by Artist (13)
Object Results
Photo Credit: photo: R. Lee
Bookmark (persistent url): https://dac-collection.wesleyan.edu/objects-1/info/2391
Shooting Gallery
192220th century
Max Beckmann, German, (1884–1950)
Object Type:
print
Medium and Support:
Drypoint on Japanese paper
Series:
Number 4 from portfolio Jahrmarkt (Sideshows at the Fair)
Edition:
Editions of 75 on Japanese paper and 125 on Japanese paper; this is number one of the latter edition; the portfolio consists of ten drypoints in original portfolio
Marks:
Signed
Credit Line:
Purchase funds, 1956
Accession Number:
1956.28.1.4
Keywords
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This object has the following keywords:
firearms*,
political satire,
politics,
portfolios (groups of works)*,
post World War I,
satire*,
weapons*
- firearms - Use generally for weapons using the power of exploding gunpowder to propel a projectile. POLLAR
- political satire
- politics
- portfolios (groups of works) - Use when a group of works is brought together such as to exemplify the work of an artist or student, or if the works (usually by one artist) are issued or housed together in a portfolio.
- post World War I
- satire - Artistic device holding up human folly and vice to scorn, derision, or ridicule. [November 1994 scope note added; related term added; alternate term added. May 1994 related term added.]
- weapons - Implements or mechanisms used for defense or attack in combat, hunting, or war.
DAC Downloadable Open Access Image
No open access image available
Credit Caption
Max Beckmann, German, (1884–1950) . Shooting Gallery, 1922. From Jahrmarkt (Sideshows at the Fair). Drypoint on Japanese paper. : mm (in.). DAC accession number 1956.28.1.4. Purchase funds, 1956. (photo: R. Lee) .