Title
|
Artist
|
Medium & Support
|
Creation Date
|
The New-Married Pair [and] The Merchant
|
Bewick, Thomas
|
Wood engraving on wove paper
|
ca. 1789
|
The Old Woman [and] The Child
|
Bewick, Thomas
|
Wood engraving on wove paper
|
ca. 1789
|
The Gentlemen [and] The Canon
|
Bewick, Thomas
|
Wood engraving on wove paper
|
ca. 1789
|
The Peasant [and] The Knight or Soldier
|
Bewick, Thomas
|
Wood engraving on wove paper
|
ca. 1789
|
A Poison Tree
|
Blake, William
|
Relief etching printed in black ink on J. Whatman (1831?) paper
|
1794
|
The Tomb of a Bishop (Le Tombeau d’un Évêque)
|
Canaletto
|
Etching
|
18th century
|
The Deathbed, Widow and Family
|
Chodowiecki, Daniel Nikolaus
|
Etching
|
18th century
|
The Disciples at the Tomb
|
Fragonard, Jean-Honoré
|
Etching on laid paper
|
1764
|
Funeral (Les Obseques)
|
Gillot, Claude
|
Etching and engraving on laid paper
|
ca. 1718-1722
|
El amor y la muerte. (Love and death.)
|
Goya, Francisco de
|
Etching, burnished aquatint, and burin
|
1796-1797
|
Hasta la muerte. (Until death.)
|
Goya, Francisco de
|
Etching, burnished aquatint, and drypoint on cream laid paper
|
1796-1797
|
A Harlot’s Progress, Plate 5
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
A Harlot’s Progress, Plate 6
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
The Company of Undertakers
|
Hogarth, William
|
Etching and engraving on laid paper
|
1736-1737
|
The Idle ’Prentice Executed at Tyburn
|
Hogarth, William
|
Etching and engraving on laid paper
|
1747
|
Cruelty in Perfection
|
Hogarth, William
|
Etching and engraving on laid paper
|
1751
|
The Reward of Cruelty
|
Hogarth, William
|
Etching and engraving on laid paper
|
1751
|
Tailpiece, or The Bathos
|
Hogarth, William
|
Etching and engraving on laid paper
|
1764
|
Cruelty in Perfection
|
Hogarth, William
|
Woodcut on laid paper
|
1751
|
Marriage à la Mode (Plate V)
|
Hogarth, William
|
Etching and engraving on laid paper
|
1745
|
Marriage à la Mode (Plate VI)
|
Hogarth, William
|
Etching and engraving on laid paper
|
1745
|
Ancient Mausoleum Erected for the Ashes of a Roman Emperor (Mausoleo antico eretto per le ceneri d'un Imperadore Romano)
|
Piranesi, Giovanni Battista
|
Etching with title printed from a separate plate on laid paper
|
ca. 1743
|
Remains of Ancient Buildings among Which Stands the Sepulchral Urn of Marcus Agrippa Made Entirely of Porphyry, Which Serves Today as the Tomb of Clement XII… (Vestiggi d’antichi Edifici fra i quali evvi l’Urna Sepolcrale tutta d’un pezzo…)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1743
|
The Skeletons
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
ca. 1745
|
The Tomb of Nero
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
ca. 1745
|