DAC Collection Search - Marie-Christine of Austria, Duchess of Saxe-Teschen (1742

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Marie-Christine of Austria, Duchess of Saxe-Teschen (1742–1798)

Photo Credit: photo: T. Rodriguez
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Bookmark (persistent url): https://dac-collection.wesleyan.edu/objects-1/info/2304

Marie-Christine of Austria, Duchess of Saxe-Teschen (1742–1798)

ca. 1780-1782
18th century
534 x 379 mm (21 x 14.9 in.)

Francesco Bartolozzi, Italian, (1727–1815)
After Alexandre Roslin, Swedish, (1718–1793)

Object Type: print

Medium and Support: Stipple engraving printed in brown ink on laid paper

State: First of six states, before letters

Print impression quality: Excellent

Marks: Before inscriptions; drawn in pencil, lower center: a coronet, possibly by the engraver

Marks: Watermark: Letters (indecipherable)

Bibliography: Tuer 1642 i/vi (vol. 2, p. 1653).

Credit Line: Friends of the Davison Art Center funds, 1968

Accession Number: 1968.8.1

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This object has the following keywords:

female portraits, portraits*, royalty*

female portraits
portraits - Representations of real individuals that are intended to capture a known or supposed likeness; for representations of fictional or mythological characters, use "figures (representations)." [March 1993 lead-in term added. April 1991 descriptor m
royalty - Class within the nobility consisting of those who are descended from or related to a monarch or line of monarchs. [February 1993 alternate term deleted, was 'royal'. January 1993 related term added. December 1990 descriptor added.]

Dimensions

plate Dimensions: 534 x 379 mm (21 x 14.9 in.)

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Open Access Image from the Davison Art Center, Wesleyan University (photo: T. Rodriguez) .

Credit Caption

Francesco Bartolozzi, Italian, (1727–1815) Alexandre Roslin, Swedish, (1718–1793) . Marie-Christine of Austria, Duchess of Saxe-Teschen (1742–1798), ca. 1780-1782. Stipple engraving printed in brown ink on laid paper. First of six states, before letters. plate : 534 x 379 mm (21 x 14.9 in.). DAC accession number 1968.8.1. Friends of the Davison Art Center funds, 1968. Open Access Image from the Davison Art Center, Wesleyan University (photo: T. Rodriguez) .

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