Title
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Artist
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Medium & Support
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Creation Date
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A Chapel Standing on an Island
|
Velde, Jan van de, II
|
Etching
|
17th century
|
A Harlot’s Progress, Plate 1
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Harlot’s Progress, Plate 2
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Harlot’s Progress, Plate 3
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Harlot’s Progress, Plate 4
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Harlot’s Progress, Plate 5
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Harlot’s Progress, Plate 6
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Moor Caught by the Bull in the Ring (Cogida de un Moro Estando en la Plaza)
|
Goya, Francisco de
|
Etching and aquatint
|
1816
|
A Picador Is Unhorsed and Falls under the Bull (Caida de un Picador de Su Caballo debajo del Toro)
|
Goya, Francisco de
|
Etching and aquatint
|
1816
|
A Rake’s Progress, Plate 1: O Vanity of Age…
|
Hogarth, William
|
Etching and engraving on laid paper
|
1735 (printed after 1761)
|
A Rake’s Progress, Plate 2: Prosperity (with Harlot’s Smiles…
|
Hogarth, William
|
Etching and engraving on laid paper
|
1735 (printed after 1761)
|
A Rake’s Progress, Plate 3: O Vanity of Youthfull Blood…
|
Hogarth, William
|
Etching and engraving on laid paper
|
1735 (printed after 1761)
|
A Rake’s Progress, Plate 4: O Vanity of Youthfull Blood…
|
Hogarth, William
|
Etching and engraving on laid paper
|
1735 (printed after 1761)
|
A Rake’s Progress, Plate 5: New to Ye School of Hard Mishap…
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Hogarth, William
|
Etching and engraving on laid paper
|
1735 (printed after 1761)
|
A Rake’s Progress, Plate 6: Gold, Thou Bright Son…
|
Hogarth, William
|
Etching and engraving on laid paper
|
1735 (printed after 1761)
|
A Rake’s Progress, Plate 7: Happy the Man…
|
Hogarth, William
|
Etching and engraving on laid paper
|
1735 (printed after 1761)
|
A Rake’s Progress, Plate 8: Madness, Thou Chaos of Ye Brain…
|
Hogarth, William
|
Etching and engraving on laid paper
|
1735 (printed after 1761)
|
A Spanish Knight Kills the Bull after Having Lost His Horse (Un Caballero Español Mata un Toro despues de Haber Perdido el Caballo)
|
Goya, Francisco de
|
Etching and aquatint
|
1816
|
A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants (Un Caballero Español en Plaza Quebrando Rejoncillos sin Auzilio de los Chulos)
|
Goya, Francisco de
|
Etching and aquatint
|
1816
|
A Woman and a Horse, Let Someone Else Master Them [The Horse-Abductor] (La Mujer y el Potro, Que los Dome Otro [El Caballo Raptor])
|
Goya, Francisco de
|
Etching and aquatint
|
ca. 1813-1820
|
Abner Presenting David with Goliath’s Head before Saul
|
Anonymous
|
Engraving on white laid paper
|
ca. 1556
|
Abraham Liberating His Nephew Lot
|
Tempesta, Antonio
|
Etching on white laid paper
|
1613
|
Abraham Taking Lot and His Family to His Own Land
|
Tempesta, Antonio
|
Etching on white laid paper
|
1613
|
After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón])
|
Goya, Francisco de
|
Etching and aquatint
|
ca. 1813-1820
|
Air (Aer)
|
Velde, Jan van de, II
|
Etching
|
ca. 1622
|