepolcro antico su la Via Appia), 18th century Etching
Giovanni Battista Piranesi Room Found in 1758 among the Ruins of an Ancient Villa on the Appian Way at Frattocchie, near Albano, from Which the Ancient Manner of Heating and Cooling Rooms Was Discovered… (Stanza rinvenuta l’anno 1758, fra le rovine d’un’antica… [see full title]), 18th century Etching
Giovanni Battista Piranesi View of the Magnificent Substructure Built to Reinforce the Base of the Mountainside, and to Make the Appian Way More Convenient and Less Steep between the Valley and the Two Opposing Hills… (Veduta della magnifica Sostruzione… [see full title]), 18th century Etching
Giovanni Battista Piranesi Ruins of the Ancient Fortifications of the Mountainside and of the City of Cori in Latium… (Rovine delle antiche fortificazioni del monte e della citta di Coran nel Lazio…), 18th century Etching
Giovanni Battista Piranesi Ruins of the Temple of Castor and Pollux in the City of Cori (Rovine del Tempio de’ Castori nella citta di Cora), 18th century Etching
Giovanni Battista Piranesi Ruins of the Supposed Temple of Hercules in the City of Cori (Rovine del Tempio supposto di Ercole nella citta di Cora), 18th century Etching
Giovanni Battista Piranesi View of the Present State of the Interior of the Pronaos of the Temple of Hercules in the City of Cori (Veduta del presente stato dell’interno del Pronao del Tempio d’Ercole nella citta di Cora), 18th century Etching
Giovanni Battista Piranesi Reconstructed Elevation of the Temple of Hercules in the City of Cori (Elevazione ortografica del Tempio d’Ercole nella citta di Cora), 18th century Etching
Giovanni Battista Piranesi Profile or Reconstruction of the Right-Hand Side of the Remains of the Temple of Hercules in the City of Cori (Profilo, o sia Elevazione ortografica del Lato destro degli avanzi del Tempio d’Ercole nella citta di Cora), 18th century Etching
Giovanni Battista Piranesi Various Profiles of Moldings [From the Temple of Hercules], 18th century Etching
Giovanni Battista Piranesi Plan of the Column of Marcus Aurelius (Pianta della Colonna Antonina), 18th century Etching
Giovanni Battista Piranesi Three Elevations of the Column of Marcus Aurelius: During the XVIIIth Century; under Sixtus V before Its Restoration; and When It Was First Dedicated (Colonna Antonina come si vede oggi di. Colonna come si vedeva a tempo… [see full title]), 18th century Etching
Giovanni Battista Piranesi Ancient Location of the Column of the Apotheosis of Antoninus and Faustina… (Situaz. ant. della Colonna dell’ Apoteosi di Antonino, e Faustina…), 18th century Etching
Giovanni Battista Piranesi The Column Erected in the Memory of the Apotheosis of Antoninus and Faustina, His Wife… (Colonna eretta in memoria dell’ Apoteosi di Antonino Pio, e Faustina sua Moglie…), 18th century Etching
Giovanni Battista Piranesi View of the Pedestal of the Apotheosis of Antoninus Pius and Faustina… (Veduta del Piedestallo dell’ Apoteosi di Antonino Pio, e Faustina…), 18th century Etching
Giovanni Battista Piranesi Base of Marble and Travertine Constructed During the Pontificate of Pope Benedict XIV for the Pedestal of the Column, 18th century Etching
Giovanni Battista Piranesi Base of Antique Pedestal Discovered During the Pontificate of Pope Clement XI, 18th century Etching
Giovanni Battista Piranesi View Showing the Remains of the Interior of the Temple of Neptune… (Vue des restes interieurs du Temple de Neptune), 18th century Etching
Giovanni Battista Piranesi View Showing the Remains of the Ancient City Walls of Pesto [Paestum] (Vue de ce qui reste encore des Murs de l’ancienne Ville de Pesto), 18th century Etching
Giovanni Battista Piranesi View Showing the Remains of a Large Enclosure of Columns [Basilica]… (Vue des restes d’une grande enciente de colonnes…), 18th century Etching
Giovanni Battista Piranesi View of Some Columns of the Facade opposite the One Shown in the Preceding Plate [Basilica]… (Vue de quelques unes des Colonnes de la facade opposee a celle de la planche precedente…), 18th century Etching
Giovanni Battista Piranesi View of the Eighteen Side Columns, Drawn from the Side Opposite Those Shown in the First Plate [Basilica]… (Vue des 18 Colonnes de cote dessinees du cote oppose a celles qui sont indiquees dans la premiere planche…), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Pronaos of the Building Known as the College des Anfictions [Basilica]… (Vue des restes du Pronaos de l’edifice, que l’on peut considerer comme le College des Anfictions…), 18th century Etching
Giovanni Battista Piranesi Interior View of the So-Called College des Anfictions [Basilica] (Vue interieure du College suppose des Anfictions), 18th century Etching
