Title
|
Artist
|
Medium & Support
|
Creation Date
|
“S.C.’s” on Night Patrol
|
Arms, John Taylor
|
Etching and aquatint printed in blue ink on laid paper
|
1920
|
“They thunder meekness and forbearance from their clouds and bring human sacrifices to their God of love.”
|
Grosz, George
|
Photolithograph (photoreproduction of drawing) on handmade wove paper
|
1922
|
“What shameful misery to be obliged to play the hare in this world–but his lordship is in need of hares!”
|
Grosz, George
|
Photolithograph (photoreproduction of drawing) on handmade wove paper
|
1922
|
A Heroic Feat! With Dead Men! (Grande hàzaña! Con muertos!)
|
Chagoya, Enrique
|
Etching, aquatint, and rubber stamp on cream Rives Heavyweight wove paper
|
2003
|
A Marauding Expedition (La Maurade)
|
Callot, Jacques
|
Etching
|
1633
|
A Woman’s Charity (Caridad de una Muger)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
Abraham Liberating His Nephew Lot
|
Tempesta, Antonio
|
Etching on white laid paper
|
1613
|
Abraham Taking Lot and His Family to His Own Land
|
Tempesta, Antonio
|
Etching on white laid paper
|
1613
|
Aerial View of Het Achterhuis, Prinsengracht 263
|
Goldyne, Joseph
|
Hard-ground etching, aquatint, and drypoint
|
1985
|
Aeroplanes at Rest on the Plain
|
Pennell, Joseph
|
Transfer lithograph on laid paper
|
1917
|
Aftermath (Aftermath of War)
|
Evergood, Philip
|
Etching and drypoint on wove paper
|
1945
|
Against the Common Good (Contra el bien general)
|
Chagoya, Enrique
|
Etching, aquatint, and rubber stamp on cream Rives Heavyweight wove paper
|
2003
|
Against the Common Good (Contra el Bien General)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
Air Raid Wardens
|
Correll, Richard V.
|
Linocut on Japanese laid paper
|
1943
|
An Heroic Feat! With Dead Men! (Grande Hazaña! Con Muertos!)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
And There’s No Help for It (Y No Hay Remedio)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
And They Are Like Wild Beasts (Y Son Fieras)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
And This Too (Y Esto Tambien)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
Anne at her Window
|
Goldyne, Joseph
|
Hard-ground etching, soft-ground etching, aquatint, spit-bite aquatint, drypoint, roulette, and burnisher
|
1985
|
Anne’s Room from above
|
Goldyne, Joseph
|
Hard-ground etching, aquatint, and drypoint
|
1985
|
Appeals Are in Vain (Clamores en Vano)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
Barbarians! (Bárbaros!)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
Battle Wagon. U.S.S. Alabama Outfitting at Norfolk Navy Yard, Portsmouth, Va. Crane Ship Kearsage along Side, 1942.
|
Arms, John Taylor
|
Etching and aquatint on heavyweight machine-made laid paper
|
1943
|
Battleship Coming Home
|
Pennell, Joseph
|
Transfer lithograph on laid paper
|
1917
|
Bitter to Be Present (Amarga Presencia)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|