Title
|
Artist
|
Medium & Support
|
Creation Date
|
Forty Lithographic Impressions from Drawings, Selected from His Studies of Rustic Figures after Nature
|
Barker, Thomas
|
Lithograph
|
1813
|
Untitled demonstration print
|
Dine, Jim
|
Woodcut
|
2004
|
Block for untitled demonstration print
|
Dine, Jim
|
Woodcut
|
2004
|
Muirhead Bone Working on a Copper Plate
|
Dodd, Francis
|
Etching
|
20th century
|
Recueil d'Essais Lithographiques executés par le Procedé de G. Englemann, Directeur de la Societé Lithographique de Mulhouse
|
Engelmann, Godefroy
|
Lithographs in book
|
1816
|
George C. Miller, Lithographer
|
Hoover, Ellison
|
Lithograph
|
1949
|
Treatise on Etching (Traité de la Gravure à l’Eau-forte)
|
Lalanne, Maxime
|
Etching
|
1866
|
Studio Interior No. 1
|
Landeck, Armin
|
Drypoint on machine-made wove paper
|
1935
|
Daumier: Lithographer
|
Limbach, Russell T.
|
Lithograph on white wove paper
|
1964
|
Goya: Lithographer
|
Limbach, Russell T.
|
Lithograph
|
1964
|
Copper plate for “The Locust Trees with Maple”
|
Mangold, Sylvia Plimack
|
Copper plate worked with drypoint and aquatint
|
1991
|
Letter on the Elements of Etching, first sheet
|
Martial Potémont, Adolphe
|
Etching
|
1864
|
Letter on the Elements of Etching, second sheet
|
Martial Potémont, Adolphe
|
Etching
|
1864
|
Letter on the Elements of Etching, third sheet
|
Martial Potémont, Adolphe
|
Etching
|
1864
|
Letter on the Elements of Etching, fourth sheet
|
Martial Potémont, Adolphe
|
Etching
|
1864
|
Letter on the Elements of Etching, title sheet
|
Martial Potémont, Adolphe
|
Etching and drypoint on tan wove paper
|
1864
|
Etching Class Model
|
Mielatz, Charles Frederick William
|
Etching on Asian wove paper
|
1915
|
In the Studio
|
Mielatz, Charles Frederick William
|
Etching on laid paper
|
late 19th century - early 20th century
|
Catalogue of the New York Etching Club Exhibition
|
New York Etching Club
|
Etching on laid paper in unbound catalogue
|
1886
|
Catalog of works (Catalogo delle opere)
|
Piranesi, Giovanni Battista
|
Etching and engraving with pen and ink additions on laid paper
|
ca. 1761
|
Facsimiles of Sketches Made in Flanders and Germany and Drawn on Stone by Samuel Prout, Painter in Water Colors in Ordinary to His Majesty, C. Hullmandel’s Lithography
|
Prout, Samuel
|
Lithographs on leaves in bound volume
|
19th century
|
Freibrief des Lithographen
|
Rauh, Johann
|
Lithograph
|
1853
|
Clement de Jonghe, Printseller
|
Rembrandt van Rijn
|
Etching, drypoint, and engraving on fine white laid paper
|
1651
|
The Print Connoisseurs
|
Schmied, François Louis
|
Wood engraving
|
late 19th century - early 20th century
|
Cover for “Recueil Papyrographique”
|
Senefelder, Alois
|
Lithograph on blue paper
|
1820
|