|
Title
|
Artist
|
Medium & Support
|
Creation Date
|
|
¡Qual la descañonan! (How they pluck her!)
|
Goya, Francisco de
|
Etching and burnished aquatint
|
1796-1797
|
|
¡Qual la descañonan! (How they pluck her!)
|
Goya, Francisco de
|
Etching and aquatint
|
1796-1797 (printed 1903-1905)
|
|
¿Está Umd. …pues, Como digo…eh! Cuidado! si no! (You understand?…well, as I say…eh! Look out! otherwise…)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
|
¿No hay quien nos desate? (Can’t anyone untie us?)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
|
A caza de dientes. (Out hunting for teeth.)
|
Goya, Francisco de
|
Etching, burnished aquatint, and burin
|
1796-1797
|
|
A Dwarf (Un Enano)
|
Goya, Francisco de
|
Etching
|
1778
|
|
A Moor Caught by the Bull in the Ring (Cogida de un Moro Estando en la Plaza)
|
Goya, Francisco de
|
Etching and aquatint
|
1816
|
|
A Picador Is Unhorsed and Falls under the Bull (Caida de un Picador de Su Caballo debajo del Toro)
|
Goya, Francisco de
|
Etching and aquatint
|
1816
|
|
A Spanish Knight Kills the Bull after Having Lost His Horse (Un Caballero Español Mata un Toro despues de Haber Perdido el Caballo)
|
Goya, Francisco de
|
Etching and aquatint
|
1816
|
|
A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants (Un Caballero Español en Plaza Quebrando Rejoncillos sin Auzilio de los Chulos)
|
Goya, Francisco de
|
Etching and aquatint
|
1816
|
|
A Woman and a Horse, Let Someone Else Master Them [The Horse-Abductor] (La Mujer y el Potro, Que los Dome Otro [El Caballo Raptor])
|
Goya, Francisco de
|
Etching and aquatint
|
ca. 1813-1820
|
|
A Woman’s Charity (Caridad de una Muger)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
|
After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón])
|
Goya, Francisco de
|
Etching and aquatint
|
ca. 1813-1820
|
|
Against the Common Good (Contra el Bien General)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
|
Aguarda que te unten. (Wait till you’ve been anointed.)
|
Goya, Francisco de
|
Etching, burnished aquatint, and drypoint on cream laid paper
|
1796-1797
|
|
Al Conde Palatino. (To the Count Palatine [or] Count of the Palate)
|
Goya, Francisco de
|
Etching, aquatint, drypoint, and burin
|
1796-1797
|
|
Allá vá eso. (There it goes.)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint on cream laid paper
|
1796-1797
|
|
An Heroic Feat! With Dead Men! (Grande Hazaña! Con Muertos!)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
|
And There’s No Help for It (Y No Hay Remedio)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
|
And They Are Like Wild Beasts (Y Son Fieras)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
|
And This Too (Y Esto Tambien)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
|
Another Madness of His in the Same Ring (Otra Locura Suya en la Misma Plaza)
|
Goya, Francisco de
|
Etching and aquatint
|
1816
|
|
Another Way of Hunting on Foot (Otro Modo de Cazar á Pie)
|
Goya, Francisco de
|
Etching and aquatint
|
1816
|
|
Appeals Are in Vain (Clamores en Vano)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
by Artist (2)
