The Canal, Morning Light (Le Canal, effet du matin)
Photo Credit: photo: M. Johnston
Bookmark (persistent url): https://dac-collection.wesleyan.edu/objects-1/info/8419
The Canal, Morning Light (Le Canal, effet du matin)late 19th century - early 20th century
Alphonse Legros, French, (1837–1911)
- canals - Use for artificial navigable waterways.
- landscapes (representations) - Use for creative works that depict outdoor scenes where the picture is dominated by the configuration, visual and aesthetic, of the land, bodies of water, and natural elements. When the ocean or other large body of water dominates the picture, use "seascapes." For images that are more documentary than creative, prefer "views" or "topographical views." For actual areas of land having certain notable characteristics, use "landscapes (environments)." [January 1993 scope note added; related term added. April 1991 descriptor moved; lead-in term added; descriptor changed, was "landscapes"; alternate term changed, was 'landscape'.]
- times of day
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Open Access Image from the Davison Art Center, Wesleyan University (photo: M. Johnston) .
Alphonse Legros, French, (1837–1911) . The Canal, Morning Light (Le Canal, effet du matin), late 19th century - early 20th century. Drypoint. Third of six states. : mm (in.). DAC accession number 1937.D1.77. Gift of George W. Davison (BA Wesleyan 1892), 1937. Open Access Image from the Davison Art Center, Wesleyan University (photo: M. Johnston) .
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