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Les Ecrivesses à Longchamps

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Photo Credit: photo: T. Rodriguez
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Les Ecrivesses à Longchamps

19th century
200 x 312 mm (7.9 x 12.3 in.)

Eugène Delacroix, French, (1798–1863)

Object Type: print
Medium and Support: Lithograph on medium-weight white laid paper
State: Second of two states
Edition: Printed by Charles Motte; published in Le Miroir, April 4, 1822
Marks: Inscribed on stone, bottom center: “Les Ecrivesses à Longchamps”; inscribed on stone, lower left margin: “Litho. de C. Motte, R. des marais”; inscribed on stone, lower right margin: “Miroir, (Journal)”
Bibliography: Loys Delteil 37; Strauber 37; Nina Maria Athanassaglou-Kallmyer, Eugène Delacroix: Prints, Politics and Satire, 1814–1822 (New Haven, CT: Yale University Press, 1991), pp. 122–123; Clare Rogan, “Drawing Lithography: Originality and the Graphic Sign in France and England, 1798–1830,” in Touchstone: 200 Years of Artists’ Lithographs (Cambridge. MA: Harvard University Art Museums, 1998), p. 48; Alfred Robaut, L’Oeuvre complet de Eugène Delacroix (Paris: Charavay Frères Éditeurs, 1885) 21, no. 57.
Credit Line: Friends of the Davison Art Center funds, 2010
Accession Number: 2010.19.1

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This object has the following keywords:
  • satire - Artistic device holding up human folly and vice to scorn, derision, or ridicule. [November 1994 scope note added; related term added; alternate term added. May 1994 related term added.]

  • image Dimensions: 200 x 312 mm (7.9 x 12.3 in.)

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