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Your search criteria: Keyword is "CTKL" and [Objects]Work Type is "Print" and [Objects]Century is "19th century".

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Title Artist Medium & Support Creation Date
Manly Courage of the Celebrated Pajuelera in [the Ring] at Saragossa (Valor Varonil de la Célebre Pajuelera en la de Zaragoza)   Goya, Francisco de   Etching and aquatint  1816 
Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse (Mariano Ceballos, Alias el Indio, Mata el Toro desde Su Caballo)   Goya, Francisco de   Etching and aquatint  1816 
The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid (El Mismo Ceballos Montado sobre Otro Toro Quiebra Rejones en la Plaza de Madrid)   Goya, Francisco de   Etching and aquatint  1816 
They Loose Dogs on the Bull (Echan Perros al Toro)   Goya, Francisco de   Etching and aquatint  1816 
A Picador Is Unhorsed and Falls under the Bull (Caida de un Picador de Su Caballo debajo del Toro)   Goya, Francisco de   Etching and aquatint  1816 
The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique (El Célebre Fernando del Toro, Barilaguero, Obligando á la Fiera con Su Garrocha)   Goya, Francisco de   Etching and aquatint  1816 
The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid (El Esforzado Rendon Picando un Toro, de Cuya Suerte Murió en la Plaza de Madrid)   Goya, Francisco de   Etching and aquatint  1816 
Pepe Illo Making the Pass of the “Recorte” (Pepe Illo Haciendo el Recorte al Toro)   Goya, Francisco de   Etching and aquatint  1816 
Pedro Romero Killing the Halted Bull (Pedro Romero Matando á Toro Parado)   Goya, Francisco de   Etching and aquatint  1816 
Banderillas with Firecrackers (Banderillas de Fuego)   Goya, Francisco de   Etching and aquatint  1816 
Two Teams of Picadors Thrown One after the Other by a Single Bull (Dos Grupos de Picadores Arrollados de Seguida por un Solo Toro)   Goya, Francisco de   Etching and aquatint  1816 
The Unlikely Death of Pepe Illo in the Ring at Madrid (La Desgraciada Muerte de Pepe Illo en la Plaza de Madrid)   Goya, Francisco de   Etching and aquatint  1816 
Heavier Than a Dead Donkey (Pesa Mas Que un Burro Muerto)   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
Do Not Lose Honour through Fear [Folly of Fear] (Por Temor No Pierdas Honor [Disparate de Miedo])   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo])   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón])   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
Renounce the Friend Who Covers You with His Beak [Flying Folly] (Reniego al Amigo Que Cubre con las Alas y Muerde con el Pico [Disparate Volante])   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
It Is Amazing-And We Were Made by God [Furious Folly] (Hizonos Dios y Maravillamos Nos [Disparate Furioso])   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
She Who Is Ill Wed Never Misses a Chance to Say So [Disorderly Folly] (La Que Mal Marida Nunca le Falta Que Diga [Disparate Disordenado] [Disparate Matrimonial])   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados])   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General])   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
A Woman and a Horse, Let Someone Else Master Them [The Horse-Abductor] (La Mujer y el Potro, Que los Dome Otro [El Caballo Raptor])   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
Two Heads Are Better Than One [Poor Folly] (Disparate Pobre)   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
If Marion Will Dance, then She Will Have to Take the Consequences (Si Marina Bayló, Tome lo Que Halló)   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 
Where There's a Will There's a Way [A Way of Flying] (Donde Hay Ganas Hay Maña [Modo de Volar])   Goya, Francisco de   Etching and aquatint  ca. 1813-1820 

Your search criteria: Keyword is "CTKL" and [Objects]Work Type is "Print" and [Objects]Century is "19th century".

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