Title
|
Artist
|
Medium & Support
|
Creation Date
|
El Vergonzoso. (The shamefaced one.)
|
Goya, Francisco de
|
Etching and aquatint on cream laid paper
|
1796-1797
|
Ensayos. (Trials.)
|
Goya, Francisco de
|
Etching, aquatint, and burin on cream laid paper
|
1796-1797
|
Estan calientes. (They are hot.)
|
Goya, Francisco de
|
Etching and burnished aquatint
|
1796-1797
|
Esto si que es leer. (That certainly is being able to read.)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint
|
1796-1797
|
Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, painter)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint on cream laid paper
|
1796-1797
|
Hasta la muerte. (Until death.)
|
Goya, Francisco de
|
Etching, burnished aquatint, and drypoint on cream laid paper
|
1796-1797
|
Hilan delgado. (They spin finely.)
|
Goya, Francisco de
|
Etching, aquatint, drypoint, and burin
|
1796-1797
|
La filiacion. (The filiation.)
|
Goya, Francisco de
|
Etching and aquatint on cream laid paper
|
1796-1797
|
Las rinde el Sueño. (Sleep overcomes them.)
|
Goya, Francisco de
|
Etching and burnished aquatint
|
1796-1797
|
Le descañona. (She fleeces him.)
|
Goya, Francisco de
|
Etching and burnished aquatint
|
1796-1797
|
Linda maestra! (Pretty teacher!)
|
Goya, Francisco de
|
Etching, burnished aquatint, and drypoint on cream laid paper
|
1796-1797
|
Lo que puede un Sastre! (What a tailor can do!)
|
Goya, Francisco de
|
Etching, burnished aquatint, drypoint, and burin on cream laid paper
|
1796-1797
|
Los Chinchillas. (The Chinchillas.)
|
Goya, Francisco de
|
Etching, burnished aquatint, and burin on cream laid paper
|
1796-1797
|
Mala noche. (A bad night.)
|
Goya, Francisco de
|
Etching and burnished aquatint
|
1796-1797
|
Mejor es holgar. (It is better to be lazy.)
|
Goya, Francisco de
|
Etching, burnished aquatint, and burin on cream laid paper
|
1796-1797
|
Miren que grabes! (Look how solemn they are!)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint on cream laid paper
|
1796-1797
|
Muchachos al avío. (Lads making ready.)
|
Goya, Francisco de
|
Etching, burnished aquatint, and burin
|
1796-1797
|
Mucho hay que chupar. (There is plenty to suck.)
|
Goya, Francisco de
|
Etching and burnished aquatint
|
1796-1797
|
Nadie nos ha visto. (No one has seen us.)
|
Goya, Francisco de
|
Etching, burnished aquatint, and burin on cream laid paper
|
1796-1797
|
Nadie se conoce. (Nobody knows himself.)
|
Goya, Francisco de
|
Etching and burnished aquatint
|
1796-1797
|
Ni asi la distingue. (Even thus he cannot make her out.)
|
Goya, Francisco de
|
Etching, aquatint, and drypoint
|
1796-1797
|
Ni mas ni menos. (Neither more nor less.)
|
Goya, Francisco de
|
Etching, burnished aquatint, drypoint, and burin
|
1796-1797
|
No grites, tonta. (Don’t scream, stupid.)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
No te escaparás. (You will not escape.)
|
Goya, Francisco de
|
Etching and burnished aquatint on cream laid paper
|
1796-1797
|
Nohubo remedio. (Nothing could be done about it.)
|
Goya, Francisco de
|
Etching and burnished aquatint
|
1796-1797
|