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Title Artist Medium & Support Creation Date
Daibutsu, Kamakura   Anonymous   Albumen print  ca. 1870-1890 
Falaise, Statue of William the Conqueror   Anonymous   Albumen print  ca. 1870-1890 
Statue of Columbus, Genoa   Anonymous   Albumen print (“Kodak candid”) on cabinet card  ca. 1890-1900 
Statue of Tasso, Sorrento   Anonymous   Albumen print (“Kodak candid”) on cabinet card  ca. 1890-1900 
Unidentified Statue   Anonymous   Photographic print, probably albumen print  ca. 1880-1890 
Gargoyle, Lincoln Cathedral   Arms, John Taylor   Etching on Asian wove paper  1920 
A Breton Calvary   Arms, John Taylor   Etching on wove paper  1932 
Installation plan for an exhibition by Peter Berg held at the Center for the Arts Gallery, Wesleyan University, 1977   Berg, Peter   Pencil, gelatin silver print, and color photograph collage on white wove paper  1976-1978 
The Little Devil of Florence   Cameron, David Young   Etching and drypoint on thin laid paper  1907 
The Lion and the Unicorn   Cameron, David Young   Etching  1911 
Maut   Cameron, David Young   Etching on laid paper  1917 
Landscape with an Equestrian Statue (Paysage avec une Statue Equestre)   Canaletto   Etching  ca. 1741-1745 
Various Fragments of Sculpture (Divers fragments du sculpture)   Canaletto   Etching  18th century 
Flashback #2   Chamberlain, John   Lithograph printed in gold, silver, light green, dark green, red, and blue inks on white Arches paper  1977 
Robert Morris 131-5   Cohen, Alan   Gelatin silver print  1989 
Robert Morris 132-1   Cohen, Alan   Gelatin silver print  1989 
Robert Morris 133-8   Cohen, Alan   Gelatin silver print  1989 
Robert Morris 133-16   Cohen, Alan   Gelatin silver print  1989 
Robert Morris 134-7   Cohen, Alan   Gelatin silver print  1989 
Red Dancer on the Western Shore   Dine, Jim   Woodcut and aquatint with hand coloring  1987 
The Foreign Plowman   Dine, Jim   Woodcut, heliorelief woodcut, and spit-bite aquatint printed in blue, green, and black inks, with hand painting in blue, yellow, and white acrylic on white Arches Cover paper  1987-1988 
Blue Crommelynck Gates   Dine, Jim   Lithograph printed in black and silver inks on Arches Cover rolled paper, painted blue before printing  1982 
Double Venus   Dine, Jim   Soft-ground etching on wove paper  1983 
Double Venus   Dine, Jim   Screenprint and soft-ground etching on laid paper  1983 
Double Venus in the Sky at Night   Dine, Jim   Screenprint and lithograph printed in eight tones of black, grey, and brown inks, and once in blue-green ink and once in black ink, from eight screens and two plates on William Morris Nonesuch buff paper  1984 

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