Giovanni Battista Piranesi Another View of the Pronaos Described and Drawn in the Preceding Plate [Basilica] (Autre vue de l’interieure du Pronaos, qui a deja ete decrit, et dessine, dans la planche precedente), 18th century Etching
Giovanni Battista Piranesi Another Interior View of the Remains of the So-called College des Anfictions [Basilica] (Autre vue interieure des restes du College suppose des Anfictions), 18th century Etching
Giovanni Battista Piranesi View of the Temple of Neptune, Tutelary God of the Ancient City of Pesto [Paestum], Although No Indication Has Been Found to Show Whether This Temple Was Related to That Divinity or to Some Other… (Vue du temple de Neptune, Dieu tutelaire… [see full title, 18th century Etching
Giovanni Battista Piranesi Temple of Neptune at Pesto [Paestum], Seen from the Side and Drawn on a Larger Scale Than in the First Plate (Temple de Neptune a Pesto, vu de cote, et dessine plus en grand qu’on ne le voit dans la premiere planche), 18th century Etching
Giovanni Battista Piranesi Another View of the Temple of Neptune, Described in Plate X… (Vue interieure du temple de Neptune decrit dans la planche X…), 18th century Etching
Giovanni Battista Piranesi Interior View of the Remains of One of the Pronaoi of the Temple of Neptune Which Faces Inland… [one of the two pronaoi] (Vue des restes interieurs d’un des Pronaos du temple de Neptune qui regarde du cote de la Terre…), 18th century Etching
Giovanni Battista Piranesi Rear View of the Remains of the Pronaos of the Temple of Neptune, Drawn in the Two Preceding Plates (Vue des restes du derriere du Pronaos du temple de Neptune dessine dans les deux planches precedentes), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Cella of the Temple of Neptune (Vue des restes de la Celle du Temple de Neptune), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Two Rows of Columns in the Temple of Neptune Which [originally] Formed the Colonnades along the Sides of the Cella, and Supported the Uppermost Part of the Roof… (Vue des deux restes de rangs de Colonnes… [see full title]), 18th century Etching
Giovanni Battista Piranesi View of the Remains of the Cella of the Temple of Neptune (Vue des restes de la Celle du Temple de Neptune), 18th century Etching
Giovanni Battista Piranesi View of Another Temple in the City of Pesto [Paestum], Which is Commonly Believed to Have Been Dedicated to Juno… [now identified as the Temple of Athena] (Vue d’un autre temple, dans la Ville de Pesto, que l’on croit communement avoir ete dedie a Junon…), 18th century Etching
Giovanni Battista Piranesi Side View of the Temple of Juno… [now identified as the Temple of Athena] (Vue laterale du Temple de Junon…), 18th century Etching
Giovanni Battista Piranesi Interior View of the Temple Which Is Believed to Have Been Dedicated to Juno… [now identified as the Temple of Athena] (Vue interieure du Temple, que l’on croit avoir été dedie a Junon…), 18th century Etching
Giovanni Battista Piranesi Ancient Aqueduct of the Acqua Marcia at the City Walls erected by Aurelian (Veterum Aquae Marciae ductuum, muris Urbis ab Aureliano constructis…), 18th century Etching
Giovanni Battista Piranesi Various Columns in Greek Architecture Taken from Ancient Monuments, Illustrated to Scale (Variae in Architectura graecanica rationes ac symmetriae ex antiquis monumentis exerptae), 18th century Etching
Giovanni Battista Piranesi Various Fragments of Columns and a Bas-relief, 18th century Etching
Giovanni Battista Piranesi Various Column Bases Compared with Details from Le Roy, 18th century Etching
Giovanni Battista Piranesi Various Capitals, a Bas-relief and Various Moldings, 18th century Etching
Giovanni Battista Piranesi Various Capitals, Friezes, and Ornamental Fragments Compared with a Detail by Le Roy, 18th century Etching
Giovanni Battista Piranesi Brackets, Friezes and Various Ornamental Fragments, 18th century Etching
Giovanni Battista Piranesi Various Entablatures, Capitals and Ornamental Fragments, 18th century Etching
Giovanni Battista Piranesi Various Roman Ionic Capitals Compared with Greek Examples from Le Roy, 18th century Etching
Giovanni Battista Piranesi Section of the Emissarium at Lake Albano with Inset Views, 18th century Etching
Giovanni Battista Piranesi Roman Architectural Details Compared with Greek Examples from Le Roy, 18th century Etching
Giovanni Battista Piranesi Constructional Details of Entrance Porch to a Tuscan Temple Precinct Together with an Inscription from Palazzo Farnese, 18th century Etching
Giovanni Battista Piranesi Various Architectural Details Including Fragments Relating to the Temple of Vesta, Rome, 18th century Etching
