Davison Art Center, Wesleyan University

DAC Collection Image Group: Goya - Caprichos

records 11 to 30 of 80


Francisco de Goya

Muchachos al avío. (Lads making ready.), 1796-1797

Etching, burnished aquatint, and burin

Francisco de Goya

A caza de dientes. (Out hunting for teeth.), 1796-1797

Etching, burnished aquatint, and burin

Francisco de Goya

Estan calientes. (They are hot.), 1796-1797

Etching and burnished aquatint

Francisco de Goya

Que sacrificio! (What a sacrifice!), 1796-1797

Etching, burnished aquatint, and drypoint

Francisco de Goya

Bellos consejos. (Pretty teachings.), 1796-1797

Etching, burnished aquatint, and burin

Francisco de Goya

Bien tirada está. (It is nicely stretched.), 1796-1797

Etching, burnished aquatint, and burin

Francisco de Goya

Ysele quema la Casa. (And his house is on fire.), 1796-1797

Etching and burnished aquatint

Francisco de Goya

Todos Caerán. (All will fall.), 1796-1797

Etching and burnished aquatint

Francisco de Goya

Ya van desplumados. (There they go plucked.), 1796-1797

Etching, burnished aquatint, and drypoint

Francisco de Goya

¡Qual la descañonan! (How they pluck her!), 1796-1797

Etching and burnished aquatint

Francisco de Goya

Pobrecitas! (Poor little girls!), 1796-1797

Etching and burnished aquatint on cream laid paper

Francisco de Goya

Aquellos polbos. (Those specks of dust.), 1796-1797

Etching, burnished aquatint, and drypoint on cream laid paper

Francisco de Goya

Nohubo remedio. (Nothing could be done about it.), 1796-1797

Etching and burnished aquatint

Francisco de Goya

Si quebró el Cantaro. (Yes he broke the pot.), 1796-1797

Etching, aquatint, and drypoint on cream laid paper

Francisco de Goya

Ya tienen asiento. (They’ve already got a seat.), 1796-1797

Etching and burnished aquatint

Francisco de Goya

Quien mas rendido? (Which of them is the more overcome?), 1796-1797

Etching, aquatint, and drypoint

Francisco de Goya

Chiton. (Hush.), 1796-1797

Etching, aquatint, and burin

Francisco de Goya

Esto si que es leer. (That certainly is being able to read.), 1796-1797

Etching, aquatint, and drypoint

Francisco de Goya

Porque esconderlos? (Why hide them?), 1796-1797

Etching, aquatint, and drypoint



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