DAC Collection Image Group: Printmaking Class 24 - Dine Plus
View portfolio notes >
Jim Dine
Soft-ground etching, drypoint, aquatint, and electric tools, printed in red-orange, turquoise, and black inks on Rives BFK paper
Jim Dine
Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper
Jim Dine
Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper
Jim Dine
Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper
Jim Dine
Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper
Jim Dine
Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper
Jim Dine
Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper
Jim Dine
Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper
Jim Dine
Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper
Jim Dine
Drypoint, etching, soft-ground etching, aquatint, and electric tools on buff Japanese etching paper


Sylvia Plimack Mangold
The Pin Oak at the Pond, 1985-1986
Drypoint and aquatint printed in five colors from four plates on white wove paper

Sylvia Plimack Mangold
Drypoint and aquatint printed in black ink from one plate on Copperplate paper

Kiki Smith
Untitled (Foundation Print), 1995
Color woodcut with collage on hand-colored paper on Nepalese paper

April Gornik
Color etching and aquatint on heavyweight cream Rives BFK wove paper
Alexander Cozens
A New Method of Assisting the Invention in Drawing Original Compositions of Landscapes, 1785
Lift-ground aquatint and engraving on paper

Jim Dine
Etching, soft-ground etching, aquatint, drypoint, and engraving on Japon nacre paper

Jim Dine
Three Saws from the rue Cler, 1984
Etching, soft-ground etching, aquatint with open bite, and drypoint on Vélin d’Arches paper

Jim Dine
Etching, soft-ground etching, aquatint with open bite, drypoint, and engraving on white Rives BFK paper