Giovanni Battista Piranesi Plan and Elevation of a Tuscan Temple, 18th century Etching
Giovanni Battista Piranesi Additional Plate to Parere, 18th century Etching
Giovanni Battista Piranesi Additional Plate to Parere, 18th century Etching
Giovanni Battista Piranesi Additional Plate to Parere, 18th century Etching
Giovanni Battista Piranesi Additional Plate to Parere, 18th century Etching
Giovanni Battista Piranesi Additional Plate to Parere, 18th century Etching
Giovanni Battista Piranesi Diverse Manners of Ornamenting Chimneys and All Other Parts of Houses Taken from Egyptian, Tuscan, and Grecian Architecture (Diverse Maniere d’Adornare i Cammini ed ogni Altra Parte Degli Edifizi Desunte Dall’Architettura Egizia, Etrusca, Greca), 18th century Etching
Giovanni Battista Piranesi Vignette between Imprimatur and Explanatory Text before the Initial Plate: A Commode, Sedan Chair, Vase, Shell-Form Container and Various Ornamental Borders, 18th century Etching
Giovanni Battista Piranesi Plate Opposite Page 20 of “Apologia”: Shells from the Gualtieri Collection, 18th century Etching
Giovanni Battista Piranesi Plate opposite Page 21 of “Apologia”: Shells from the Gualtieri Collection and Vase Designs, 18th century Etching
Giovanni Battista Piranesi Plate Preceding Page 31 of “Apologia”: Etruscan Inventions, 18th century Etching
Giovanni Battista Piranesi Chimneypiece Designed for Lord Exeter, 18th century Etching
Giovanni Battista Piranesi Chimneypiece Designed for John Hope (“Le Cariatidi l’architrave e gli altri pezzi di marmo sono avanzi di opere antiche del Cavaliere Piranesi…”), 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Medusa Heads and Cornucopias on the Lintel Terminated by Rams’ Heads. Pompeiian-Style Wall Decoration with Oval Mirror, 18th century Etching
Giovanni Battista Piranesi Two Chimneypieces: Upper—with the Lintel Decorated by Rams’ Heads over Greek Key Frieze. Lower—with a Female Mask between Pelicans, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Two Cameos with the Three Graces to Either Side of Three Masks on the Lintel, 18th century Etching
Giovanni Battista Piranesi Two Chimneypieces: Upper—Crouching Dogs to Either Side of a Satyr Mask on the Lintel. Lower—Rinceaux and Griffons on the Lintel, 18th century Etching
Giovanni Battista Piranesi Two Chimneypieces: Upper—Frieze with a Chariot Race on the Lintel. Lower—Two Birds Drinking from a Vase on the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece Including a Portion of a Mirror with Frieze of Masks above, and Two Tables, One of Which is Shown on a Sheet of Paper, 18th century Etching
Giovanni Battista Piranesi Two Chimneypieces: Upper—Oval Relief on the Lintel and Addorsed Sphinxes on the Jambs. Lower—Apulstres Flanking a Bucranium on the Lintel and Pairs of Figures on the Jambs, 18th century Etching
Giovanni Battista Piranesi Two Chimneypieces: Upper (as Designed for Senator Rezzonico)—with a Medusa Head at the Center of the Lintel and Vases Flanking the Jambs. Lower—with an Eagle at the Center Flanked by Satyr Heads on the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Rhytons at the Center of the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Bucranium and Patera at the Center of the Lintel, Flanked by Vases, and Amphorae on the Jambs, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Addorsed Helmeted Heads at the Center of the Lintel, 18th century Etching
Giovanni Battista Piranesi Two Chimneypieces: The Larger with Janus Heads on the Lintel and the Smaller on a Sheet Attached to the Main Plate, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Affronted Griffons on the Lintel and Candelabra on the Jambs, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Medallion Flanked by Eagles at the Center of the Lintel, with a Frieze of Dolphins above, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Bird in Shell at the Center of the Lintel, with a Frieze of Trophies, Surmounted by an Overmantel with Candelabra and Flanked by Chairs, 18th century Etching
Giovanni Battista Piranesi Two Chimneypieces: One on a Sheet Illusionistically Superimposed on the Other, the Former Having a Bucranium Flanked by Harpies on the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Running Scroll Ornamented with Cameos along the Frieze of the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Roman Warrior at the Center of the Lintel Flanked by Volutes and Winged Figures, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Lintel Decorated with Frieze of Looped Serpents, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Griffon Monopods on the Jambs, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Head of Medusa between Eagles at the Center of the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Pairs of Antique Deities in Conversation on the Jambs, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Jambs Ornamented with Large Lyres, 18th century Etching
