Title
|
Artist
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Medium & Support
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Creation Date
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Descent into Limbo
|
Anonymous
|
Engraving and etching on laid paper
|
18th century
|
Madonna and Child Adored by Three Monks
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Bartolozzi, Francesco
|
Etching printed in two colors
|
1764
|
Androcles with the Lion
|
Caylus, Anne-Claude-Philippe de
|
Etching printed in dark brown ink and chiaroscuro woodcut printed in medium brown and light brown inks on laid paper
|
ca. 1729-1742
|
St. Mary Magdalene
|
Cunego, Domenico
|
Engraving on laid paper
|
1770
|
Prodigal Son (Filius Prodigus)
|
Cunego, Domenico
|
Engraving on laid paper
|
1770
|
Portrait of the Bishop Jacques-Bénigne Bossuet (1627-1704)
|
Drevet, Pierre-Imbert
|
Engraving on laid paper
|
1723
|
Bathsheba Bringing Abishag to David
|
Earlom, Richard
|
Mezzotint on heavyweight laid paper
|
1779
|
St. Jerome
|
Fragonard, Jean-Honoré
|
Etching on laid paper
|
ca. 1763-1764
|
The Disciples at the Tomb
|
Fragonard, Jean-Honoré
|
Etching on laid paper
|
1764
|
The Disciples at Emmaus
|
Fragonard, Jean-Honoré
|
Etching on laid paper
|
ca. 1763-1764
|
Estan calientes. (They are hot.)
|
Goya, Francisco de
|
Etching and burnished aquatint
|
1796-1797
|
The Sleeping Congregation
|
Hogarth, William
|
Etching and engraving on laid paper
|
1736 (reworked 1762)
|
The Industrious ’Prentice Performing the Duties of a Christian
|
Hogarth, William
|
Etching and engraving on laid paper
|
1747
|
The Idle ’Prentice at Play in the Church Yard
|
Hogarth, William
|
Etching and engraving on laid paper
|
1747
|
Paul before Felix Burlesqued
|
Hogarth, William
|
Etching and mezzotint on laid paper
|
1741
|
Bishop Hoadley
|
Hogarth, William
|
Etching and engraving on laid paper
|
1743
|
The New Testament (Het Nieuwe Testament)
|
Hooghe, Romeyn de
|
Etching on laid paper
|
ca. 1703
|
The Holy Family and Four Saints
|
Jackson, John Baptist
|
Chiaroscuro woodcut printed in four shades of olive and grey inks on laid paper
|
1739
|
Dives and Lazarus (The Rich Man and Lazarus)
|
Jackson, John Baptist
|
Chiaroscuro woodcut in two panels, each printed in buff, light brown, light brown-grey, and dark brown-grey inks from four blocks on laid paper
|
1743
|
Christ and the Adulterous Woman
|
Kirkall, Elisha
|
Etching, mezzotint, and chiaroscuro tone block, printed in light brown ink on laid paper
|
1722
|
Arch of Galienus. 1. Facade of the Church of S. Vito (Arco di Galieno. 1. Facciata della Chiesa di S. Vito)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1748
|
View of the Capitoline Hill with the Steps to the Church of S. Maria in Aracoeli (Veduta del Romano Campidoglio con Scalinata che va’ alla Chiesa d’Araceli)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1756
|
View of the Interior of the Tomb of St. Costanza, Built by Constantine the Great, and Erroneously Called the Temple of Bacchus, Now the Church of S. Costanza (Veduta interna del Sepolcro di S. Costanza, fabbricato da Costantino Magno… [see full title])
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1756
|
View of the Temple of Fortuna Virilis. Now the Armenian Church of S. Maria Egizziaca (Veduta del Tempio della Fortuna virile. Oggi S. Maria Egizziaca degli Armeni)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1758
|
View of the Temple of Bacchus, Now the Church of S. Urbano, Two Miles Distant from Rome, Beyond the Porta S. Sebastiano (Veduta del Tempio di Bacco, inoggi Chiesa di S. Urbano, distante due miglia da Roma fuori della Porta di S. Sebastiano…)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1758
|