DAC Collection Image Group: Goya - The Art of Bullfighting (La Tauromaquia)

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Francisco de Goya

A Moor Caught by the Bull in the Ring (Cogida de un Moro Estando en la Plaza), 1816

Etching and aquatint

Francisco de Goya

A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants (Un Caballero Español en Plaza Quebrando Rejoncillos sin Auzilio de los Chulos), 1816

Etching and aquatint

Francisco de Goya

The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y Atrevimiento de Juanito Apiñani en la de Madrid), 1816

Etching and aquatint

Francisco de Goya

Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse (Mariano Ceballos, Alias el Indio, Mata el Toro desde Su Caballo), 1816

Etching and aquatint

Francisco de Goya

Another Way of Hunting on Foot (Otro Modo de Cazar á Pie), 1816

Etching and aquatint

Francisco de Goya

Explanatory Sheet: Thirty-three Prints on the Art of Bullfighting (Treinta y tres estampas que representan diferentes suertes y actitudes del arte de lidiar los Toros…), 1816

Etching and aquatint

Francisco de Goya

The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid (El Esforzado Rendon Picando un Toro, de Cuya Suerte Murió en la Plaza de Madrid), 1816

Etching and aquatint

Francisco de Goya

The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique (El Célebre Fernando del Toro, Barilaguero, Obligando á la Fiera con Su Garrocha), 1816

Etching and aquatint

Francisco de Goya

The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Form of Hunting, and Spear a Bull in the Open (Los Moros Establecidos en España, Prescindiendo de las Supersticiones de su Alcorán, Adoptaron Este Caza... [see full title], 1816

Etching and aquatint

Francisco de Goya

The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid (El Mismo Ceballos Montado sobre Otro Toro Quiebra Rejones en la Plaza de Madrid), 1816

Etching and aquatint

Francisco de Goya

The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body (El Diestrísimo Estudiante de Falces, Embozado Burla al Toro con Sus Quiebros., 1816

Etching and aquatint

Francisco de Goya

The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la Canalla con Lanzas, Medias-lunas, Banderillas y Otras Armas), 1816

Etching and aquatint

Francisco de Goya

The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules (El Animoso Moro Gazul es el Primero que Lanceó Toros en Regla), 1816

Etching and aquatint

Francisco de Goya

The Same Man Throws a Bull in the Ring at Madrid (El Mismo Vuelca un Toro en la Plaza de Madrid), 1816

Etching and aquatint

Francisco de Goya

The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous (Los Moros Hacen Otro Capeo en Plaza con Su Albornoz), 1816

Etching and aquatint

Francisco de Goya

Pepe Illo Making the Pass of the “Recorte” (Pepe Illo Haciendo el Recorte al Toro), 1816

Etching and aquatint

Francisco de Goya

Origin of the Harpoons or Banderillas (Origen del los Arpones ó Banderillas), 1816

Etching and aquatint

Francisco de Goya

They Play Another with the Cape in an Enclosure (Capean Otro Encerrado), 1816

Etching and aquatint

Francisco de Goya

A Spanish Knight Kills the Bull after Having Lost His Horse (Un Caballero Español Mata un Toro despues de Haber Perdido el Caballo), 1816

Etching and aquatint

Francisco de Goya

Charles V Spearing a Bull in the Ring at Valladolid (Carlos V Lanceando un Toro en la Plaza de Valladolid), 1816

Etching and aquatint

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DAC Collection Image Group: Goya - The Art of Bullfighting (La Tauromaquia)

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