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Title Artist Medium & Support Creation Date
The Rape of Ganymede   Béatrizet, Nicolas   Engraving  16th century 
Theuerdank Lays Low a Number of Enemies   Beck, Leonhard   Woodcut on laid paper  ca. 1517 
Tarquinius and Lucretia   Cort, Cornelis   Engraving  1571 
Massacre of the Innocents   Goltzius, Hendrick   Engraving  ca. 1584 
Explanatory Sheet: Thirty-three Prints on the Art of Bullfighting (Treinta y tres estampas que representan diferentes suertes y actitudes del arte de lidiar los Toros…)   Goya, Francisco de   Etching and aquatint  1816 
Not [in This Case] Either (Tampoco)   Goya, Francisco de   Etching and aquatint  1810-1815 (printed 1863) 
The Way in Which the Ancient Spaniards Hunted Bulls on Horseback (Modo con que los Antiguos Españoles Cazaban los Toros á Caballo en el Campo)   Goya, Francisco de   Etching and aquatint  1816 
Another Way of Hunting on Foot (Otro Modo de Cazar á Pie)   Goya, Francisco de   Etching and aquatint  1816 
The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Form of Hunting, and Spear a Bull in the Open (Los Moros Establecidos en España, Prescindiendo de las Supersticiones de su Alcorán, Adoptaron Este Caza... [see full title]   Goya, Francisco de   Etching and aquatint  1816 
They Play Another with the Cape in an Enclosure (Capean Otro Encerrado)   Goya, Francisco de   Etching and aquatint  1816 
The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules (El Animoso Moro Gazul es el Primero que Lanceó Toros en Regla)   Goya, Francisco de   Etching and aquatint  1816 
The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous (Los Moros Hacen Otro Capeo en Plaza con Su Albornoz)   Goya, Francisco de   Etching and aquatint  1816 
Origin of the Harpoons or Banderillas (Origen del los Arpones ó Banderillas)   Goya, Francisco de   Etching and aquatint  1816 
A Moor Caught by the Bull in the Ring (Cogida de un Moro Estando en la Plaza)   Goya, Francisco de   Etching and aquatint  1816 
A Spanish Knight Kills the Bull after Having Lost His Horse (Un Caballero Español Mata un Toro despues de Haber Perdido el Caballo)   Goya, Francisco de   Etching and aquatint  1816 
Charles V Spearing a Bull in the Ring at Valladolid (Carlos V Lanceando un Toro en la Plaza de Valladolid)   Goya, Francisco de   Etching and aquatint  1816 
The Cid Campeador Spearing Another Bull (El Cid Campeador Lanceando Otro Toro)   Goya, Francisco de   Etching and aquatint  1816 
The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la Canalla con Lanzas, Medias-lunas, Banderillas y Otras Armas)   Goya, Francisco de   Etching and aquatint  1816 
A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants (Un Caballero Español en Plaza Quebrando Rejoncillos sin Auzilio de los Chulos)   Goya, Francisco de   Etching and aquatint  1816 
The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body (El Diestrísimo Estudiante de Falces, Embozado Burla al Toro con Sus Quiebros.   Goya, Francisco de   Etching and aquatint  1816 
The Famous Marticho Places the Banderillas Playing the Bull with the Movement of His Body (El Famoso Martincho Poniendo Banderillas al Quiebro)   Goya, Francisco de   Etching and aquatint  1816 
The Same Man Throws a Bull in the Ring at Madrid (El Mismo Vuelca un Toro en la Plaza de Madrid)   Goya, Francisco de   Etching and aquatint  1816 
The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls (Palenque de los Moros Hecho con Burros para Defenderse del Toro Embolado)   Goya, Francisco de   Etching and aquatint  1816 
The Daring of Martincho in the Ring at Saragossa (Temeridad de Martincho en la Plaza de Zaragoza)   Goya, Francisco de   Etching and aquatint  1816 
Another Madness of His in the Same Ring (Otra Locura Suya en la Misma Plaza)   Goya, Francisco de   Etching and aquatint  1816 

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