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Title Artist Medium & Support Creation Date
Stag Hunt   Murer, Christoph   Etching  1610 
The Angler   Hollar, Wenceslaus   Etching on laid paper  1650 
Canal with an Angler and Two Swans   Rembrandt van Rijn   Etching and drypoint on laid paper  1650 
The Hunter   Hollar, Wenceslaus   Etching on laid paper  1651 
The Cockpit   Hogarth, William   Etching and engraving on laid paper  1759 
King of Bohemia on the Ice   Ploos van Amstel, Cornelis   Color etching  1766 
The Fishermen (Les Pêcheurs)   Le Prince, Jean-Baptiste   Etching and aquatint printed in brown ink on laid paper  1771 
Portrait of a Sportsman   Ploos van Amstel, Cornelis   Etching  1773 
Evening, Sportsman’s Return   Grozer, Joseph   Color mezzotint with hand coloring  1795 
The Falconer   Vadder, Lodewijk de   Etching  17th century 
The Falconer   Vadder, Lodewijk de   Etching  17th century 
Summer Amusement at Margate, or a Peep at the Mermaids   Rowlandson, Thomas   Etching with hand coloring on wove paper  1813 
The Skaters   Rowlandson, Thomas   Etching and aquatint with hand coloring on Whatman wove paper  1815 
Explanatory Sheet: Thirty-three Prints on the Art of Bullfighting (Treinta y tres estampas que representan diferentes suertes y actitudes del arte de lidiar los Toros…)   Goya, Francisco de   Etching and aquatint  1816 
The Way in Which the Ancient Spaniards Hunted Bulls on Horseback (Modo con que los Antiguos Españoles Cazaban los Toros á Caballo en el Campo)   Goya, Francisco de   Etching and aquatint  1816 
The Art of Bullfighting (La Tauromaquia)   Goya, Francisco de   Etching and aquatint  1816 
Another Way of Hunting on Foot (Otro Modo de Cazar á Pie)   Goya, Francisco de   Etching and aquatint  1816 
The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Form of Hunting, and Spear a Bull in the Open (Los Moros Establecidos en España, Prescindiendo de las Supersticiones de su Alcorán, Adoptaron Este Caza... [see full title]   Goya, Francisco de   Etching and aquatint  1816 
They Play Another with the Cape in an Enclosure (Capean Otro Encerrado)   Goya, Francisco de   Etching and aquatint  1816 
The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules (El Animoso Moro Gazul es el Primero que Lanceó Toros en Regla)   Goya, Francisco de   Etching and aquatint  1816 
The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous (Los Moros Hacen Otro Capeo en Plaza con Su Albornoz)   Goya, Francisco de   Etching and aquatint  1816 
Origin of the Harpoons or Banderillas (Origen del los Arpones ó Banderillas)   Goya, Francisco de   Etching and aquatint  1816 
A Moor Caught by the Bull in the Ring (Cogida de un Moro Estando en la Plaza)   Goya, Francisco de   Etching and aquatint  1816 
A Spanish Knight Kills the Bull after Having Lost His Horse (Un Caballero Español Mata un Toro despues de Haber Perdido el Caballo)   Goya, Francisco de   Etching and aquatint  1816 
Charles V Spearing a Bull in the Ring at Valladolid (Carlos V Lanceando un Toro en la Plaza de Valladolid)   Goya, Francisco de   Etching and aquatint  1816 

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