DAC Collection Artist Information
Rembrandt van Rijn
Dutch painter, draftsman, and printmaker
Brief biography, in most instances from the Union List of Artist Names® Online:
Noted as one of the most popular and influential artists of his period. His work is characterized by the Baroque interest in dramatic scenes and strong contrasts of light on a dark stage. The subjects of his works include portraits, landscapes, figures, animals, an scenes of biblical and secular history and mythology. He was very prolific, producing paintings, etchings, and drawings: Rembrandt executed about 400 paintings, over 1000 drawings, and around 300 etchings.
Artist ID number in the Union List of Artist Names®: ULAN 500011051.
The ULAN link above leads to a cataloging authority record at the Getty Research Institute.
Objects related to Rembrandt van Rijn:
Rembrandt van Rijn | Rembrandt and His Wife Saskia, 1636 | Etching on cream laid paper |
Rembrandt van Rijn | Rembrandt Drawing at a Window, 1648 | Etching, drypoint, and engraving on laid paper |
Rembrandt van Rijn | Abraham’s Sacrifice, 1655 | Etching and drypoint on white laid paper |
Rembrandt van Rijn | The Angel Appearing to the Shepherds, 1634 | Etching, engraving, and drypoint on laid paper |
Rembrandt van Rijn | The Adoration of the Shepherds: A Night Piece, 1657 | Etching, engraving, and drypoint on Japanese paper |
Rembrandt van Rijn | The Flight into Egypt: A Night Piece, 1651 | Etching, engraving, and drypoint on laid paper |
Rembrandt van Rijn | The Flight into Egypt, ca. 1653 | Etching, engraving, and drypoint on laid paper |
Rembrandt van Rijn | The Virgin and Child with the Cat and Snake, 1654 | Etching on laid paper |
Rembrandt van Rijn | Christ Preaching, ca. 1652 | Etching, engraving, and drypoint on white laid paper |
Rembrandt van Rijn | The Tribute Money, ca. 1635 | Etching on laid paper |
Rembrandt van Rijn | Christ and the Woman of Samaria: an arched print, 1658 | Etching and drypoint on laid paper |
Rembrandt van Rijn | The Raising of Lazarus: the smaller plate, 1642 | Etching on cream laid paper |
Rembrandt van Rijn | The Raising of Lazarus: the larger plate, 1632 (printed in 1640s or later) | Etching on Japanese paper |
Rembrandt van Rijn | Christ Healing the Sick, ca. 1649 | Etching, drypoint, and engraving on Japanese paper |
Rembrandt van Rijn | Christ Presented to the People, 1655 | Drypoint |
Rembrandt van Rijn | Christ Crucified between the Two Thieves (The Three Crosses), 1653 | Drypoint with some engraving |
Rembrandt van Rijn | Christ Crucified between the Two Thieves: An Oval Plate, ca. 1641 | Etching and drypoint on laid paper |
Rembrandt van Rijn | Return of the Prodigal Son, 1636 | Etching on cream laid paper |
Rembrandt van Rijn | Peter and John Healing the Cripple at the Gate of the Temple, 1659 | Etching, drypoint, and engraving on laid paper |
Rembrandt van Rijn | Peter and John Healing the Cripple at the Gate of the Temple, 1659 (probably printed in 19th century) | Etching on heavyweight laid paper |
Rembrandt van Rijn | The Stoning of St. Stephen, 1635 | Etching on cream laid paper |
Rembrandt van Rijn | The Death of the Virgin, 1639 | Etching and drypoint |
Rembrandt van Rijn | The Ship of Fortune, 1633 | Etching on cream laid paper |
Rembrandt van Rijn | The Strolling Musicians, 1635 | Etching on cream laid paper |
Rembrandt van Rijn | The Strolling Musicians, ca. 1635 | Etching on white laid paper |
Rembrandt van Rijn | Man Drawing from a Cast, ca. 1641 | Etching on cream laid paper |
Rembrandt van Rijn | Ragged Peasant with His Hands behind Him, Holding a Stick, 1630 | Etching on cream laid paper |