Giovanni Battista Piranesi Two Chimneypieces: Upper—Frieze with a Procession of Figures Flanked by Eagles on the Lintel. Lower—with a Relief of Roman Sacrificial Instruments above the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Central Relief with a Female Figure Reclining on a Roman Bed, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Central Oval Relief with the She-Wolf of Rome, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: A Large Vase with a Pair of Serpents on Each Jamb, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Two Medallions at the Center of the Lintel, One with an Emperor’s Head and the Other with a Triumphal Chariot, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Cornucopias Flanking Foliate Decoration at the Center of the Lintel with Sphinxes at Either End, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Frieze of Trophies and Winged Victories on the Lintel, with Cornucopias to Either Side of the Jambs Decorated with Varied Reliefs, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Architrave Decorated with a Greek Key Motif and a Circular Fireback with Figures of the Zodiac, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Frieze of Confronted Dolphins on the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Head of Medusa between Two Centaurs on the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Lintel Embellished by Two Undulating Serpents with Small Masks in Each Coil, 18th century Etching
Giovanni Battista Piranesi Two Chimneypieces: Upper—Pairs of Figures Supporting Bucrania on the Jambs. Lower—with Masks and Torches Alternating on the Lintel, Flanked by Chairs, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Frieze of Putti Riding Marine Creatures on the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Head of Medusa between Two Satyr Heads on the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece: Bucranium between Cameos on Lintel Relief and Caryatids on the Jambs, 18th century Etching
Giovanni Battista Piranesi Chimneypiece in the Egyptian Style: Mummy Superimposed on a Large Caryatid above the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece in the Egyptian Style: Large Obelisks above Jambs and Two Sphinxes Supporting an Oval Relief of a Nude Figure above the Lintel, 18th century Etching
Giovanni Battista Piranesi Chimneypiece in the Egyptian Style: Groups of Three Crouching Figures on Each Jamb, 18th century Etching
Giovanni Battista Piranesi Chimneypiece in the Egyptian Style: Giant Figures Supporting the Lintel, Flanked by Chairs, 18th century Etching
Giovanni Battista Piranesi Chimneypiece in the Egyptian Style: Two Figures Playing Harps to Either Side of the Jambs, 18th century Etching
Giovanni Battista Piranesi Chimneypiece in the Egyptian Style: Two Mummies in Profile on the Left and Two Figures Bearing Obelisks on the Right, 18th century Etching
Giovanni Battista Piranesi Chimneypiece in the Egyptian Style: Jambs Surmounted by Busts, and the Wall above Ornamented with a Star Pattern, 18th century Etching
Giovanni Battista Piranesi Chimneypiece in the Egyptian Style: Pairs of Figures Standing on Their Hands to Either Side, 18th century Etching
Giovanni Battista Piranesi Chimneypiece in the Egyptian Style: Seated Figures in Profile on Either Side, 18th century Etching
Giovanni Battista Piranesi Chimneypiece in the Egyptian Style: Lintel with Addorsed Sphinxes and Flanked by Bulls in Profile, 18th century Etching
Giovanni Battista Piranesi Chimneypiece in the Egyptian Style: Groups of Three Female Nudes at the Base of Each Jamb, Surmounted by Larger Kneeling Figures, 18th century Etching
Giovanni Battista Piranesi Egyptian Decoration of the Caffe degli Inglesi: Addorsed Sphinxes at the Center of the Cornice, 18th century Etching
Giovanni Battista Piranesi Egyptian Decoration of the Caffe degli Inglesi: Animals on the Cornice, Including a Bull at the Center, 18th century Etching
Giovanni Battista Piranesi Commode with a Clock Flanked by Vases, 18th century Etching
Giovanni Battista Piranesi Miscellaneous Furniture Including a Sedan Chair and a Commode, 18th century Etching
Giovanni Battista Piranesi Miscellaneous Furniture Including Two Sedan Chairs, a Side Table and a Commode, 18th century Etching
Giovanni Battista Piranesi Two Groups of Furniture: Left—Two Clocks and a Chair. Right—a Commode, a Sedan Chair and a Coach, 18th century Etching
Giovanni Battista Piranesi A Sedan Chair, a Coach, a Commode, a Side Table and Two Clocks, 18th century Etching
