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Francisco de Goya

Your search criteria: Related to "Francisco de Goya" and [Objects]Century is "19th century".

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Title	Artist	Medium & Support	Creation Date
The Proverbs (Los Proverbios)	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
Do Not Lose Honour through Fear [Folly of Fear] (Por Temor No Pierdas Honor [Disparate de Miedo])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
Renounce the Friend Who Covers You with His Beak [Flying Folly] (Reniego al Amigo Que Cubre con las Alas y Muerde con el Pico [Disparate Volante])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
It Is Amazing-And We Were Made by God [Furious Folly] (Hizonos Dios y Maravillamos Nos [Disparate Furioso])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
She Who Is Ill Wed Never Misses a Chance to Say So [Disorderly Folly] (La Que Mal Marida Nunca le Falta Que Diga [Disparate Disordenado] [Disparate Matrimonial])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
A Woman and a Horse, Let Someone Else Master Them [The Horse-Abductor] (La Mujer y el Potro, Que los Dome Otro [El Caballo Raptor])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
Two Heads Are Better Than One [Poor Folly] (Disparate Pobre)	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
If Marion Will Dance, then She Will Have to Take the Consequences (Si Marina Bayló, Tome lo Que Halló)	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
Where There's a Will There's a Way [A Way of Flying] (Donde Hay Ganas Hay Maña [Modo de Volar])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
Rejoice, Carnival, for Tomorrow Thou Wilt Be Ashes [Carnival Folly] (Alegrias Antruejo, que Mañana Seras Ceniza [Disparate de Carnabal])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
Without Commending Himself either to God or the Devil [Clear Folly] (Sin Recomendarse a Dios ni al Diablo [Disparate Claro])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
Wounds Heal Quicker than Hasty Words (Sanas Cuchilladas Mas No Malas Palabras)	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
He Who Does Not Like Thee Will Defame Thee in Jest [Loyalty] (El Que No Te Ama, Burlando te Difama [La Lealtad])	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
God Creates Them and They Join up Together (Dios los Cria y Ellos Se Juntan)	Goya, Francisco de	Etching and aquatint	ca. 1813-1820
Portrait of the Printer Cyprien-Charles-Marie Nicolas Gaulon (Portrait de L’Imprimeur Gaulon)	Goya, Francisco de	Crayon lithograph with scraping on wove paper	ca. 1825-1826
The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of His Body (El Diestrísimo Estudiante de Falces, Embozado Burla al Toro con Sus Quiebros.	Goya, Francisco de	Etching and aquatint	1816
Illuvia de Toros (Disparate de Tontos)	Goya, Francisco de	Etching and aquatint	1816 - 1819
Otras Leyes por el Pueblo (Disparate de Bestia)	Goya, Francisco de	Etching and aquatint	1815 - 1817
Que Guerrero (Disparate Conocide)	Goya, Francisco de	Etching and aquatint	1816

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Francisco de Goya