Title
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Artist
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Medium & Support
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Creation Date
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A Harlot’s Progress, Plate 5
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Hogarth, William
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Etching and engraving on laid paper
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1732
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A Harlot’s Progress, Plate 6
|
Hogarth, William
|
Etching and engraving on laid paper
|
1732
|
The Discovery of the Tomb of Punchinello
|
Tiepolo, Giovanni Battista
|
Etching on white laid paper
|
1735-1740
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The Company of Undertakers
|
Hogarth, William
|
Etching and engraving on laid paper
|
1736-1737
|
Remains of Ancient Buildings among Which Stands the Sepulchral Urn of Marcus Agrippa Made Entirely of Porphyry, Which Serves Today as the Tomb of Clement XII… (Vestiggi d’antichi Edifici fra i quali evvi l’Urna Sepolcrale tutta d’un pezzo…)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1743
|
Marriage à la Mode (Plate V)
|
Hogarth, William
|
Etching and engraving on laid paper
|
1745
|
Marriage à la Mode (Plate VI)
|
Hogarth, William
|
Etching and engraving on laid paper
|
1745
|
The Idle ’Prentice Executed at Tyburn
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Hogarth, William
|
Etching and engraving on laid paper
|
1747
|
Tomb of the Scipios (Sepolcro della famiglia de’ Scipioni)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1748
|
Tomb of Caecilia Metella Called Capo di Bove [Ox Head] (Sepolcro di Metela detto Capo di Bove)
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Piranesi, Giovanni Battista
|
Etching on laid paper
|
1748
|
Cruelty in Perfection
|
Hogarth, William
|
Etching and engraving on laid paper
|
1751
|
The Reward of Cruelty
|
Hogarth, William
|
Etching and engraving on laid paper
|
1751
|
Cruelty in Perfection
|
Hogarth, William
|
Woodcut on laid paper
|
1751
|
View of the Mausoleum of the Emperor Hadrian, (Now Called Castel S. Angelo) from the Rear (Veduta del Mausoleo d’Elio Adriano (ora chiamato Castello S. Angelo) nella parte opposta alla Facciata dentro al Castello)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1754
|
The Death of Cleopatra
|
Wille, Johann Georg
|
Engraving and etching on laid paper
|
1754
|
View of the Pyramidal Tomb of Cestius (Veduta del Sepolcro di Cajo Cestio)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1755
|
View of the Interior of the Tomb of St. Costanza, Built by Constantine the Great, and Erroneously Called the Temple of Bacchus, Now the Church of S. Costanza (Veduta interna del Sepolcro di S. Costanza, fabbricato da Costantino Magno… [see full title])
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1756
|
View of the Remains of the Tomb of the Plautii on the Via Tiburtina, near the Ponte Lugano, Two Miles distant from Tivoli (Veduta degl’ avanzi del sepolcro della famiglia Plauzia sulla via Tiburtina vicino al ponte Lugano due miglia lontano da Tivoli)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1761
|
Tomb of Caecilia Metella… (Sepolcro di Cecilia Metella…)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1762
|
The Sarcophagus
|
Robert, Hubert
|
Etching on laid paper
|
1763-1764
|
The Disciples at the Tomb
|
Fragonard, Jean-Honoré
|
Etching on laid paper
|
1764
|
Tailpiece, or The Bathos
|
Hogarth, William
|
Etching and engraving on laid paper
|
1764
|
View of the Tomb of Licinianus Piso on the Ancient Appian Way. Tomb of the Cornelii… (Veduta del Selpolcro di Pisone Liciniano su l’antica via Appia…)
|
Piranesi, Giovanni Battista
|
Etching on laid paper
|
1764
|
Hercules Killing the Hydra
|
West, Raphael Lamar
|
Etching on tan wove paper
|
1785
|
A Poison Tree
|
Blake, William
|
Relief etching printed in black ink on J. Whatman (1831?) paper
|
1794
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