Title
|
Artist
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Medium & Support
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Creation Date
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A Collection of One Hundred and Fifty Engravings
|
Anderson, Alexander
|
Wood engraving on leaves in bound volume
|
ca. 1865-1870
|
A Sainted Martyr Seated upon a Throne, Holding the Eucharist
|
Hopfer, Daniel
|
Etching
|
late 15th century - early 16th century
|
A Tavern Scene
|
Anonymous
|
Engraving on laid paper
|
ca. 1590
|
A woman clothed with the sun (Une femme revetue du soleil)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
Abraham’s Sacrifice
|
Rembrandt van Rijn
|
Etching and drypoint on white laid paper
|
1655
|
Adam and Eve
|
Cantarini, Simone
|
Etching
|
17th century
|
Adoration of the Magi
|
Altdorfer, Albrecht
|
Woodcut
|
1513
|
Adoration of the Magi
|
Dürer, Albrecht
|
Woodcut
|
1500-1503
|
Adoration of the Magi
|
Master I. A. M. of Zwolle
|
Engraving
|
1490
|
Adoration of the Shepherds
|
Master H. F. E.
|
Etching
|
before 1551
|
Adoration of the Shepherds
|
Oddi, Mauro
|
Etching
|
1664
|
Adoration of the Shepherds
|
Reverdy, Georges
|
Engraving
|
16th century
|
Agony in the Garden
|
Altdorfer, Albrecht
|
Woodcut
|
1513
|
Agony in the Garden
|
Dürer, Albrecht
|
Woodcut
|
late 15th century - early 16th century
|
Agony in the Garden
|
Schongauer, Martin
|
Engraving
|
15th century
|
Altar with Virgin and Child, St. Christopher, St. George, St. Barbara, and St. Catherine
|
Altdorfer, Albrecht
|
Woodcut on probably wove paper
|
1520 (possibly a restrike printed later)
|
Among the Olive Trees (Tra Gli Ulivi)
|
Paladino, Mimmo
|
Etching, drypoint, aquatint, and lift-ground aquatint printed from seven plates (three plates for central image, four for frame printed in brown ink) on Okawara chine collé on Arches Cover paper
|
1984
|
And another angel came out of the temple which is in heaven, and he also having a sharp sickle (Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
And bound him in a thousand years (Et le lia pour mille ans)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
And he discerns an arid, knoll-covered plain (Et il distingue une plaine aride et mamelonneuse)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on Arches paper
|
1896 (printed 1933)
|
And he had in his right hand seven stars, and out of his mouth went a sharp two-edged sword (Et il avait dans sa main droite sept etoiles, et de sa bouche sortait une epee aigue a deux tranchants)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
And his name that sat on him was Death (Et celui qui etait monte dessus se nonmait la Mort)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
And I John saw the holy city, new Jerusalem, coming down from God out of heaven (Et moi, Jean, je vis la sainte cite, la nouvelle Jerusalem, qui descendait du ciel, d’aupres de Dieu)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
And I John saw these things, and heard them (C’est moi, Jean, qui ai vu et qui ai oui ces choses)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|
And I saw an angel come down from heaven, having the key of the bottomless pit and a great chain in his hand (Apres cela je vis descendre du ciel un ange qui avait la clef de l’abime, et une grande chaine en sa main)
|
Redon, Odilon
|
Lithograph on thin grey wove chine collé on heavyweight wove paper
|
1899
|