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Charles Meryon

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Title	Artist	Medium & Support	Creation Date
Océania: Fishing, near Islands with Palms in the Uvea or Wallis Group (Océanie: Ilots à Uvea)	Meryon, Charles	Etching	1863
Seine Fishing off Colliers’ Point	Meryon, Charles	Etching	1863
Indigenous Barns and Huts at Akaroa, Banks’ Peninsula (Greniers Indigènes et Habitations à Akaroa, Presqu’Ile de Banks)	Meryon, Charles	Etching	1845
The Little French Colony at Akaroa (État de la Petite Colonie Françoise d’Akaroa)	Meryon, Charles	Etching	1845
Swift-Sailing Proa, Mulgrave Archipelago, Oceania (Prô-Volant des Îles Mulgraves: Océanie)	Meryon, Charles	Etching	1866
Adresse de Rochoux	Meryon, Charles	Etching	19th century
Vers a Eugène Bléry	Meryon, Charles	Etching	19th century
The Harness (L’Attelage)	Meryon, Charles	Etching on white wove paper	19th century (restrike printed 1965)
The Harness (L’Attelage)	Meryon, Charles	Etching	19th century (restrike printed 1965)
La Loi Lunaire	Meryon, Charles	Etching	1866
The Printer Valerius Maximus Being Presented to the King Louis XI (Présentation du Valère Maxime au Roi Louis XI)	Meryon, Charles	Etching	1860
Design for a frame for the Portrait of Armand Guéraud (Projet d’Encadrement pour le Portrait d’Armand Guéraud)	Meryon, Charles	Etching	1862
Rebus: “Here lies the Ancient Vendetta” (Rébus: “Ci-Gît la Vendetta Surannée”)	Meryon, Charles	Etching	1863
Rebus: “Béranger was not really strong, for he never had the Key of the Fields” (Rébus: “Béranger ne fut Véritablement Fort, Car il n'eut jamais la Clef des Champs”)	Meryon, Charles	Etching	1863
Rebus: “No, Morny Is not Dead for He Is Marrying Again” (Rébus: “Non, Morny n’est pas Mort car il Noce Encore”)	Meryon, Charles	Etching	1863

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