Giovanni Battista Piranesi Four Sedan Chairs, a Clock, a Side Table and Two Candelabra, 18th century Etching
Giovanni Battista Piranesi Four Coaches, Two Sedan Chairs, Two Pairs of Panels and Four Tables, 18th century Etching
Giovanni Battista Piranesi Furniture Including a Side Table Designed for Cardinal Rezzonico, 18th century Etching
Giovanni Battista Piranesi Furniture Including a Clock Designed for Senator Rezzonico, 18th century Etching
Giovanni Battista Piranesi Miscellaneous Furniture Including Three Clocks and a Console Table, 18th century Etching
Giovanni Battista Piranesi Three Clocks, Two Chairs and a Candlestick, 18th century Etching
Giovanni Battista Piranesi Vases, Candelabra, Grave Stones, Sarcophagi, Tripods, Lamps, and Ornaments Designed and Engraved by Giovanni Battista Piranesi, 18th century Etching
Giovanni Battista Piranesi Large Vase Found at the Pantanello, Hadrian’s Villa, Tivoli, in 1770 (The “Warwick Vase”), 18th century Etching
Giovanni Battista Piranesi Another Front View of the “Warwick Vase”, 18th century Etching
Giovanni Battista Piranesi Side View of the “Warwick Vase”, 18th century Etching
Giovanni Battista Piranesi Cinerary Urns and Lamps, 18th century Etching
Giovanni Battista Piranesi Marble Relief in the Aldobrandini Gardens near SS. Domenico e Sisto, Monte Magna, Naples, 18th century Etching
Giovanni Battista Piranesi Two Views of a Cinerary Vase, 18th century Etching
Giovanni Battista Piranesi Two Bronze Lamps, One of Them in the Form of a Chariot Drawn by Two Bulls Driven by Diana, 18th century Etching
Giovanni Battista Piranesi Various Lamps of Bronze and Terracotta Including Another View of the Chariot Lamp from the Preceding Plate, 18th century Etching
Giovanni Battista Piranesi Various Lamps of Bronze and Terracotta, One of Them in the Form of a Chimera, 18th century Etching
Giovanni Battista Piranesi Various Lamps of Bronze, One of Them Taking the Form of a Winged Genius, 18th century Etching
Giovanni Battista Piranesi Various Lamps of Bronze and Terracotta, One of Them Representing… [see full titl, 18th century Etching
Giovanni Battista Piranesi Various Lamps and a Vase Encrusted with Cameos, 18th century Etching
Giovanni Battista Piranesi Large Marble Vase with Putti and Vine Leaves Found at Hadrian’s Villa in 1769, 18th century Etching
Giovanni Battista Piranesi The Same Vase as in no. 901, Seen from the Side, 18th century Etching
Giovanni Battista Piranesi Marble Vase Supported upon an Altar with Egyptian Symbols, 18th century Etching
Giovanni Battista Piranesi Marble Relief of a Trireme from the Temple of Fortuna, Praeneste, 18th century Etching
Giovanni Battista Piranesi Various Objects, Including a Marble Sarcophagus with a Relief of the Battle of the Giants against Jupiter, Found near the Tomb of S. Costanza in 1748, 18th century Etching
Giovanni Battista Piranesi Part of a Stucco Vault from Hadrian’s Villa, Tivoli, 18th century Etching
Giovanni Battista Piranesi Decorative Ceiling with Victories and Fighting Animals in Relief from Hadrian’s Villa, Tivoli, 18th century Etching printed from two contiguous plates
Giovanni Battista Piranesi Marble Vase Decorated with Four Masks Representing the Four Seasons and Ages of Man, 18th century Etching
Giovanni Battista Piranesi Marble Candelabrum Found at Hadrian’s Villa, 18th century Etching
Giovanni Battista Piranesi Perspective View of the Same Candelabrum, 18th century Etching
Giovanni Battista Piranesi Marble Candelabrum, 18th century Etching
Giovanni Battista Piranesi Three Vases with Antique Pedestal, 18th century Etching
Giovanni Battista Piranesi Marble Vase with Frieze of Bucrania, 18th century Etching
Giovanni Battista Piranesi Two Cinerary Urns, One of Them with Trophies and Arabesques Resting on the Other with Geniuses and Torches, Both Flanked by Two Views of a Small Group of a Boy with a Dolphin, 18th century Etching
Giovanni Battista Piranesi Marble Altar in the Form of a Tripod Vase from Hadrian’s Villa, Tivoli, Supported on a Monument from Palazzo Barberini, 18th century Etching
Giovanni Battista Piranesi Another View of the Same Altar in Perspective between a Multistemmed Bronze Lamp and a Smaller Lamp of Bronze, 18th century Etching
Giovanni Battista Piranesi Two Marble Tripods, 18th century Etching
Giovanni Battista Piranesi Large Marble Cinerary Urn with Its Pedestal Decorated with Sculpture and Ornamented, 18th century Etching
Giovanni Battista Piranesi The Same Vase as in no. 919, in Perspective, 18th century Etching
Giovanni Battista Piranesi Marble Vase with Relief of Baccant Supported on a Tripod of Chimeras, 18th century Etching
