DAC Collection Image Group: Printmaking Class 24 - Dine Plus

Jim Dine

Philadelphia Heart, 1984

Soft-ground etching, drypoint, aquatint, and electric tools, printed in red-orange, turquoise, and black inks on Rives BFK paper

Jim Dine

Dartmouth Self Portrait, 1975

Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper

Jim Dine

Dartmouth Self Portrait, 1975

Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper

Jim Dine

Dartmouth Self Portrait, 1975

Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper

Jim Dine

Dartmouth Self Portrait, 1975

Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper

Jim Dine

Dartmouth Self Portrait, 1975

Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper

Jim Dine

Dartmouth Self Portrait, 1975

Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper

Jim Dine

Dartmouth Self Portrait, 1975

Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper

Jim Dine

Dartmouth Self Portrait, 1975

Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper

Jim Dine

Dartmouth Self Portrait, 1975

Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper

Jim Dine

Pictures, 2001

Lithographs in hand-bound book

Sylvia Plimack Mangold

The Pin Oak at the Pond, 1985-1986

Drypoint and aquatint printed in five colors from four plates on white wove paper

Sylvia Plimack Mangold

The Elm Tree, 1991

Drypoint and aquatint printed in black ink from one plate on Copperplate paper

Kiki Smith

Untitled (Foundation Print), 1995

Color woodcut with collage on hand-colored paper on Nepalese paper

April Gornik

Rain and Dust, 1985

Color etching and aquatint on heavyweight cream Rives BFK wove paper

Alexander Cozens

A New Method of Assisting the Invention in Drawing Original Compositions of Landscapes, 1785

Lift-ground aquatint and engraving on paper

Jim Dine

Wise, 1984

Etching, soft-ground etching, aquatint, drypoint, and engraving on Japon nacre paper

Jim Dine

Three Saws from the rue Cler, 1984

Etching, soft-ground etching, aquatint with open bite, and drypoint on Vélin d’Arches paper

Jim Dine

Roussillon, 1984

Etching, soft-ground etching, aquatint with open bite, drypoint, and engraving on white Rives BFK paper

Jim Dine

Bathrobe, 1965

Etching