by Artist (21)
Object Results
No image available.
Bookmark (persistent url): https://dac-collection.wesleyan.edu/objects-1/info/5283
The River Bure at Coltishall
ca. 1880-189019th century
221 x 281 mm (8.7 x 11.1 in.)
Peter Henry Emerson, British (English), (1856–1936)
Object Type:
photograph
Medium and Support:
Platinum print
Series:
from Life and Landscape on the Norfolk Broads
Bibliography:
Lee D. Witkin and Barbara London, The Photograph Collector’s Guide (Boston, MA: New York Graphic Society, 1979); MacMillan Biographical Encyclopedia of Photographic Artists and Innovators (1983), pp. 176–177; Nancy Newhall, P. H. Emerson: The Fight for Photography as a Fine Art (New York: Aperture, 1975), p. 170.
Credit Line:
Gift of Michael M. Senft, 1983
Accession Number:
1983.12.117.204
Keywords
Click a term to view the records with the same keyword
This object has the following keywords:
- landscapes (representations) - Use for creative works that depict outdoor scenes where the picture is dominated by the configuration, visual and aesthetic, of the land, bodies of water, and natural elements. When the ocean or other large body of water dominates the picture, use "seascapes." For images that are more documentary than creative, prefer "views" or "topographical views." For actual areas of land having certain notable characteristics, use "landscapes (environments)." [January 1993 scope note added; related term added. April 1991 descriptor moved; lead-in term added; descriptor changed, was "landscapes"; alternate term changed, was 'landscape'.]
- Pictorialist - Use with reference to the 19th-century movement in photography.
- rivers
- water
Dimensions
- image Dimensions: 221 x 281 mm (8.7 x 11.1 in.)
DAC Downloadable Open Access Image
No open access image available
Credit Caption
Peter Henry Emerson, British (English), (1856–1936) . The River Bure at Coltishall, ca. 1880-1890. From Life and Landscape on the Norfolk Broads. Platinum print. image : 221 x 281 mm (8.7 x 11.1 in.). DAC accession number 1983.12.117.204. Gift of Michael M. Senft, 1983.