|
Title
|
Artist
|
Medium & Support
|
Creation Date
|
|
Soplones. (Tale-bearers—Blasts of wind)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
|
Duendecitos. (Hobgoblins.)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
|
Subir y bajar. (To rise and to fall.)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
|
No te escaparás. (You will not escape.)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
|
No grites, tonta. (Don’t scream, stupid.)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
|
¿No hay quien nos desate? (Can’t anyone untie us?)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
|
¿Está Umd. …pues, Como digo…eh! Cuidado! si no! (You understand?…well, as I say…eh! Look out! otherwise…)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
|
Despacha, que dispiértan. (Be quick, they are waking up.)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
|
Chiton. (Hush.)
|
Goya, Francisco de
|
Etching, aquatint, and burin
|
1796-1797
|
|
Si sabrá mas el discipulo? (Might not the pupil know more?)
|
Goya, Francisco de
|
Etching, aquatint, and burin
|
1796-1797
|
|
Ensayos. (Trials.)
|
Goya, Francisco de
|
Etching, aquatint, and burin on cream laid paper
|
1796-1797
|
|
Tal para qual. (Two of a kind.)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint
|
1796-1797
|
|
Ni asi la distingue. (Even thus he cannot make her out.)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint
|
1796-1797
|
|
Dios la perdone: Y era su madre. (For heaven’s sake: and it was her mother.)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint
|
1796-1797
|
|
Quien mas rendido? (Which of them is the more overcome?)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint
|
1796-1797
|
|
Esto si que es leer. (That certainly is being able to read.)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint
|
1796-1797
|
|
Porque esconderlos? (Why hide them?)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint
|
1796-1797
|
|
Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, painter)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint on cream laid paper
|
1796-1797
|
|
Si quebró el Cantaro. (Yes he broke the pot.)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint on cream laid paper
|
1796-1797
|
|
Volaverunt. (They have flown.)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint on cream laid paper
|
1796-1797
|
|
Miren que grabes! (Look how solemn they are!)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint on cream laid paper
|
1796-1797
|
|
Donde vá mamá? (Where is mother going?)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint on cream laid paper
|
1796-1797
|
|
Allá vá eso. (There it goes.)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint on cream laid paper
|
1796-1797
|
|
Devota profesion. (Devout profession.)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint on cream laid paper
|
1796-1797
|
|
Al Conde Palatino. (To the Count Palatine [or] Count of the Palate)
|
Goya, Francisco de
|
Etching, aquatint, drypoint, and burin
|
1796-1797
|
Goya - Caprichos