Giovanni Battista Piranesi Large Marble Vase in the Courtyard of S. Cecilia in Trastevere, 18th century Etching
Giovanni Battista Piranesi Large Cinerary Vase Ornamented with Bulls’ Heads Supporting a Garland of Fruit, 18th century Etching
Giovanni Battista Piranesi Marble Vase, 18th century Etching
Giovanni Battista Piranesi Fragment of an Ornamental Pilaster with Detail and a Column Found on the Tiber Island, 18th century Etching
Giovanni Battista Piranesi Marble Vase with a Frieze of Fauns, Excavated by Gavin Hamilton from the Pantanello, Placed on a Cinerary Urn, 18th century Etching
Giovanni Battista Piranesi Two-Handled Vase with Masks on a Base from Another Such Work, 18th century Etching
Giovanni Battista Piranesi Side View of the Same Vase as in no. 927, 18th century Etching
Giovanni Battista Piranesi Bronze Tripod, 18th century Etching
Giovanni Battista Piranesi Marble Vases, 18th century Etching
Giovanni Battista Piranesi Antique Vases, 18th century Etching
Giovanni Battista Piranesi Marble Vase, 18th century Etching
Giovanni Battista Piranesi Another View of the Same Vase as in no. 932, 18th century Etching
Giovanni Battista Piranesi Antique Monument and Two Vases, 18th century Etching
Giovanni Battista Piranesi Marble Candelabrum, 18th century Etching
Giovanni Battista Piranesi Perspective View of the Same Candelabrum as in no. 935, 18th century Etching
Giovanni Battista Piranesi Three Vases, 18th century Etching
Giovanni Battista Piranesi Granite Cistern Supported by Four Fauns Resting on a Base, 18th century Etching
Giovanni Battista Piranesi Large Marble Vase Decorated with a Relief of the Sacrifice of Iphigenia, 18th century Etching
Giovanni Battista Piranesi Detail of the Relief of the Vase Shown in no. 939 [Villa Medici], 18th century Etching
Giovanni Battista Piranesi Ancient Bas-Relief Which Can Be Seen in the Portico of the Church of SS. Apostoli… (Bassorilievo antico che si vede nel Portico della Chiesa de SS. Apostoli…), 18th century Etching
Giovanni Battista Piranesi Marble Case with Pedestal from Hadrian’s Villa, Tivoli, 18th century Etching
Giovanni Battista Piranesi The Same Vase as in no. 942, Seen from below, 18th century Etching
Giovanni Battista Piranesi Another View of the Same Vase as in no. 942, Seen from below, 18th century Etching
Giovanni Battista Piranesi Large Basalt Vase with Masks, 18th century Etching
Giovanni Battista Piranesi Fragments of Two Friezes, One from Trajan’s Forum and the Other with Various Pieces of Relief, 18th century Etching
Giovanni Battista Piranesi Marble Tripod or Altar Found at Ostia by Gavin Hamilton in 1775, 18th century Etching
Giovanni Battista Piranesi Another View of the Same Tripod as in no. 947, 18th century Etching
Giovanni Battista Piranesi Marble Trophy with Figure of Victory from the Vatican, Found near Cornazzano by Gavin Hamilton in 1772, 18th century Etching
Giovanni Battista Piranesi The Same Trophy as in no. 949, Seen from the Side, 18th century Etching
Giovanni Battista Piranesi Vase with Griffon Heads, 18th century Etching
Giovanni Battista Piranesi Vase with Masks, 18th century Etching
Giovanni Battista Piranesi Terracotta Vase with Bull’s Head, 18th century Etching
Giovanni Battista Piranesi Marble Vase with Bucrania Supporting Garlands, 18th century Etching
Giovanni Battista Piranesi Group of Caryatids, 18th century Etching
Giovanni Battista Piranesi Marble Vase with Relief of a Wolf, 18th century Etching
Giovanni Battista Piranesi Marble Vase with Dogs as Handles, 18th century Etching
Giovanni Battista Piranesi Large Marble Sarcophagus with Its Cover in the Courtyard of Palazzo Orsini, near the Theater of Marcellus, 18th century Etching
Giovanni Battista Piranesi Funerary Monument of Mamertinus and His Wife Partenope Found on Via Labicana in 1765 Together with a Vase and Lamps, 18th century Etching
Giovanni Battista Piranesi Marble Vase Ornamented with Frieze of Slaves and Griffons, 18th century Etching
Giovanni Battista Piranesi Funerary Urn with Lion Worried by Dogs on the Lid, 18th century Etching
Giovanni Battista Piranesi Vase Ornamented with Masks on the Lid, 18th century Etching
Giovanni Battista Piranesi Marble Vase Decorated with Frieze of the Labors of Hercules on a Base from Another Work, 18th century Etching
Giovanni Battista Piranesi Part of an Ornamental Slab with Arabesques and Bacchantes from Hadrian’s Villa, Tivoli, and a Terracotta Frieze from the Gaetani Gardens, 18th century Etching
Giovanni Battista Piranesi Funerary Urn of Lucius Aurelius Terentus and of His Wife Cecilia Ticherna, 18th century Etching
Giovanni Battista Piranesi Vase Decorated with Acanthus Leaves and Supported by Griffons, 18th century Etching
Giovanni Battista Piranesi Vase Supported by a Tripod, 18th century Etching
