Title
|
Artist
|
Medium & Support
|
Creation Date
|
Madonna and Child with Attendant Saints
|
Frick, Fritz
|
Color lithograph (chromolithograph)
|
ca. 1886
|
Supper and Miraculous Vision of St. Domenick
|
Frick, Fritz
|
Color lithograph (chromolithograph)
|
ca. 1884
|
St. Catherine of Alexandria Pleading before Her Judges
|
Frick, Fritz
|
Color lithograph (chromolithograph)
|
ca. 1886
|
Christ Disputing with the Doctors in the Temple
|
Geddes, Andrew
|
Etching
|
19th century
|
Notre Dame du Saint Rosaire
|
Georgin, François
|
Woodcut with hand coloring on laid paper
|
ca. 1875
|
Christ
|
Gubitz, Friedrich Wilhelm
|
Color wood engraving
|
ca. 1814
|
St. Jerome
|
Harper, William St. John
|
Drypoint on Asian wove paper
|
1886
|
Saint Georges
|
Jacquemin, Jeanne
|
Collotype after a watercolor on wove paper
|
ca. 1898
|
Saint Francis Receiving the Infant Jesus
|
Josi, Christian
|
Mixed intaglio techniques including etching, aquatint, stipple, and roulette on cream laid paper
|
ca. 1800-1820
|
Saint Francis Receiving the Infant Jesus
|
Josi, Christian
|
Mixed intaglio techniques including etching, aquatint, stipple, and roulette on grey wove paper
|
ca. 1800-1820
|
Saint Francis Receiving the Infant Jesus
|
Josi, Christian
|
Mixed intaglio techniques including etching, aquatint, stipple, and roulette on heavyweight white wove paper
|
ca. 1800-1820
|
Saint Francis Receiving the Infant Jesus
|
Josi, Christian
|
Mixed intaglio techniques including etching, aquatint, stipple, and roulette on tan wove paper
|
ca. 1800-1820
|
Saint Francis Receiving the Infant Jesus
|
Josi, Christian
|
Mixed intaglio techniques including etching, aquatint, stipple, and roulette on tan wove paper
|
ca. 1800-1820
|
Intermezzo (Adam and Eve & Death and Devil)
|
Klinger, Max
|
Etching
|
1887
|
The Prodigal Son (Second Plate)
|
Legros, Alphonse
|
Drypoint on laid paper
|
ca. 1870-1890
|
Eve Repentant
|
Merritt, Anna Lea
|
Etching printed in brown ink on soft laid Japan paper
|
1887
|
Salomé
|
Merson, Luc Olivier
|
Collotype on wove paper
|
ca. 1899
|
The Baptism of Christ
|
Minne, George
|
Woodcut
|
1899
|
St. John the Evangelist
|
Muller, Johann Friedrich Wilhelm
|
|
early 19th century
|
And he had in his right hand seven stars, and out of his mouth went a sharp two-edged sword (Et il avait dans sa main droite sept etoiles, et de sa bouche sortait une epee aigue a deux tranchants)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
And I saw in the right hand of him that sat upon the throne a book written within and on the backside, sealed with seven seals (Puis je vis, dans la main droite de celui qui etait assis sur le trone, un livre ecrit dedans et dehors, scelle de sept sceaux)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
And his name that sat on him was Death (Et celui qui etait monte dessus se nonmait la Mort)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
And the angel took the censer (Puis l’ange prit l’encensoir)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
And there fell a great star from heaven, burning as it were a lamp (Et il tombe du ciel une grande etoile ardente)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
A woman clothed with the sun (Une femme revetue du soleil)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|