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Your search criteria: Keyword is "GXNU".

Showing 1 to 25 of 58 Records

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Title Artist Medium & Support Creation Date
Tauromachies La Hune: Gravures, lithographies, empreintes, céramiques July, 1954   Picasso, Pablo     ca. 1954 
Toros y Toreros   Picasso, Pablo     ca. 1961 
The Ovation to the Matador   McBey, James   Drypoint on laid paper  1911 
Theseus with the Slain Minotaurus   Morghen, Raphael   Engraving  late 18th century - early 19th century 
Rape of Europa   Cantarini, Simone   Etching  17th century (printed later) 
Dios se lo pague a usted   Goya, Francisco de   Etching  1778 
The Rape of Europa   Lorrain, Claude   Etching  1634 
Andalusian Bullfight   MacLeod, William Douglas   Etching  20th century 
The Rape of Europa   Oddi, Mauro   Etching  late 17th century 
Large Cinerary Vase Ornamented with Bulls’ Heads Supporting a Garland of Fruit   Piranesi, Giovanni Battista   Etching  18th century 
Explanatory Sheet: Thirty-three Prints on the Art of Bullfighting (Treinta y tres estampas que representan diferentes suertes y actitudes del arte de lidiar los Toros…)   Goya, Francisco de   Etching and aquatint  1816 
The Way in Which the Ancient Spaniards Hunted Bulls on Horseback (Modo con que los Antiguos Españoles Cazaban los Toros á Caballo en el Campo)   Goya, Francisco de   Etching and aquatint  1816 
The Art of Bullfighting (La Tauromaquia)   Goya, Francisco de   Etching and aquatint  1816 
Another Way of Hunting on Foot (Otro Modo de Cazar á Pie)   Goya, Francisco de   Etching and aquatint  1816 
The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Form of Hunting, and Spear a Bull in the Open (Los Moros Establecidos en España, Prescindiendo de las Supersticiones de su Alcorán, Adoptaron Este Caza... [see full title]   Goya, Francisco de   Etching and aquatint  1816 
They Play Another with the Cape in an Enclosure (Capean Otro Encerrado)   Goya, Francisco de   Etching and aquatint  1816 
The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules (El Animoso Moro Gazul es el Primero que Lanceó Toros en Regla)   Goya, Francisco de   Etching and aquatint  1816 
The Moors Make a Different Play in the Ring Calling the Bull with Their Burnous (Los Moros Hacen Otro Capeo en Plaza con Su Albornoz)   Goya, Francisco de   Etching and aquatint  1816 
Origin of the Harpoons or Banderillas (Origen del los Arpones ó Banderillas)   Goya, Francisco de   Etching and aquatint  1816 
A Moor Caught by the Bull in the Ring (Cogida de un Moro Estando en la Plaza)   Goya, Francisco de   Etching and aquatint  1816 
A Spanish Knight Kills the Bull after Having Lost His Horse (Un Caballero Español Mata un Toro despues de Haber Perdido el Caballo)   Goya, Francisco de   Etching and aquatint  1816 
Charles V Spearing a Bull in the Ring at Valladolid (Carlos V Lanceando un Toro en la Plaza de Valladolid)   Goya, Francisco de   Etching and aquatint  1816 
The Cid Campeador Spearing Another Bull (El Cid Campeador Lanceando Otro Toro)   Goya, Francisco de   Etching and aquatint  1816 
The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (Desjarrete de la Canalla con Lanzas, Medias-lunas, Banderillas y Otras Armas)   Goya, Francisco de   Etching and aquatint  1816 
A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants (Un Caballero Español en Plaza Quebrando Rejoncillos sin Auzilio de los Chulos)   Goya, Francisco de   Etching and aquatint  1816 

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