Giovanni Battista Piranesi Two Marble Friezes, One with Griffons and the Other with a Putto amid Swags of Fruit, 18th century Etching
Giovanni Battista Piranesi Two Views of a Group of Three Women Supporting a Vase, 18th century Etching
Giovanni Battista Piranesi Marble Vase with Friezes of Griffons Flanking a Candelabrum, Supported by a Cinerary Urn, 18th century Etching
Giovanni Battista Piranesi Two Views of Curial Chair and Marble Vase, 18th century Etching
Giovanni Battista Piranesi Front View of the Same Chair as in no. 971, 18th century Etching
Giovanni Battista Piranesi Cinerary Urn with Inscription above Eagle and Flanked by Rams’ Heads, 18th century Etching
Giovanni Battista Piranesi Profile of the Same Chair as in no. 971, 18th century Etching
Giovanni Battista Piranesi Another Front View of the Same Chair as in no. 971, 18th century Etching
Giovanni Battista Piranesi Rear View of the Same Chair as in no. 971, 18th century Etching
Giovanni Battista Piranesi Cinerary Urn Decorated with a Frieze of Bacchantes, 18th century Etching
Giovanni Battista Piranesi Cinerary Urn Ornamented with an Owl Flanked by Bucrania with Sphinxes Below, 18th century Etching
Giovanni Battista Piranesi Marble Vase Decorated with a Frieze of Putti and Garlands, 18th century Etching
Giovanni Battista Piranesi Marble Tripod with Snake on Bowl and Satyr Heads on the Legs on an Ornamental Base, 18th century Etching
Giovanni Battista Piranesi Ornamental Frieze with Confronted Griffons and Other Fragments, 18th century Etching
Giovanni Battista Piranesi Marble Altar Decorated with Friezes in Relief and Supported by Chimeras at the Base, 18th century Etching
Giovanni Battista Piranesi Cinerary Urn Supported on a Bracket, 18th century Etching
Giovanni Battista Piranesi Cinerary Vase of Terracotta with a Sea Horse in Relief, from a Drawing by Cavalier Ghezzi in the Vatican Library, 18th century Etching
Giovanni Battista Piranesi Marble Tripod with Vine Leaves on the Legs and Spiral Central Support, 18th century Etching
Giovanni Battista Piranesi Another View of the Same Marble Tripod (no. 985), Placed upon a Base with Alternate Masks and Figures in Relief, 18th century Etching
Giovanni Battista Piranesi Candelabrum Base with a Merman Flanked by Snakes, and Goats’ Heads, Cornucopias and Other Ornaments, 18th century Etching
Giovanni Battista Piranesi Marble Tripod Dedicated to Apollo with Signs of the Zodiac around the Bowl, Found at Cicero’s Villa at Tusculum, 18th century Etching
Giovanni Battista Piranesi Another View in Perspective of the Same Tripod Altar, 18th century Etching
Giovanni Battista Piranesi One of Two Identical Altars Dedicated to Apollo with Greek Key Motif around the Rim and Medusa Heads on the Bowl, Found in the Villa of Pompey the Great in Albano, 18th century Etching
Giovanni Battista Piranesi Various Candelabra, a Vase and Two Cinerary Urns, 18th century Etching
Giovanni Battista Piranesi Perspective View of the [Newdigate] Candelabrum from no. 991 with Rams’ Heads and Elephants’ Heads at the Angles, 18th century Etching
Giovanni Battista Piranesi Funerary Monument of a Boar’s-Headed Rhyton on a Vase with Concave Flutes Found in a Tomb on the Via Appia, 18th century Etching
Giovanni Battista Piranesi Perspective View of the Same Rhyton Monument as in no. 993, 18th century Etching
Giovanni Battista Piranesi Three Candelabra, 18th century Etching
Giovanni Battista Piranesi Perspective View of One of the Candelabra from no. 995 with Stem Decorated with Vine Leaves, Fruit, and Goats’ Heads, 18th century Etching
Giovanni Battista Piranesi Cinerary Urn with Inscription Flanked by Cornucopias and Winged Genii Supporting Festoons, 18th century Etching
Giovanni Battista Piranesi Base of a Candelabrum with a Putto above, an Eagle, Rams’ Heads, Dolphins, and Sphinxes in Relief, 18th century Etching
Giovanni Battista Piranesi Another View of the Same Candelabrum Base as in no. 998, 18th century Etching
Giovanni Battista Piranesi Marble Trireme Supported by an Ornamental Pedestal, 18th century Etching
Giovanni Battista Piranesi Sections and End Views of the Same Trireme as in no. 1000, 18th century Etching
Giovanni Battista Piranesi Candelabrum from the Palazzo Salviati Acquired and Reconstructed by the Artist for His Tomb, 18th century Etching
Giovanni Battista Piranesi Perspective View of the Same Candelabrum as in no. 1002, 18th century Etching
Giovanni Battista Piranesi Vase Decorated with a Bacchanalian Frieze, 18th century Etching
Giovanni Battista Piranesi Complete Relief of the Vase Drawn in Wilton-Ely no. 1004, 18th century Etching
Giovanni Battista Piranesi Plan of Rome and the Campus Martius, 18th century Etching
