by Artist (142)
Object Results
Photo Credit: photo: R. Lee
Bookmark (persistent url): https://dac-collection.wesleyan.edu/objects-1/info/2388
The Barker (Self-Portrait of the Artist)
192220th century
Max Beckmann, German, (1884–1950)
Object Type:
print
Medium and Support:
Drypoint on Japanese paper
Series:
Number 1 from portfolio Jahrmarkt (Sideshows at the Fair)
Edition:
Editions of 75 on Japanese paper and 125 on Japanese paper; this is number one of the latter edition; the portfolio consists of ten drypoints in original portfolio
Marks:
Signed
Credit Line:
Purchase funds, 1956
Accession Number:
1956.28.1.1
Keywords
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This object has the following keywords:
artist portraits,
male portraits,
portfolios (groups of works)*,
portraits*,
printmaker portraits,
self-portraits
- artist portraits
- male portraits
- portfolios (groups of works) - Use when a group of works is brought together such as to exemplify the work of an artist or student, or if the works (usually by one artist) are issued or housed together in a portfolio.
- portraits - Representations of real individuals that are intended to capture a known or supposed likeness; for representations of fictional or mythological characters, use "figures (representations)." [March 1993 lead-in term added. April 1991 descriptor m
- printmaker portraits
- self-portraits
DAC Downloadable Open Access Image
No open access image available
Credit Caption
Max Beckmann, German, (1884–1950) . The Barker (Self-Portrait of the Artist), 1922. From Jahrmarkt (Sideshows at the Fair). Drypoint on Japanese paper. : mm (in.). DAC accession number 1956.28.1.1. Purchase funds, 1956. (photo: R. Lee) .