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Goya - The Art of Bullfighting (La Tauromaquia)

Your search criteria: Image Group is "Goya - The Art of Bullfighting (La Tauromaquia)".

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Title	Artist	Medium & Support	Creation Date
A Moor Caught by the Bull in the Ring (Cogida de un Moro Estando en la Plaza)	Goya, Francisco de	Etching and aquatint	1816
A Picador Is Unhorsed and Falls under the Bull (Caida de un Picador de Su Caballo debajo del Toro)	Goya, Francisco de	Etching and aquatint	1816
A Spanish Knight Kills the Bull after Having Lost His Horse (Un Caballero Español Mata un Toro despues de Haber Perdido el Caballo)	Goya, Francisco de	Etching and aquatint	1816
A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants (Un Caballero Español en Plaza Quebrando Rejoncillos sin Auzilio de los Chulos)	Goya, Francisco de	Etching and aquatint	1816
Another Madness of His in the Same Ring (Otra Locura Suya en la Misma Plaza)	Goya, Francisco de	Etching and aquatint	1816
Another Way of Hunting on Foot (Otro Modo de Cazar á Pie)	Goya, Francisco de	Etching and aquatint	1816
Banderillas with Firecrackers (Banderillas de Fuego)	Goya, Francisco de	Etching and aquatint	1816
Charles V Spearing a Bull in the Ring at Valladolid (Carlos V Lanceando un Toro en la Plaza de Valladolid)	Goya, Francisco de	Etching and aquatint	1816
Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon (Desgracias Acaecidas en el Tendido de la Plaza de Madrid, y Muerte del Alcalde de Torrejon)	Goya, Francisco de	Etching and aquatint	1816
Explanatory Sheet: Thirty-three Prints on the Art of Bullfighting (Treinta y tres estampas que representan diferentes suertes y actitudes del arte de lidiar los Toros…)	Goya, Francisco de	Etching and aquatint	1816
Manly Courage of the Celebrated Pajuelera in [the Ring] at Saragossa (Valor Varonil de la Célebre Pajuelera en la de Zaragoza)	Goya, Francisco de	Etching and aquatint	1816
Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse (Mariano Ceballos, Alias el Indio, Mata el Toro desde Su Caballo)	Goya, Francisco de	Etching and aquatint	1816
Origin of the Harpoons or Banderillas (Origen del los Arpones ó Banderillas)	Goya, Francisco de	Etching and aquatint	1816
Pedro Romero Killing the Halted Bull (Pedro Romero Matando á Toro Parado)	Goya, Francisco de	Etching and aquatint	1816
Pepe Illo Making the Pass of the “Recorte” (Pepe Illo Haciendo el Recorte al Toro)	Goya, Francisco de	Etching and aquatint	1816
The Agility and Audacity of Juanito Apiñani in [the Ring] at Madrid (Ligereza y Atrevimiento de Juanito Apiñani en la de Madrid)	Goya, Francisco de	Etching and aquatint	1816
The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique (El Célebre Fernando del Toro, Barilaguero, Obligando á la Fiera con Su Garrocha)	Goya, Francisco de	Etching and aquatint	1816
The Cid Campeador Spearing Another Bull (El Cid Campeador Lanceando Otro Toro)	Goya, Francisco de	Etching and aquatint	1816
The Daring of Martincho in the Ring at Saragossa (Temeridad de Martincho en la Plaza de Zaragoza)	Goya, Francisco de	Etching and aquatint	1816
The Famous Marticho Places the Banderillas Playing the Bull with the Movement of His Body (El Famoso Martincho Poniendo Banderillas al Quiebro)	Goya, Francisco de	Etching and aquatint	1816
The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid (El Esforzado Rendon Picando un Toro, de Cuya Suerte Murió en la Plaza de Madrid)	Goya, Francisco de	Etching and aquatint	1816
The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous (Los Moros Hacen Otro Capeo en Plaza con Su Albornoz)	Goya, Francisco de	Etching and aquatint	1816
The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Form of Hunting, and Spear a Bull in the Open (Los Moros Establecidos en España, Prescindiendo de las Supersticiones de su Alcorán, Adoptaron Este Caza... [see full title]	Goya, Francisco de	Etching and aquatint	1816
The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls (Palenque de los Moros Hecho con Burros para Defenderse del Toro Embolado)	Goya, Francisco de	Etching and aquatint	1816
The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la Canalla con Lanzas, Medias-lunas, Banderillas y Otras Armas)	Goya, Francisco de	Etching and aquatint	1816

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