Giovanni Battista Piranesi Collection of Several Drawings after Barbieri da Cento (known as Guercino) Engraved on Copper and Presented to Thomas Jenkins, Painted and Member of the Academy of St. Luke, Out of Respect and Friendship from His Fellow Member… [see full title], 18th century Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 6, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 7, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 8, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 9, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 10, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 11, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 12, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 13, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 14, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 15, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 16, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 17, 1800-1807 Etching and engraving
Giovanni Battista Piranesi, with some by Francesco Piranesi Piranesi large volume 18, 1800-1807 Etching and engraving
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 19, 1800-1807 Etching and engraving
Giovanni Battista Piranesi and Francesco Piranesi Piranesi large volume 21, 1800-1807 Etching and engraving
Giovanni Battista Piranesi and others Piranesi large volume 23, 1800-1807 Etching and engraving
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 1, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 2, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 3, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 4, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 5, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 6, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 7, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 8, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 9, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 10, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 11, 1800-1807 Etching
Giovanni Battista Piranesi, with some by Francesco Piranesi Piranesi small volume 18, 1800-1807 Etching
Giovanni Battista Piranesi and Francesco Piranesi Piranesi small volume 20, 18th century Etching and engraving
Giovanni Battista Piranesi and others, many after Guercino Piranesi small volume 21, 18th century Etching and engraving
Giovanni Battista Piranesi and others Piranesi small volume 22, 18th century Etching and engraving
Giovanni Battista Piranesi and others Piranesi large volume 1, 1800-1807 Etching
Giovanni Battista Piranesi Another View of the Pronaos Facade Drawn and Described in Plate V… (Autre vue de la Facade du Pronaos, dessine et decrit dans la planche V…), ca. 1778-1779 Etching on laid paper
Giovanni Battista Piranesi Catalog of works (Catalogo delle opere), ca. 1761 Etching and engraving with pen and ink additions on laid paper
Giovanni Battista Piranesi The Skeletons, ca. 1745 Etching on laid paper
Giovanni Battista Piranesi The Tomb of Nero, ca. 1745 Etching on laid paper
Giovanni Battista Piranesi The Monumental Tablet, ca. 1745 Etching on laid paper
Giovanni Battista Piranesi Imaginary Prisons of G. Battista Piranesi, Venetian Architect: title page, 1761 Etching on laid paper
Giovanni Battista Piranesi The Man on the Rack, 1761 Etching on laid paper
Giovanni Battista Piranesi The Round Tower, 1761 Etching on laid paper
Giovanni Battista Piranesi The Grand Piazza, 1761 Etching on thick laid paper
Giovanni Battista Piranesi The Lion Bas-Reliefs, 1761 Etching on laid paper
Giovanni Battista Piranesi The Smoking Fire, 1761 Etching on laid paper
Giovanni Battista Piranesi The Staircase with Trophies, 1761 Etching
Giovanni Battista Piranesi The Giant Wheel, 1761 Etching on laid paper
Giovanni Battista Piranesi Prisoners on a Projecting Platform, 1761 Etching on laid paper
Giovanni Battista Piranesi The Arch with a Shell Ornament, 1761 Etching on laid paper
Giovanni Battista Piranesi The Sawhorse, 1761 Etching on laid paper
Giovanni Battista Piranesi The Well, 1761 Etching on laid paper
Giovanni Battista Piranesi The Gothic Arch, 1761 Etching on laid paper
Giovanni Battista Piranesi The Pier with a Lamp, 1761 Etching on laid paper
Giovanni Battista Piranesi The Pier with Chains, 1761 Etching on laid paper
Giovanni Battista Piranesi after Roger Newdigate View of the Arch Built in Honor of Augustus near the City of Aosta in Piedmont, Agusta Praetoria Salassorum in Antiquity (Veduta dell’Arco fabbricato in onore d’Augusto vicino alla Citta di Aosta in Piemonte anticamente Augusta Praetoria Salassorum), 1748-1765 Etching on laid paper
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