Rembrandt van Rijn | Beggars Receiving Alms at the Door of a House, 1648 | Etching, engraving, and drypoint on laid paper |
Rembrandt van Rijn | The Artist Drawing from a Model, ca. 1639 (possibly printed later) | Etching, drypoint, and engraving on laid paper |
Rembrandt van Rijn | Six’s Bridge, 1645 | Etching on cream laid paper |
Rembrandt van Rijn | Landscape with a Sportsman and Dog, ca. 1653 | Etching and drypoint on laid paper |
Rembrandt van Rijn | The Three Trees, 1643 | Etching, drypoint, and engraving on laid paper |
Rembrandt van Rijn | Landscape with a Milkman, ca. 1650 | Etching and drypoint on laid paper |
Rembrandt van Rijn | Landscape with a Hay Barn and a Flock of Sheep, 1652 | Etching and drypoint on laid paper |
Rembrandt van Rijn | Cottage beside a Canal, ca. 1645 | Etching on laid paper |
Rembrandt van Rijn | Canal with an Angler and Two Swans, 1650 | Etching and drypoint on laid paper |
Rembrandt van Rijn | Bust of an Old Bearded Man, Looking Down, Three-Quarters Right, 1631 | Etching on cream laid paper |
Rembrandt van Rijn | Old Man with a Divided Fur Cap, 1640 | Etching and drypoint on laid paper |
Rembrandt van Rijn | Jan Cornelis Sylvius, Preacher, 1633 (or 1634) | Etching on cream laid paper |
Rembrandt van Rijn | Young Man in Velvet Cap with Books beside Him, 1637 | Etching on cream laid paper |
Rembrandt van Rijn | Faust, ca. 1652 | Etching, drypoint, and engraving on laid paper |
Rembrandt van Rijn | Clement de Jonghe, Printseller, 1651 | Etching, drypoint, and engraving on fine white laid paper |
Rembrandt van Rijn | Jan Asselijn, Painter (Krabbetje), ca. 1647 | Etching, drypoint, and engraving on heavyweight Japan paper |
Rembrandt van Rijn | Jan Cornelis Sylvius, Preacher, 1646 | Etching, drypoint, and engraving on laid paper |
Rembrandt van Rijn | Jan Uytenbogaert, 1639 | Etching |
Rembrandt van Rijn | Lieven Willemsz van Coppenol, Writing Master: the smaller plate, ca. 1658 | Etching, drypoint, and burin on white laid paper |
Rembrandt van Rijn | Sheet of Studies: Head of the Artist, a Beggar Couple, Heads of an Old Man and Old Woman, 1632 | Etching on white laid paper |
Rembrandt van Rijn | Three Heads of Women, One Lightly Etched, ca. 1637 | Etching on cream laid paper |
Rembrandt van Rijn, plate reworked by William Baillie | Christ Healing the Sick, ca. 1649 (restrike printed ca. 1775 by Baillie) | Etching, drypoint, and engraving on blue-tone wove paper |
By or after Rembrandt van Rijn | Abraham’s Sacrifice, ca. 1637 | Etching on cream laid paper |
Rembrandt van Rijn, plate reworked by William Baillie | Jan Uytenbogaert, 19th century (restrike by Baillie) | Etching |
Jan Georg van Vliet after Rembrandt van Rijn | Bust of a Young Man, 17th century | Etching |
Jan van de Velde II after Rembrandt van Rijn | The Good Samaritan, 17th century | Etching and engraving |
John Greenwood after Rembrandt van Rijn | Rembrandt’s Father, 1763 | Mezzotint on laid paper |
Jan Georg van Vliet after Rembrandt van Rijn | St. Jerome, 17th century | Etching |
Timothy Cole after Rembrandt van Rijn | The Mill, 1920 | Wood engraving on Asian wove paper |
Timothy Cole after Rembrandt van Rijn | Rembrandt, 1913 | Wood engraving on tissue paper with four corners glued down on wove paper |
Cornelis Ploos van Amstel after Rembrandt van Rijn | Boy in front of the House Door, 1764 | Color etching |
Cornelis Ploos van Amstel after Rembrandt van Rijn | Woman Seen from Behind, 1763 | Color etching printed in brown ink |
ULAN biographical content is displayed with permission of the Getty Research Institute. Some ULAN content in some DAC artist records has been lightly edited. Content from the Getty Research Institute is © 2021 The J. Paul Getty Trust. All rights reserved.