|
Title
|
Artist
|
Medium & Support
|
Creation Date
|
|
Devastation of a Monastery (Dévastation d’un Monastère)
|
Callot, Jacques
|
Etching
|
1633
|
|
Diary of a Young Girl-Anne Frank
|
Goldyne, Joseph
|
Etching, aquatint, spit-bite aquatint, and monoprint
|
1985
|
|
Disco Mosul
|
Heyman, Daniel A.
|
Drypoint on Rives BFK paper
|
2006
|
|
Discovery of the Military Malfactors (Découverte des Malfaiteurs)
|
Callot, Jacques
|
Etching
|
1633
|
|
Distribution of Pay (Distribution des Recompenses)
|
Callot, Jacques
|
Etching
|
1633
|
|
Dust, Beersheba
|
McBey, James
|
Etching
|
1920
|
|
Elisha Bringing the Blinded Syrian Army to the King of Israel
|
Tempesta, Antonio
|
Etching on white laid paper
|
1613
|
|
En’que Chagoya flores
|
Chagoya, Enrique
|
Etching, aquatint, and rubber stamp on cream Rives Heavyweight wove paper
|
2003
|
|
Even Worse (Tanto y Mas)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
|
Everything Is Topsy-Turvy (Todo Va Revuelto)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
|
Falling Pinks
|
Goldyne, Joseph
|
Hard-ground etching, spit-bite aquatint, and drypoint
|
1985
|
|
Feline Pantomine (Gatesca Pantomima)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
|
Forging Shells: The Slaves of the Wheel
|
Pennell, Joseph
|
Transfer lithograph on laid paper
|
1917
|
|
From here the tragedy started
|
Heyman, Daniel A.
|
Drypoint on Rives BFK paper
|
2006
|
|
Frontispiece
|
Callot, Jacques
|
Etching
|
1633
|
|
Frontispiece with the Coat-of-Arms of Cosimo II of Tuscany and Representations of Justice, Prudence, Glory, and Generosity
|
Tempesta, Antonio
|
Etching on white laid paper
|
1613
|
|
Get Them Well, and On to the Next (Curarlos, y á Otra)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
|
Gideon Choosing His Soldiers
|
Tempesta, Antonio
|
Etching on white laid paper
|
1613
|
|
Gideon Terrorizing the Enemy Camp
|
Tempesta, Antonio
|
Etching on white laid paper
|
1613
|
|
Goya Meets Posada (Goya conoce a Posada)
|
Chagoya, Enrique
|
Etching, aquatint, and rubber stamp on cream Rives Heavyweight wove paper
|
2003
|
|
Guerre Civile, scène de la Commune de Paris, 1871 (Civil War)
|
Manet, Édouard
|
Lithograph on chine collé on heavyweight wove paper
|
1871
|
|
Gun Pit, No. 2
|
Pennell, Joseph
|
Transfer lithograph touched up with black ink or oil paint on laid paper
|
1917
|
|
Harvest of the Dead (Muertos Recogidos)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
|
He could feel the dog’s breath
|
Heyman, Daniel A.
|
Drypoint on Rives BFK paper
|
2006
|
|
He Defends Himself Well (Se Defiende Bien)
|
Goya, Francisco de
|
Etching and aquatint
|
1810-1815 (printed 1863)
|
by Artist (32)
