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Bandô Hikosaburô in the role of Sukeroku from Kurote-group

Photo Credit: photo: R. Lancefield
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Bookmark (persistent url): https://dac-collection.wesleyan.edu/objects-1/info/8188

Bandô Hikosaburô in the role of Sukeroku from Kurote-group

19th century
19th century
359 x 239 mm (14.1 x 9.4 in.)

Kunichika Toyohara, aka Arakawa, Yasohachi, Beiô, Japanese, (1835–1900)

Object Type: print

Medium and Support: Color woodcut

Print impression quality: Very good with rich inking

Edition: Published by Manzen

Marks: Inscribed, upper right: “Kurotegumi no Sukeroku” [name of role] and “Bandô Hikosaburô” [actor’s name]; inscribed, center right: “Kunichika hitsu” [artist’s name], a red circle [artist’s mark] and publisher’s mark of Manzen

Credit Line: Gift of Juwil C. and Virgil W. Topazio (BA Wesleyan 1943), 1985

Accession Number: 1985.22.6

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This object has the following keywords:

actors*, kabuki*, theater (discipline)*, Ukiyo-e

actors - Persons who portray roles in dramatic productions to interpret character or present characterization to an audience. DOT [February 1993 lead-in term added. November 1992 alternate term added.]
kabuki - LC sh 85071224
theater (discipline) - Use for the professionally oriented study of theater, involving training, practice, and study in the processes of doing theater. For the academically oriented study of theater, use "drama." [August 1995 descriptor changed, was "theater". April 1993 related term added.]
Ukiyo-e

Dimensions

image Dimensions: 359 x 239 mm (14.1 x 9.4 in.)

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Open Access Image from the Davison Art Center, Wesleyan University (photo: R. Lancefield) .

Credit Caption

Kunichika Toyohara, aka Arakawa, Yasohachi, Beiô, Japanese, (1835–1900) . Bandô Hikosaburô in the role of Sukeroku from Kurote-group, 19th century. Color woodcut. image : 359 x 239 mm (14.1 x 9.4 in.). Sheet : 359 x 249 mm (14.1 x 9.8 in.). DAC accession number 1985.22.6. Gift of Juwil C. and Virgil W. Topazio (BA Wesleyan 1943), 1985. Open Access Image from the Davison Art Center, Wesleyan University (photo: R. Lancefield) .

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